Choral (SA) SKU: HL.1461927 Composed by David Chase and Judith Clurman. R...(+)
Choral (SA)
SKU:
HL.1461927
Composed
by David Chase and Judith
Clurman. Rejoice Honoring
Jewish Spirit. Chanukah,
Hanukkah, Holiday,
Jewish, Winter. Octavo.
Published by Hal Leonard
(HL.1461927).
UPC:
196288211617.
Chanu
kah is a celebration of
freedom and light. It
marks the first
successful battle for
religious freedom in
history. This new choral
composition from Judith
Clurman and David Chase
(of “Eight Days of
Lights†fame)
asserts hope for the
future in a world of
peace.
By Ludwig van Beethoven (1770-1827). Arranged by Jonathon Robbins. For Alto saxo...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Jonathon Robbins. For
Alto saxophone and piano
(all Eb instruments).
Published by Santorella
Publications
Composed by Jesse Beulke. National/Emerson Fred Bock. Octavo. 8 pages. National ...(+)
Composed by Jesse Beulke.
National/Emerson Fred
Bock. Octavo. 8 pages.
National Music Publishers
#NM1038. Published by
National Music Publishers
(HL.160221).
Jazz Piano Exercises and Etudes with CD * Book 2 composed by Tony Santorella. Ar...(+)
Jazz Piano Exercises and
Etudes with CD * Book 2
composed by Tony
Santorella. Arranged by
Jonathon Robbins. For
jazz piano. This edition:
Paperback. Instructional.
Exercises. Book and CD.
Text Language: English.
48 pages. Published by
Santorella Publications
SATB choir, piano SKU: LO.15-3686H Composed by Mark Patterson. Choral. Oc...(+)
SATB choir, piano
SKU:
LO.15-3686H
Composed
by Mark Patterson.
Choral. Octavo. Heritage
Music Press #15/3686H.
Published by Heritage
Music Press
(LO.15-3686H).
ISBN
9780787768201.
A
song of hope for the
future, Beyond the Years
is especially appropriate
for a moving-on ceremony
or as a ballad in a
contest set. The
musically embracing
setting of American poet
Paul Laurence Dunbar's
words features effective
choral writing by Mark
Patterson that will
flatter younger and
intermediate-level
ensembles.
Choir Secular (SATB choir) SKU: AP.50305 Composed by Chris Hayes, Huey Le...(+)
Choir Secular (SATB
choir)
SKU:
AP.50305
Composed by
Chris Hayes, Huey Lewis,
Johnny Colla, and Sean
Hopper. Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway; Classic
Pop; Movie; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-50305.
Published by Alfred Music
(AP.50305).
UPC:
038081574752.
English.
Great
Scott! Back to the Future
is back---and this time
on Broadway! Take your
audience on a two-minute
ride to 1985 with this
high-energy rock song by
Huey Lewis and the News.
Bring some lightning to
the stage with the
optional horns-and-rhythm
SoundPax, or the
electrifying SoundTrax
accompaniment.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 45 pages. G.
Henle #HN9057. Published
by
G. Henle
SATB choir and piano, with optional Djembe - Early Intermediate SKU: MN.50-51...(+)
SATB choir and piano,
with optional Djembe -
Early Intermediate
SKU: MN.50-5176
Composed by Mark
Patterson. MorningStar
Music Publishers
#50-5176. Published by
MorningStar Music
Publishers (MN.50-5176).
UPC: 688670551765.
English.
At once
timeless and topical,
this rhythmic piece
combines choir, djembe,
and a killer piano
accompaniment to produce
a result that transcends
calling it multi-cultural
in feeling. Written for
the 50th anniversary of
the Presbyterian
Association of Musicians,
it aptly looks at past,
present, and future,
presenting a message of
encouragement.
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Music Trumpet SKU: CF.W2686 For Trumpet in B-flat. Compose...(+)
Chamber Music Trumpet
SKU: CF.W2686
For Trumpet in
B-flat. Composed by
Jean-Baptiste Arban.
Edited by Thomas Hooten
Jennifer Marotta. SWS.
Collection - Performance.
With Standard notation.
32 pages. Carl Fischer
Music #W2686. Published
by Carl Fischer Music
(CF.W2686).
ISBN
9781491150948. UPC:
680160908448. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trumpet in Bb, edited
by Thomas Hooten and
Jennifer Marotta, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) will
end.There are things
which appear clear enough
when stated verbally but
which when written downon
paper cause confusion,
seem obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech nor wordcan
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level of
perfection,should above
all things, always try to
hear good music well
interpreted. They must
seek out,among singers
and instrumentalists, the
most illustrious models,
and by doing this
purifytheir taste,
develop their sentiments,
and bring themselves as
near as possible to that
which isbeautiful.
Perhaps then the innate
spark which may someday
be destined to
demonstrate theirown
talent, will reveal
itself and render them
worthy of being, in their
turn, cited and
imitatedin the
future.
Choral SSAATTBB choir, Piano (for rehearsal) SKU: CF.CM530 Composed by No...(+)
Choral SSAATTBB choir,
Piano (for rehearsal)
SKU: CF.CM530
Composed by Norwegian
Folk. Edited by Walter
Aschenbrenner. Arranged
by Edvard Bull Edvard
Grieg. SWS. Performance
Score. With Standard
notation. Composed 1939.
8 pages. Carl Fischer
Music #CM530. Published
by Carl Fischer Music
(CF.CM530).
ISBN
9781491144978. UPC:
680160902477. 6.875 x
10.5 inches. Key: G
major. English. Edvard
Bull.
