Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
Guitar SKU: UT.CH-360 Composed by John W. Duarte. Edited by Brian Roberts...(+)
Guitar
SKU:
UT.CH-360
Composed by
John W. Duarte. Edited by
Brian Roberts. Saddle
stitching. Classical. Ut
Orpheus #CH 360.
Published by Ut Orpheus
(UT.CH-360).
ISBN
9790215327252. 9 x 12
inches.
I am very
grateful to Andrea
Schiavina and Ut Orpheus
Edizioni for their
interest in my father's
unpublished works. I hope
that these new pieces
will pique the interest
of guitarists the world
over and contribute to an
overview of the work of
one of the guitar's most
prolific composers. My
thanks go to Brian
Roberts, of Wayne State
University, who has
offered to oversee the
technical and musical
aspects concerned with
presenting this music and
to all the individual
editors who have
generously given of their
time. Any mistakes in the
transmission of their
ideas are entirely
mine.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Viola.
Sacred vocal music,
Praise and thanks. Single
Part, Viola. ZWV 145. 8
pages. Duration 35
minutes. Carus Verlag #CV
40.471/13. Published by
Carus Verlag
(CA.4047113).
ISBN
9790007069698. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and part
available separately -
see item CA.4047100.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 1. TVWV 1:1166. 4
pages. Duration 15
minutes. Carus Verlag #CV
39.109/11. Published by
Carus Verlag
(CA.3910911).
ISBN
9790007215439. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Organ. TVWV 1:1166. 12
pages. Duration 15
minutes. Carus Verlag #CV
39.109/49. Published by
Carus Verlag
(CA.3910949).
ISBN
9790007215477. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Orchestra SKU: BR.SON-620 Okeaniden, Tapiola. Composed by Jean Sib...(+)
Orchestra
SKU:
BR.SON-620
Okeaniden,
Tapiola. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
The
American tone poems
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 620.
Published by Breitkopf
and Haertel (BR.SON-620).
ISBN 9790004803226. 10
x 12.5 inches.
Jean
Sibelius wrote his last
two tone poems
Aallottaret op. 73 and
Tapiola op. 112 as
commissions for the
United States.
Aallottaret is the
original Finnish title of
op. 73, as is found on
the autograph. Discreetly
concealed behind this
title, however, is the
title The Oceanides,
which also stems from
Sibelius, and which
Breitkopf & Hartel gladly
placed in first position
for the first edition of
1915, thus facilitating
the diffusion of the
work. The previously
unpublished early version
of Aallottaret is also
presented in the volume
of the Complete Edition;
it had been hastily
rejected shortly before
the world premiere.
Compared with this
genesis, the origin of
Tapiola , Sibelius last
great symphonic poem, is
relatively unspectacular:
though he was under
pressure to write and
publish the work,
Sibelius produced no
different versions. There
was only one printed
edition from Breitkopf
and no further revisions.
Thanks are given to
Professor Nors S.
Josephson for his
valuable work on this
volume, the editing of
which he began.
Trumpet and orchestra SKU: BR.MR-2239B Set of parts. Composed by G...(+)
Trumpet and orchestra
SKU: BR.MR-2239B
Set of parts.
Composed by Giacomo
Antonio Perti. Edited by
Keith Wright and Mark
Latham. Orchestra;
stapled. Musica Rara.
Symphony; Baroque. Score
and parts. 28 pages.
Breitkopf and Haertel #MR
2239b. Published by
Breitkopf and Haertel
(BR.MR-2239B).
ISBN
9790004488478. 9 x 12
inches.
There are
two known manuscript
sources for the present
edition of this sinfonia
avanti l'opera. In the
Dean and Chapter Library
of Durham Cathedral it
appears as the twelfth,
and last, piece in a
collection of late
seventeenth-century
Italian instrumental
music. No composer is
given and identification
was only possible
following the discovery,
in 1993, of a concordant
source in the Biblioteca
Estense, Modena, where
the work appears as the
sinfonia to Perti's opera
L'Inganno scoperto per
Vendetta, first performed
in Venice as part of the
1690/1 season.It is
sometimes hard to
ascertain the original
functional purpose behind
many of the trumpet works
written by composers of
the Bolognese school as
it would appear that some
were used as sonate da
chiesa, to celebrate mass
in the basilica of San
Petronio, Bologna, whilst
also serving as operatic
sinfonie. To confuse the
issue further, there are
several instances of
composers 'borrowing'
each other's works: for
example, it has recently
been discovered that the
Torelli trumpet sinfonia
a 4 catalogued as G4 in
Giegling was used as the
overture to Perti's opera
Nerone fatto Cesare
(1693). So far as the
present edition is
concerned, however,
stylistic considerations
would appear to confirm
that the work is indeed
by Perti and that it was
originally conceived as
the overture to L'Inganno
scoperto per Vendetta. A
couple of clues hint at a
secular raison d'etre:
the Durham source is
marked Serenatto
(presumably a corruption
of serenata, a term often
used in lieu of sinfonia)
and the last movement of
the Modena source is
marked Menuet, a term
more often associated
with sonate da camera
than with works of
ecclesiastical
provenance.Both the
Modena and Durham sources
for the present edition
are virtually
note-perfect and
occasional inaccuracies
were easily corrected by
comparing the sources
with each other and with
the part-books in Durham.
