Guitar and string quartet/quintet SKU: BO.B.3425 Composed by Xavier Turul...(+)
Guitar and string
quartet/quintet
SKU:
BO.B.3425
Composed by
Xavier Turull.
Instrumental Sets.
Duration 14:00. Published
by Editorial de Musica
Boileau (BO.B.3425).
English
comments: A work
written in memory of
Manuel de Falla in which
the author tackles
popular melodies and
rhythms immersed in the
orchestral fabric of the
string section. A string
section which, thanks to
a wise and daring
treatment, manages at all
times to give a magical
projection to the
characteristic timbre of
the guitar, a brilliant
solo
instrument.
Come
ntarios del
Espanol: Una obra
escrita a la memoria de
Manuel de Falla en la que
el autor aborda melodias
y ritmos populares
inmersos en el tejido
orquestal de la cuerda.
Una cuerda que tratada
con sabiduria y audacia
consigue en todo momento
dar una proyeccion magica
al timbre caracteristico
de la guitarra, brillante
instrumento solista.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Cello/Double Bass.
Composed 1728/1731. BWV
117. 16 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/14. Published
by Carus Verlag
(CA.3111714).
ISBN
9790007048709. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
Double Bass SKU: HL.48186481 Composed by Rabbath Francois. Leduc. Softcov...(+)
Double Bass
SKU:
HL.48186481
Composed
by Rabbath Francois.
Leduc. Softcover. 10
pages. Alphonse Leduc
#AL30748. Published by
Alphonse Leduc
(HL.48186481).
UPC:
888680828264.
9.0x12.0x0.065
inches.
Francois
Rabbath : Trombes d?eau
for double bass (AL 30
748) The international
fame of bass player
Francois Rabbath
acknowledges both the
untiring teacher, author
of a Nouvelle technique
de la contrebasse, which
a whole generation of
students, desirous of
freeing themselves from
the fetters of
traditional teaching, has
taken up, and the
inspired soloist,
unsparing of himself in
concert. For several
years now, he has become
accustomed to spending a
few days in the summer in
Kansas City (Missouri) to
give master classes and a
concert there, in the
framework of the ?KC
BassFest?. In July 2016,
a moving surprise awaited
him: on the stage of the
American Jazz Museum a
full-length portrait was
unveiled, painted by
local artist Ruthie
Ingram from photos taken
during his recital the
previous year. By way of
thanks, Rabbath dedicated
Trombes d?eau to her, a
solo piece lasting
approximately six
minutes, composed at the
instigation of the
International Society of
Bassists for the 2017
edition of the
International Double Bass
Competition. Conceived as
a series of short
variations on an
impassioned theme, the
work emphasises evocative
glissandi and explores
double stopping and
artificial harmonics
without ever sacrificing
the essential: the
pleasure of musical
expression..
Alleluia Chorale SATB SATB A Cappella [Octavo] Hope Publishing Company
By Andrew Miller. For SATB choir (a cappella). The Andrew Miller Choral Series. ...(+)
By Andrew Miller. For
SATB choir (a cappella).
The Andrew Miller Choral
Series. General Worship,
Christmas, Sacred.
Octavo. 8 pages.
Published by Hope
Publishing Company
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Music and Lyrics for Over 100 Standards from the Golden Age of American Song. By...(+)
Music and Lyrics for Over
100 Standards from the
Golden Age of American
Song. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 320 pages.
Published by Hal Leonard.
Composed by Marty Parks. Choral. Sacred Anthem, General, Thanksgiving. Perform...(+)
Composed by Marty Parks.
Choral. Sacred Anthem,
General, Thanksgiving.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/3459L.
Published by Lorenz
Publishing Company
(LO.99-3459L).
Marching Band - Grade 2 SKU: AP.40206 As Recorded by Journey. By J...(+)
Marching Band - Grade 2
SKU: AP.40206
As Recorded by
Journey. By Journey,
Neal Schon, and Steve
Perry. By Neal Schon and
Steve Perry [Journey].
Arranged by Doug Adams.
Marching Band;
Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Rock. Score and
Part(s). 121 pages.
Duration 2:00. Alfred
Music #00-40206.
Published by Alfred Music
(AP.40206).
UPC:
038081459349.
English.
One of
Journey's most unique and
memorable hits is now
playable by any sized
band thanks to this tasty
offering from arranger
Doug Adams. This soulful
chart comes out big and
bold and keeps on
delivering. Give it a
listen! (2:00).
