54 Popular Jewish Songs in Singable English Settings. Edited by Velvel Pa...(+)
54 Popular Jewish
Songs in Singable English
Settings. Edited by
Velvel Pasternak. Tara
Books. Softcover. 98
pages. Published by Tara
Publications (HL.138532).
Composed by Gabriel Yared. For piano. From the motion picture "The English Patie...(+)
Composed by Gabriel
Yared. For piano. From
the motion picture "The
English Patient". Format:
piano solo songbook. With
black & white photos.
Movies. 32 pages. 9x12
inches. Published by Hal
Leonard.
(Two Oboes and English Horn Study Score). By Ludwig van Beethoven (1770-1827). E...(+)
(Two Oboes and English
Horn Study Score). By
Ludwig van Beethoven
(1770-1827). Edited by
Egon Voss. Study Score.
Henle Study Scores. Study
score. 56 pages
By Carlo Yvon. For English Horn (Clarinet or Viola), Piano. Score with parts. La...(+)
By Carlo Yvon. For
English Horn (Clarinet or
Viola), Piano. Score with
parts. Language: all
languages. 44 pages.
Duration 14 min.
Published by Carus Verlag
(German import).
Composed by Ralph Vaughan Williams (1872-1958). Arranged by Ralph Sauer. English...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Arranged by Ralph Sauer.
English Impressionism.
Solo part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2913).
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145615-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145615-140
As performed by
Sting. Composed by
Sting. Arranged by Roland
Kernen. DHP Pop, Film and
Show. Score Only.
Composed 2014. De Haske
Publications #DHP
1145615-140. Published by
De Haske Publications
(BT.DHP-1145615-140).
Sting’s
song about an Englishman
who lives in New York but
still sees himself as an
outsider became a huge
hit for the
singer-songwriter and has
gone on to be a true
classic. The central
message ‘Be
yourself, no matter what
they say’ is as
timeless and universal as
the melody of the song,
which in Roland
Kernen’s wind band
arrangement is sure to
delight your audience.
De Britse
singer-songwriter Sting
scoorde met dit lied over
een Engelsman die in New
York steeds een
vreemdeling is gebleven,
een grote hit, die
inmiddels een evergreen
is geworden. De boodschap
erachter ‘Blijf
jezelf, wat ze ook
zeggen’ is net zo
tijdloos en universeel
als de melodie, die in
deze blaasorkestversie
van Roland Kernen
uitstekend tot haar recht
komt.
Dem
britischen Sänger und
Songwriter Sting gelang
mit Lied über einen
Engländer, der in New
York stets ein Fremdling
belieben wird, ein
großer Hit, der
mittlerweile zum
Evergreen geworden ist.
Die zentrale Botschaft:
Bleib du selbst, egal,
was sie sagen“ ist
jedoch so zeitlos und
universal wie auch die
Melodie des Liedes, das
in Roland Kernens
Blasorchesterversion bei
jedem Publikum gut
ankommen wird.
In
questa canzone il
cantante e compositore
inglese Sting racconta la
storia di un inglese
eccentrico che arriva a
New York. Il messaggio
centrale « siate voi
stessi, non importa
ciò che gli altri
dicono », resta
attuale e universale,
così come
l’indimenticabile
melodia di questa
splendida canzone.
Englishman in New York Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145615-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145615-010
As performed by
Sting. Composed by
Sting. Arranged by Roland
Kernen. DHP Pop, Film and
Show. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145615-010. Published by
De Haske Publications
(BT.DHP-1145615-010).
Sting’s
song about an Englishman
who lives in New York but
still sees himself as an
outsider became a huge
hit for the
singer-songwriter and has
gone on to be a true
classic. The central
message ‘Be
yourself, no matter what
they say’ is as
timeless and universal as
the melody of the song,
which in Roland
Kernen’s wind band
arrangement is sure to
delight your audience.
