Smartphone Broadcast Mount. IK Hardware. General Merchandise. IK Multimedia #IPIKLIPAVIN. Published by IK Multimedia (HL.158579).

Choir

SKU: WD.080689281082

King Jesus, We Thank You. Composed by Joshua Bryant Spacht. Arranged by Joshua Spacht. Choral. Sacred Anthem, Christmas. Orchestration. Word Music #080689281082. Published by Word Music (WD.080689281082).

UPC: 080689281082.

This native Christian hymn, arranged for combined Adult and Children's choirs, will bring diversity, spirit, and beautiful harmony to your Christmas repertoire! A piece written in the traditional dialect of the Zulu people, a Bantu tribe in Southern Africa, Nkosi Jesu is an ethnic praise song that gives praise and thanks to our Lord. Nkosi Jesu... King Jesus, we thank You!

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002719

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/19. Published by Carus Verlag (CA.1002719).

ISBN 9790007181413. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700.

Performance/Accompaniment & Split Track CD

SKU: HP.C6336C

Arranged by Mary McDonald. Piano with optional Rhythm Parts (available separately). Choral Performance/Accompaniment CDs. Hope Publishing Company #C6336C. Published by Hope Publishing Company (HP.C6336C).

UPC: 763628963361.

Popul ar hymn by Peter Scholtes Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

SATB choir, flute, 2 oboes, 2 bassoons, 2 horns, 3 clarinos/trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5199912

For Empress Marie Therese. Composed by Franz Joseph Haydn. Edited by Armin Kircher. German title: Te Deum (Maria Theresia). Sacred vocal music, Praise and thanks. Single Part, Violin 2. Hob. XXIIIc:2. 8 pages. Duration 12 minutes. Carus Verlag #CV 51.999/12. Published by Carus Verlag (CA.5199912).

ISBN 9790007225803. Language: Latin.

Joseph Haydn made two settings of the Ambrosian song of praise the Te Deum. The second of these is a work of Haydn's last period and was written around 1800 for the Empress Marie Therese. Its large orchestra gives this work, which makes no use of solo singers, a particular splendour of sound akin to that of the choruses in Haydn's Creation. Score and part available separately - see item CA.5199900.

By Mary Kay Beall, John Carter. For Choir. (2-part (any combination)). Sacred. Print Music Collection (Choral Book). Published by Hope Publishing Company.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002714

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714).

ISBN 9790007189358. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SKU: HL.1418387

AlphaTheta. DJ Gear. Duration 195 seconds. Hal Leonard #WAVE-EIGHT. Published by Hal Leonard (HL.1418387).

UPC: 841300102410. 16.0x26.5x17.0 inches.

Faster and easier Cable-free DJing without sound delays is now possible with the WAVE-EIGHT thanks to SonicLink. This new ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speakers, which lets you mix without missing a beat. Take the included transmitter out of its storage compartment on the WAVE-EIGHT and connect it to your DJ gear, and you can instantly create a wireless connection, enabling you to throw a DJ party anywhere you want. And if you combine the WAVE-EIGHT with the new OMNIS-DUO portable all-in-one DJ system, which features battery power, you can play cable-free for total freedom. Professional sound with effortless setup With a highly efficient Class D amplifier, a newly designed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection: e.g., using 2 speakers in stereo for an expansive experience, or with a third added as a dedicated subwoofer for a club-like heavy bass sound. There are even several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode. Battery power and waterproof design for outdoor events A full battery charge gives you 8 hours of music on the WAVE-EIGHT so you can keep the tunes going throughout the evening and night. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors. And, if you need to charge your phone or another device, you can plug it into the USB Type-C port. Find party venues wherever you go The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in, too, so you can mount the speaker on a stand for extra height, making it ideal for use in a variety of locations.

Composed by Charlotte Seither (1965-). Stapled. Performance score. 6 pages. Baerenreiter Verlag #BA 8276. Published by Baerenreiter Verlag

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002715

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, basso continuo. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/15. Published by Carus Verlag (CA.1002715).

ISBN 9790007189365. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002706

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/06. Published by Carus Verlag (CA.1002706).

ISBN 9790007181345. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700.

SKU: HP.C6336R

Arranged by Mary McDonald. Piano with optional Rhythm Parts (available separately). Choral Parts. 52 pages. Hope Publishing Company #C6336R. Published by Hope Publishing Company (HP.C6336R).

UPC: 763628263362.

Popul ar hymn by Peter Scholtes Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

Composed by Mary McDonald. Piano with optional Rhythm Parts (available separately). Hymn Arrangements, General Worship, Holy Spirit, Unity. Octavo. 16 pages. Hope Publishing Company #C6336. Published by Hope Publishing Company

SATB choir - Level 4

SKU: CA.990800

Composed by John Van Buren. Edited by Kurt Suttner. Carus Novus; Contemporary choral music. German title: Gloria. Sacred vocal music, Mass sections, Christmas, Prayer, Praise and thanks. Full score. Composed 1996. Duration 6 minutes. Carus Verlag #CV 09.908/00. Published by Carus Verlag (CA.990800).

