En
bonus, les partitions de
2 titres extraits de
l'album Chambers, une
respiration Solitaire et
un happy end Cello ni
majeur, ni mineur, mais
en mode à 2 (Duo Piano
/ Violoncelle).
40 Top Show Pieces Volume 4 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Concert band 5-Part Ensemble - Grade 2 SKU: MA.EMR-33992 Composed by Jero...(+)
Concert band 5-Part
Ensemble - Grade 2
SKU: MA.EMR-33992
Composed by Jerome
Naulais. 5 - Part
Ensemble & Piano /
Keyboard (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)). Score and parts.
Duration 27'03. Editions
Marc Reift #EMR 33992.
Published by Editions
Marc Reift
(MA.EMR-33992).
Possible
instrumentations: 5 - Part Ensemble &
Piano / Keyboard (Piano /
Guitar, Bass Guitar,
Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble & Rhythm Section
(Piano, Bass, Drums)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Keyboard,
Guitar & Drums optional)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)) Concert Band -
Blasorchester - Harmonie
(Flexi-Band (5 Parts)
Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)).
Musical Education SKU: HL.50574951 Composed by Henry Barraud. Editions Du...(+)
Musical Education
SKU:
HL.50574951
Composed
by Henry Barraud.
Editions Durand. Books on
Music. Book Only.
Composed 2001. Editions
Durand #DF13090.
Published by Editions
Durand (HL.50574951).
40 Top Show Pieces Volume 3 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Concert band 5-Part Ensemble - Grade 2 SKU: MA.EMR-33991 Composed by Jero...(+)
Concert band 5-Part
Ensemble - Grade 2
SKU: MA.EMR-33991
Composed by Jerome
Naulais. 5 - Part
Ensemble & Piano /
Keyboard (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)). Score and parts.
Duration 23'49. Editions
Marc Reift #EMR 33991.
Published by Editions
Marc Reift
(MA.EMR-33991).
Possible
instrumentations: 5 - Part Ensemble &
Piano / Keyboard (Piano /
Guitar, Bass Guitar,
Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble & Rhythm Section
(Piano, Bass, Drums)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Keyboard,
Guitar & Drums optional)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)) Concert Band -
Blasorchester - Harmonie
(Flexi-Band (5 Parts)
Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)).
40 Top Show Pieces Volume 2 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Concert band 5-Part Ensemble - Grade 2 SKU: MA.EMR-33990 Composed by Jero...(+)
Concert band 5-Part
Ensemble - Grade 2
SKU: MA.EMR-33990
Composed by Jerome
Naulais. 5 - Part
Ensemble & Piano /
Keyboard (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)). Score and parts.
Duration 26'35. Editions
Marc Reift #EMR 33990.
Published by Editions
Marc Reift
(MA.EMR-33990).
Possible
instrumentations: 5 - Part Ensemble &
Piano / Keyboard (Piano /
Guitar, Bass Guitar,
Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble & Rhythm Section
(Piano, Bass, Drums)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Keyboard,
Guitar & Drums optional)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)) 5 - Part
Ensemble (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) /
CD Playback (Play
Along)) Concert Band -
Blasorchester - Harmonie
(Flexi-Band (5 Parts)
Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)).
40 Top Show Pieces Volume 1 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Concert band 5-Part Ensemble - Grade 2 SKU: MA.EMR-33989 Composed by Jero...(+)
Concert band 5-Part
Ensemble - Grade 2
SKU: MA.EMR-33989
Composed by Jerome
Naulais. 5 - Part
Ensemble & Piano /
Keyboard (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) CD
Playback (Play Along)).
Score and parts. Duration
25'15. Editions Marc
Reift #EMR 33989.
Published by Editions
Marc Reift
(MA.EMR-33989).
Possible
instrumentations: 5 - Part Ensemble &
Piano / Keyboard (Piano /
Guitar, Bass Guitar,
Drums, Percussion
(optional) CD Playback
(Play Along)) 5 - Part
Ensemble & Rhythm Section
(Piano, Bass, Drums)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) CD Playback
(Play Along)) 5 - Part
Ensemble (Keyboard,
Guitar & Drums optional)
(Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) CD Playback
(Play Along)) 5 - Part
Ensemble (Piano / Guitar,
Bass Guitar, Drums,
Percussion (optional) CD
Playback (Play
Along)) Concert Band -
Blasorchester - Harmonie
(Flexi-Band (5 Parts)
Piano / Guitar, Bass
Guitar, Drums, Percussion
(optional) / CD Playback
(Play Along)).
Piano and Orchestra SKU: HL.50484031 Score. Composed by Toru Takem...(+)
Piano and Orchestra
SKU: HL.50484031
Score. Composed by
Toru Takemitsu. Special
Import. Classical. Score
Only. Composed 2002.
Editions Salabert
#SLB2210. Published by
Editions Salabert
(HL.50484031).
Organ SKU: HL.14040578 Composed by Pierre Wissmer. Music Sales America. C...(+)
Organ
SKU:
HL.14040578
Composed
by Pierre Wissmer. Music
Sales America. Classical.
Book [Softcover].
Editions Musicales
Transatlantiques
#ETR001295. Published by
Editions Musicales
Transatlantiques
(HL.14040578).
(Performance Pack). By Ruth Elaine Schram. Choir Sacred. This edition: Performan...(+)
(Performance Pack). By
Ruth Elaine Schram. Choir
Sacred. This edition:
Performance Pack
(Director's Score and 10
Singer's Editions).
Christian Elementary
Musical; Church Musicals;
Worship Resources.
Children; Christmas;
Sacred; Winter. Score and
10 Books. 32 pages.
Published by Alfred Music
Publishing
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).