De Britse
singer-songwriter Sting
scoorde met dit lied over
een Engelsman die in New
York steeds een
vreemdeling is gebleven,
een grote hit, die
inmiddels een evergreen
is geworden. De boodschap
erachter ‘Blijf
jezelf, wat ze ook
zeggen’ is net zo
tijdloos en universeel
als de melodie, die in
deze blaasorkestversie
van Roland Kernen
uitstekend tot haar recht
komt.
Dem
britischen Sänger und
Songwriter Sting gelang
mit Lied über einen
Engländer, der in New
York stets ein Fremdling
belieben wird, ein
großer Hit, der
mittlerweile zum
Evergreen geworden ist.
Die zentrale Botschaft:
Bleib du selbst, egal,
was sie sagen“ ist
jedoch so zeitlos und
universal wie auch die
Melodie des Liedes, das
in Roland Kernens
Blasorchesterversion bei
jedem Publikum gut
ankommen wird.
In
questa canzone il
cantante e compositore
inglese Sting racconta la
storia di un inglese
eccentrico che arriva a
New York. Il messaggio
centrale « siate voi
stessi, non importa
ciò che gli altri
dicono », resta
attuale e universale,
così come
l’indimenticabile
melodia di questa
splendida canzone.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Soprano Recorder (Ss) SKU: HL.49002279 Composed by Various. Edited by Wal...(+)
Soprano Recorder (Ss)
SKU: HL.49002279
Composed by Various.
Edited by Walter
Bergmann. Arranged by
Walter Bergmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 16 pages.
Schott Music #ED10112.
Published by Schott Music
(HL.49002279).
ISBN
9790220101069. UPC:
073999345940.
5.25x7.5x0.084
inches.
There was a
crooked man (English) *
Poor Jennie lies a
weeping (English) * Girls
and Boys come out to play
(English) * Polly put the
kettle on (English) * The
British Grenadiers
(English) * He is a jolly
good fellow (English) *
E. Humperndinck: Susy,
little Susy from Hansel
& Gretel * E.
Humperndinck: Dance Duet
from Hansel & Gretel
* Evening Hymn (German
18th Cent.) * Ach du
lieber Augustin (German)
* J.S. Bach: Minuet * Ah,
vous dirais-je Maman
(French) * Moravian
Christmas Hymn.
Composed
by Dusan Bogdanovic.
Score. Les Editions
Doberman-Yppan #DO 1529.
Published by Les Editions
Doberman-Yppan
(DY.DO-1529).
ISBN
9782897963095.
Homa
ge to the English
guitarist-composer John
Duarte, In an English
Garden, is a short
Neo-Baroque triptych
based on a charming
harmonic fragment from
the second movement of
the composer’s
well-known work English
Suite. The blueprint for
the Prelude is in the
French Overture style and
Sarabande with the
accompanying Double is
modelled after Bach’s
Partita no.1 in B minor.
The quote Sitting in an
English garden, waiting
for the sun, is from one
of my favorite songs by
John Lennon, I Am The
Walrus.
Hommage au
guitariste-compositeur
anglais John Duarte, In
an English Garden est un
court triptyque
néo-baroque basé sur un
charmant fragment
harmonique du deuxième
mouvement de l’œuvre
bien connue du
compositeur English
Suite. Le plan du
Prélude est dans le
style de l’Ouverture
française et la
Sarabande accompagnée du
Double est calquée sur
la Partita n°1 en si
mineur de Bach. La
citation « Assis dans un
jardin anglais, attendant
le soleil » est tirée
d’une de mes chansons
préférées de John
Lennon, I Am The
Walrus.
(Schirmer's Library of Musical Classics Vol. 2093). By Johann Sebastian Bach (16...(+)
(Schirmer's Library of
Musical Classics Vol.
2093). By Johann
Sebastian Bach
(1685-1750). For Piano.
Piano Collection. 176
pages. G. Schirmer #LB
2093. Published by G.
Schirmer
By Johann Sebastian Bach. Edited by Walther Dehnhard. Arranged by Walther Dehnha...(+)
By Johann Sebastian Bach.
Edited by Walther
Dehnhard. Arranged by
Walther Dehnhard. For
piano. Deutscher
Musikeditionspreis 1998.