ISBN 9790007087012. Language: Latin.

John Van Buren's Gloria was composed in 1996 for the Maulbronner Kammerchor, which introduced this work in Germany and on tours to Russia and Argentina. It has since also been heard in Italy, Holland and the USA. John Van Buren writes about his work: The beginning of my Gloria is initially very restrained, even cautious. It is extremely chromatic, the sound only gradually opening out to become a song of praise. The work grows in a steady crescendo until it arrives at an 8-part fortissimo sound (B major). Finally, the expression of great vitality gives place to a soprano melody which floats calmly above the choral sound, and the work dies away pianissimo.

Choral Piano, Violin

SKU: HP.C6304

Composed by Andrae Crouch. Arranged by Paul Langford. Piano with optional Violin (Included). Spirituals & Gospel, Thanksgiving, General Worship, Blood, Devotion, Discipleship, Gratefulness, Jesus Christ - Love, Jesus Christ - Redeemer, Adoration & Praise. Octavo. 12 pages. Hope Publishing Company #C6304. Published by Hope Publishing Company (HP.C6304).

UPC: 763628163044.

Popul ar song by Andrae Crouch Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

Composed by Faye Lopez. Arranged by Patricia Mock. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5395L. Published by Lorenz Publishing Company

Choir

SKU: WD.080689150333

King Jesus, We Thank You. Composed by Joshua Bryant Spacht. Arranged by Joshua Spacht. Choral. Sacred Anthem. CD choraltrax. Word Music #080689150333. Published by Word Music (WD.080689150333).

UPC: 080689150333.

This native Christian hymn, arranged for combined Adult and Children's choirs, will bring diversity, spirit, and beautiful harmony to your Christmas repertoire! A piece written in the traditional dialect of the Zulu people, a Bantu tribe in Southern Africa, Nkosi Jesu is an ethnic praise song that gives praise and thanks to our Lord. Nkosi Jesu... King Jesus, we thank You!

Chamber Music Cello

SKU: PR.144404380

An April Homage. Composed by Sydney F. Hodkinson. Part. With Standard notation. Composed 2001. 11 pages. Duration 15 minutes. Theodore Presser Company #144-40438. Published by Theodore Presser Company (PR.144404380).

UPC: 680160030644.

In the mid-1990s in Memphis, Tennessee, the Alabama cellist Craig Hultgren performed my trio Two Poems (1989) with such dedication, brilliance, and comprehension that I vowed to write him a solo work in gratitude for his labors. Chambers of the Twilight is the result. The single-movement essay is through-composed -- it was written in one long day -- and entirely constructed from the juxtapositions, repetitions, and variations of three brief gestures announced by the soloist in the opening measures. The separation and congealing of these three musical events -- alternatively dramatic, melodic/misterioso, and violent -- provide the genesis for all of the ensuing sonic material. An extended coda -- marked delicato e lontano in the score -- gives way to large pizzicato chords which bring the piece to a close. The work exploits fully the dynamic range and registral capabilities of the cello, placing considerable demands on the dexterity and stamina of the soloist. Chambers of the Twilight is approximately fifteen minutes in duration. The score was composed on April 2, 2001, in Ormond-by-the-Sea, Florida, and was written for the 2001 Hultgren Solo Cello Works Biennial. It is composed in loving memory of my maternal grandfather Ernest A. Pilgrim, a fine sculptor and bridge-builder, and is dedicated, with thanks, to Mr. Hultgren.

Performance/Accompaniment CD

SKU: HP.C6304C

Composed by Andrae Crouch. Arranged by Paul Langford. Piano with optional Violin (Included). Choral Performance/Accompaniment CDs. Hope Publishing Company #C6304C. Published by Hope Publishing Company (HP.C6304C).

UPC: 763628963040.

Popul ar song by Andrae Crouch Staying true to the original, this fresh setting gives the choir an opportunity to sing a heartfelt anthem of praise and personal thanks for the things God has done. The optional violin part underscores the earnestness of the message.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002712

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 2. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/12. Published by Carus Verlag (CA.1002712).

ISBN 9790007189334. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002749

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Organ. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/49. Published by Carus Verlag (CA.1002749).

ISBN 9790007189372. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

Singing voice, SATB choir, orchestra (Vocal, Mixed choir, Orchestra) - Level 3

SKU: BA.BA07677

Cantata for the First Sunday of Advent. Composed by Georg Philipp Telemann. Edited by Ute Poetzsch. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. TWV 1. Baerenreiter Verlag #BA07677_00. Published by Baerenreiter Verlag (BA.BA07677).

ISBN 9790006526192. 30 x 23 cm inches.

The cantata Nun komm der Heiden Heiland (TWV 1:1174) is taken from Telemann’s cantata cycle of 1717–18. Though festively scored for two oboes, two trumpets, kettledrums, strings and basso continuo, it will not overly strain the financial resources of today’s ensembles.

The well-known chorale tune features prominantly in all choruses. Telemann gives one aria each to the three soloists (SAB). Thanks to the relatively small instrumental ensemble, the choral passages can be taken one to a part. The vocal score appears with a singing translation in English.

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