Arranged by Dan Coates. Songbook for voice and easy piano. 276 pages. Published by Alfred Publishing.

Songbook for voice, piano and guitar chords. 304 pages. Published by Hal Leonard.

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Randb and classic soul. Series: Hal Leonard Fake Books. 437 pages. 9x12 inches. Published by Hal Leonard.

(The New Decade Series with Online Play-Along Backing Tracks). By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover Audio Online. 456 pages. Published by Hal Leonard

For Piano. Piano Collection. Performance Plus. Pop/Rock. Book. 28 pages. Published by Alfred Publishing.

Composed by Various. Piano/Vocal/Guitar Songbook. Movies. Softcover. 360 pages. Published by Hal Leonard

Easy Piano Budget Books. By Various. Easy Piano Songbook (Easy arrangements for piano and voice). Size 8.25x10.75 inches. 302 pages. Published by Hal Leonard.

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.44641336L

Concert overture for orchestra. Composed by David Leisner. Large Score. With Standard notation. 16 pages. Theodore Presser Company #446-41336L. Published by Theodore Presser Company (PR.44641336L).

UPC: 680160667338. 11 x 17 inches.

Pranaya ma is a musical meditation for both orchestra and audience, intended for the opening of a concert program. The three pitches that are the basis of the entire work were first heard by me as music floating in the ether. These pitches are passed from one instrument to another in the orchestra and transposed. Their rhythm is based solely on the timing of the breath of each individual player. The first two notes are played as the string players and percussionists exhale, while the third note is played on the inhale. Wind and brass players divide the three notes between each pair, one player taking the first two notes and then cuing the other player for the third note, and so on in a cycle. The overall result might sound like a community of living, breathing organisms. It may require some patience to get used to the aural subtleties and nuance of detail over time, just like being in a very dark room and waiting for your eyes to adjust to see what is there. These words of the early French philosopher, Nicolas Malebranche supply an epigraph for the piece: Attention is the natural prayer of the soul. Pranayama was completed in 2015 and is an expansion of one of the movements of an earlier work, Twilight Streams for cello and guitar. It is dedicated to Paul Haas, who imaginatively suggested the idea of rewriting if for orchestra and who premiered the work with the Symphony of Northwest Arkansas.

David Leisner

.

Fanfare Band - Grade 3

SKU: BT.DHP-1114997-120

Composed by Jan de Haan. Concert and Contest Collection CBHA. Festive and Solemn Music. Score Only. Composed 2011. 12 pages. De Haske Publications #DHP 1114997-120. Published by De Haske Publications (BT.DHP-1114997-120).

9x12 inches. English-German-French-Dut ch.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer’s third grandson was born in the spring, were the inspiration for Spring Song.

Het is voorjaar! De dagen worden langer, de vogels bouwen hun nestjes, bomen hullen zich in het groen en alle planten beginnen te bloeien. Kortom: de natuur ontwaakt uit haar winterslaap. En precies in dit jaargetijde zag ook hetderde kleinkind van de componist het levenslicht. Lente en nieuw leven: voor Jan de Haan twee prachtige inspiratiebronnen voor zijn nieuwe werk Spring Song!

Es ist Frühling. Die Tage werden länger, Vögel bauen ihre Nester, die Bäume schlagen aus und alle Pflanzen beginnen zu blühen. Kurz gesagt: Die Natur erwacht aus ihrem Winterschlaf. Der Frühling und der glückliche Umstand, dass just zu dieser Jahreszeit sein dritter Enkel das Licht der Welt erblickte inspirierte den Komponisten zu seinem Stück Spring Song.

C’est le printemps : les jours s’allongent et la nature sort de son sommeil hivernal. C’est toute l’effervescence du printemps qu’exhale Spring Song. En outre, cette ravissante pièce célèbre également la naissance du troisième petit fils du compositeur, né au printemps.

E’ primavera: la natura si risveglia, gli uccelli preparano i nidi, gli alberi e le piante cominciano a fiorire. Uno spettacolo che la natura ci regala puntuale ogni anno. Spring Song trasuda di questo splendore e vuole essere per Jan de Haan un benvenuto al mondo al suo terzo nipote, nato appunto in quella che è per molti la stagione più bella dell’anno..

E-Z Play�® Today Volume 369. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159575).

The Largest Collection of Piano/Vocal/Guitar Arrangements. Performed by Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Published by Hal Leonard.

By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 440 pages. Published by Hal Leonard.

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Performed by Whitney Houston. Songbook for voice, piano and guitar chords. 228 pages. Published by Alfred Publishing.

B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 536 pages. Published by Hal Leonard

Composed by Phil Duncan. For harmonica. Saddle-stitched. Dirt Simple. Beginning. Book and online audio. Published by Mel Bay Publications, Inc

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Easy Piano Piano/Keyboard

SKU: HL.282481

The New Decade Series. Composed by Various. Easy Piano Songbook. Alternative, Pop, Rock. Softcover. 410 pages. Published by Hal Leonard (HL.282481).

ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches.

The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more.

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.