Baroque. Full score. 152
pages. Published by
Wiener Urtext Edition.
with Performance Notes. By Johann Sebastian Bach. Edited by Rudolph Steglich. Pi...(+)
with Performance Notes.
By Johann Sebastian Bach.
Edited by Rudolph
Steglich. Piano
(Harpsichord), 2-hands.
Pages: 115. Urtext
edition-paper bound.
Published by G. Henle.
Brass Band - Grade 4 SKU: BT.DHP-1206265-130 Andantino. Composed b...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206265-130
Andantino.
Composed by Sir Malcolm
Arnold. Arranged by Ray
Farr. Great Classics.
Classical. Score Only.
Composed 2020. 12 pages.
De Haske Publications
#DHP 1206265-130.
Published by De Haske
Publications
(BT.DHP-1206265-130).
English
Dances, Set I, opus
27, is a light
classic composition that
was written for orchestra
by the British composer
Malcolm Arnold in 1950.
The set contains four
dances that continue
without pause: the
individual movements are
indicated by the tempo
markings. The work came
about at the request of
Bernard de Nevers, at the
time the head of
publisher Alfred Lengnick
& Co., who asked Arnold
to write a suite of
dances as an English
counterpart to Dvo
ák’s Slavonic
Dances and
Bartók’s
Romanian Folk Dances. The
première took place in
the spring of 1951,
played by the London
Philharmonic Orchestra,
conducted by Sir Adrian
Boult. Following the
success of the first set,
DeNevers asked the
composer to write a
second one, which Arnold
completed the next year
(Op. 33). The
Andantino from the
first set has been
skilfully arranged and
orchestrated for brass
band by Ray Farr.
English
Dances, Set I, opus
27, is een licht
klassieke compositie die
in 1950 door de Britse
componist Malcolm Arnold
voor orkest geschreven
werd. De set bestaat uit
vier dansen die zonder
onderbreking in elkaar
overgaan: de
afzonderlijke delen
worden aangegeven met de
tempomarkering. Het werk
kwam tot stand op verzoek
van Bernard de Nevers,
destijds het hoofd van
uitgeverij Alfred
Lengnick & Co., die
Arnold vroeg om een reeks
dansen te schrijven als
een Engelse tegenhanger
voor de Slavische dansen
van Dvo ák en de
Roemeense volksdansen van
Bartók. De première
werd in het voorjaar van
1951 gebracht door het
London Philharmonic
Orchestra, onder leiding
van Sir Adrian Boult.Na
het succes van de eerste
set vroeg De Nevers om
een tweede, die Arnold
een jaar later voltooide
(opus 33). Het
Andantino uit de
eerste set is door Ray
Farr meesterlijk
gearrangeerd en ge
nstrumenteerd voor
brassband.
English
Dances, Set I, opus
27, ist eine leicht
Klassische Komposition,
die 1950 von dem
britischen Komponisten
Malcolm Arnold für
Orchester geschrieben
wurde. Die Reihe
enthält vier Tänze,
die ohne Unterbrechung
gespielt werden. Die
einzelnen Sätze sind
mit Tempoangaben
versehen. Das Werk
entstand auf Wunsch von
Bernard de Nevers, dem
damaligen Leiter des
Verlags Alfred Lengnick &
Co., der Arnold bat, eine
Reihe von Tänzen als
englisches Gegenstück
zu Dvo áks Slawischen
Tänzen“ und
Bartóks Rumänischen
Volkstänzen“ zu
schreiben. Die
Uraufführung fand im
Frühjahr 1951 mit dem
London Philharmonic
Orchestra unter der
Leitung von Sir Adrian
Boult statt. Nach
demErfolg der ersten
Reihe bat de Nevers den
Komponisten, eine zweite
Reihe zu schreiben, die
Arnold im darauffolgenden
Jahr fertigstellte (op.
33). Das Andantino
aus der ersten Reihe
wurde von Ray Farr
gekonnt für Brass Band
arrangiert und
orchestriert.