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
Odyssee Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-140
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000508-140. Published by
Gobelin Music
Publications
(BT.GOB-000508-140).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-120 Composed by Jan Bosveld. Sc...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-120
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000432-120. Published by
Gobelin Music
Publications
(BT.GOB-000432-120).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000432-020 Composed by Jan Bosveld. Se...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000432-020
Composed by Jan Bosveld.
Set (Score & Parts). 71
pages. Gobelin Music
Publications #GOB
000432-020. Published by
Gobelin Music
Publications
(BT.GOB-000432-020).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardend
en vernuftig.
Detegenslagen welke hij
tegenkomt en in het
tweede tragische gedeelte
dreigen te escaleren,
nemen in het derde snelle
gedeelte bij zijn
verschijning toch weer
een positieve wending.
Nijmegenaar Jan
Bosveld bewijst in dit
originele werk dat hij
opde hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-010
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
000508-010. Published by
Gobelin Music
Publications
(BT.GOB-000508-010).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Bassoon; Orchestra SKU: UT.HS-329R Composed by Simplicio Gualco. Edited b...(+)
Bassoon; Orchestra
SKU: UT.HS-329R
Composed by Simplicio
Gualco. Edited by Italo
Vescovo. Classical. Piano
Reduction. Ut Orpheus #HS
329R. Published by Ut
Orpheus (UT.HS-329R).
ISBN 9790215327962. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: Bs - Picc.2.2.2.2 -
2.2.2.0 - Str]
In
the second half of the
19th century, in Italy,
melodrama was still the
most practised musical
genre, but space for
instrumental production
began to grow, especially
thanks to the Quartet
societies which tried to
reduce the gap remaining
compared to other
European countries,
offering it to the public
with an energy which was
certainly praiseworthy.
However, they were not
the only institutions
where instrumental music
was cultivated. In this
context it must be
remembered that music
conservatories also
played an important role,
especially through the
music recitals given by
the best students. In one
of these, which was held
at the Milan Conservatory
on 9 July 1884, the
concert piece Andante
e Polacca for bassoon
and orchestra by
Simplicio Gualco
(1861-1942) was
performed, a piece which
aroused a great deal of
interest as stated in the
‘Gazzetta Musicale
di Milano’ of 20
July of that year. After
the recital, the piece
ended up in the
Conservatory archives and
was never played again.
It was rediscovered
recently, thanks to the
research work on the
composer by the
musicologists Italo
Vescovo and Flavio
Menardi Noguera, both
connected to the
composer’s
hometown.
This edition, with additional orchestration attributed to Mozart, has been made ...(+)
This edition, with
additional orchestration
attributed to Mozart, has
been made possible thanks
to the generosity of
Halifax plc. The first
performance of this
edition (sung in English)
was given on 23 June 2002
in the Victoria Theatre
Halifax, by the Halifax
Choral Society and the
North of England Chamber
Orchestra conducted by
John Pryce-Jones. The
first German performance
was given on 11 June 2004
in the Moritzkirche,
Halle, with the MDR
Rundfunkchor und
Sinfonieorchester
conducted by Howard Arman
Violin, Guitar SKU: UT.CH-335 Composed by Nicolo Paganini. Edited by Ital...(+)
Violin, Guitar
SKU:
UT.CH-335
Composed by
Nicolo Paganini. Edited
by Italo Vescovo. Saddle
stitching. Classical.
Score and Parts. Ut
Orpheus #CH 335.
Published by Ut Orpheus
(UT.CH-335).
SATB Choir and Piano - intermediate-advanced SKU: HL.14014149 Composed by...(+)
SATB Choir and Piano -
intermediate-advanced
SKU: HL.14014149
Composed by George
Frideric Handel. Music
Sales America. Hymns &
Chorals. Score. 256
pages. Music Sales
#NOV078837. Published by
Music Sales
(HL.14014149).
ISBN
9780853602354.
This
edition, with additional
orchestrations attributed
to W.A. Mozart, has been
made possible thanks to
the generosity of Halifax
plc. The first
performance of this
edition (sung in English)
was given on 23 June 2002
in the Victoria Theatre
Halifax, by the Halifax
Choral Society and the
North of England Chamber
Orchestra conducted by
John Pryce-Jones. The
first German performance
was given on 11 June 2004
in the Moritzkirche,
Halle, with the MDR
Rundfunkchor und
Sinfonieorchester
conducted by Howard
Arman.