From his
Album for Male Voices,
Op. 30, a set of 12
Norwegian folksongs set
for chorus with male
leads, The Great Angelic
Host was arranged for
double mixed chorus by
Eyvind H. Bull, and has
here been edited by
Walter Aschenbrenner. We
are pleased to make this
exquisite choral work
available once again.
David Monrad Johansen, in
his published life of
Grieg, was moved to say,
In The Great Angelic Host
true religious feeling
has been given the purest
expression. This
composition shows what
wonderful material we
have right at hand on
which to base a future
church music for
Norway..
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection.
Beginner. 48 pages.
Published by Alfred Music
Publishing
Sanctuary Piano Trio: piano, violon, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441825S
Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S).
UPC:
680160643745. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Score and Parts Woodwind Quintet (Score & Parts) - Grade 4 SKU: HL.4008654(+)
Score and Parts Woodwind
Quintet (Score & Parts) -
Grade 4
SKU:
HL.4008654
Double
Wind Quintet, Grade 4,
9:00 Score and Parts.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Quintet. Softcover.
Duration 540 seconds. Hal
Leonard #EFC009-ENS.
Published by Hal Leonard
(HL.4008654).
ISBN
9798350115062. UPC:
196288189831.
The
title of this work
clearly alludes to the
classical musical form
which was often composed
for wind instruments. The
so-called 'Harmonie' was
very important to the
composers of the
Classical Viennese
School. This was
especially true for
Mozart whose heritage
showed proof of immortal
beauty and absolute
artistic value within his
compositions. In the
individual sections of
Divertimento Op. 4, the
composer makes use of
three popular songs, the
first two from Finland
and the third from
Bulgaria. The composition
has a fundamentally
uncomplicated feel
composed to delight the
listener, whilst
retaining a deeply
introspective feel
especially in the second
section. This early work
by Franco Cesarini
illustrates the
composer's love for
popular songs, which
often formed a
fundamental part of many
of his future pieces. At
the heart of his unique
style of musical writing
are his skillful
instrumentation and
meticulous attention to
balance and form.
Fanfare. Composed
by Satoshi Yagisawa.
Inspiration Series. Score
Only. Composed 2006. 16
pages. De Haske
Publications #DHP
1063951-140. Published by
De Haske Publications
(BT.DHP-1063951-140).
9x12 inches.
English-German-French-Dut
ch.
This fantastic,
stirring fanfare was
written with the
composer?s wish that the
young musicians
performing it would fly
into the bright future
like pheasants. The first
part of the piece is a
fanfare, which is
suitable for opening
ceremonies, and the
second part is a lush
chorale-like movement.
Your band can perform
both parts together or
you could perform each
one separately. This
short opening work will
start any concert in real
style.
Aan dit
werk liggen diverse
muzikale
inspiratiebronnen ten
grondslag, zoals
Broadwaymusicals, de
Franse cancan en
circusmarsen. Een Japans
ritmepatroon komt in de
eerste vier maten naar
voren in het slagwerk.
Het centrale deel
bevatsolo’s voor
xylofoon en piccolo, die
in de smaak zullen vallen
bij uw publiek, zeker
wanneer de solisten al
improviserend een aantal
technische staaltjes
laten horen. Indien
gewenst kan de
instrumentatie worden
gewijzigd. Na
hetsologedeelte komt het
eerste thema terug en
volgt er een opbouw naar
een opwindend slot, waar
iedere speler
“yeah!â€
roept. Met wat
aanvullende showelementen
zal het applaus nog
uitbundiger
zijn.
Der
japanische Komponist
Yagisawa schrieb diese
Fanfare zum 30jährigen
Jubiläum einer Schule.
Die ‘jungen
Fasane’ im Titel
sind ein Symbol für
die Schüler, die ihrer
Zukunft entgegen fliegen.
Die Fanfare, die sich
wunderbar als feierliches
Eröffnungswerk eignet,
tritt hauptsächlich im
ersten Teil auf,
während der zweite
Teil einen
choralähnlichen
Charakter aufweist. Beide
Sätze dieser
bemerkenswerten
Komposition können
auch einzeln
aufgeführt werden.
Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
Praise
Gathering Choral.
Patriotic. Softcover. 168
pages. PraiseGathering
#A08422. Published by
PraiseGathering
(HL.2050272).
UPC:
797242184192.
6.75x10.5x0.402
inches.
America -
The sweet land of
liberty: Home to a people
who long to experience
life to the fullest; home
to a people willing to
offer and endure what
freedom demands. In the
aftermath of the
senseless and appalling
terrorist attacks on
Oklahoma City, New York
City and Washington D.C.,
we are once again
reminded that just as the
benefits of freedom touch
all of our lives, so does
the cost. As valiant as
our efforts are to defend
all that we hold dear, we
are now more aware than
ever, that it takes
Divine intervention to
give us the wisdom and
the courage to protect
all that we hold sacred.
This is a nation that
boldly proclaims her
trust in God. We are
sustained in the present
and assured of the future
by the proof of the past.
God has blessed America;
God does watch over His
children; God will lead
His people. We hold to
this truth: the temporal
and vulnerable will soon
give way to the Immortal
and Invincible... There
is a sweet land of
liberty yet to come, a
homeland that will never
be corrupted or
diminished by hatred and
fear. It is a promised
land made possible by a
just and gracious God -
the One true God: the God
of all that was, the God
of all that is, the God
of all that will be.
Great is His love; Great
is His care; Great is His
faithfulness.