Whilst the Modena source
lacks the second violin
part in the outer
movements it contains
fuller dynamic markings
and tempi indications
than the Durham source
and these have been
followed in the present
edition with no editorial
additions. Notation has
been modernised and, in
the piano reduction
edition, right-hand
arpeggio-figurations
rendered more pianistic.
Parts are provided for
trumpet in D and B flat.
I am grateful to the Dean
and Chapter of Durham and
to the Biblioteca
Estense, Modena, for
providing microfilm of
the manuscripts. I should
also record my thanks to
Keith Wright for
realising the
figured-bass which
appears in the full-score
edition.Mark Latham,
Brancepeth Castle, June
1997.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Violin 1.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 1. ZWV 145.
12 pages. Duration 35
minutes. Carus Verlag #CV
40.471/11. Published by
Carus Verlag
(CA.4047111).
ISBN
9790007069674. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and part
available separately -
see item CA.4047100.
Brass Instruments; Choral; Piano Accompaniment (Choral Score) SKU: HL.4904605...(+)
Brass Instruments;
Choral; Piano
Accompaniment (Choral
Score)
SKU:
HL.49046057
Volume
II: for Choir and Brass
InstrumentsChoral
Score. Composed by
Paul Hindemith. Study
Score. Classical.
Softcover. 40 pages.
Schott Music #ED20092-01.
Published by Schott Music
(HL.49046057).
These canons,
published for the first
time, document
Hindemith's penchant for
composing small parodic
works with a wink on
given occasions. Over 30
artful pieces in the
picture postcard format
wrote the composer. He
packed Christmas
greetings,
congratulationson
anniversaries and thanks
to friends, colleagues
and cultural institutions
in a counterpoint. After
the first band for chorus
a capella, the second
band is now available,
containing canons for
mixed choir accompanied
by a small brass
ensemble. German.
SKU: HL.49016802 German Language. Composed by Christoph Pregardien...(+)
SKU: HL.49016802
German Language.
Composed by Christoph
Pregardien. This edition:
Hardback/Hard Cover. Book
with DVD. Misc. A novel
combination of DVD and
book, this volume for the
first time presents
issues pertaining to
vocal techniques and
interpretation in word,
picture and sound. Film
examples provide insights
into the working method
of the renowned tenor
Christoph Pregar. DVD.
176 pages. Schott Music
#ED9953. Published by
Schott Music
(HL.49016802).
ISBN
9783795705404.
6.0x8.5x0.62 inches.
German.
A novel
combination of DVD and
book, this volume for the
first time presents
issues pertaining to
vocal techniques and
interpretation in word,
picture and sound. Film
examples provide insights
into the working method
of the renowned tenor
Christoph Pregardien who
can be seen in his
lessons with students of
his master classes. In
addition, the singer and
teacher Hedwig Fassbender
deals with specific
problems of the female
voice; the pianists
Michael Gees and Andreas
Staier talk about the
accompaniment of lied
singers. Professionals,
students and lovers of
classical singing as well
as interested amateur
singers are provided with
a plethora of important
and valuable information.
The DVD with more than
240 minutes of film
material shows Christoph
Pregardien during song,
oratorio and opera
lessons. An index allows
for purposeful selection
of the most important
topics: exercises of
scales, vocalises,
phrasings, breathing,
tonal work, portamento,
conduct of the voice,
vocal position, and many
more.In the book section,
Christoph Pregardien
deals with further
questions on programming,
correct practising and
warm-ups, concert
preparations and voice
problems, among others.
This innovative product
is complemented by a
detailed discography of
Christoph Pregardien as
well as bibliographical
references and
recommendations. Schott
Master Class Gesang was
awarded the Comenius
Medal 2006. With the
Comenius EduMedia Awards,
the Society for Education
and Informatics (GPI)
fosters didactic
multimedia products and
educational media which
are of particularly great
value as regards
education, content as
well as layout and
design. The Master Class
series was awarded the
special prize digita 2007
for new developments
which can change and
further learning with new
media. The convincing
editing of the learning
content by renowned
experts and the
unobtrusive media design
of the videos provide the
reader - no matter
whether students,
advanced singers or
interested amateurs -
with numerous suggestions
on a high level. Thanks
to the exercises and
examples of
interpretation filmed in
live action and processed
digitally, performers are
given excellent
support.
Trumpet, piano SKU: BR.MR-2239A Piano reduction. Composed by Giaco...(+)
Trumpet, piano
SKU:
BR.MR-2239A
Piano
reduction. Composed
by Giacomo Antonio Perti.
Edited by Mark Latham.
Arranged by Mark Latham.
Solo instruments;
Softcover. Musica Rara.
Symphony; Baroque. Piano
reduction. 8 pages.
Breitkopf and Haertel #MR
2239a. Published by
Breitkopf and Haertel
(BR.MR-2239A).
ISBN
9790004487877. 9 x 12
inches.
There are
two known manuscript
sources for the present
edition of this sinfonia
avanti l'opera. In the
Dean and Chapter Library
of Durham Cathedral it
appears as the twelfth,
and last, piece in a
collection of late
seventeenth-century
Italian instrumental
music. No composer is
given and identification
was only possible
following the discovery,
in 1993, of a concordant
source in the Biblioteca
Estense, Modena, where
the work appears as the
sinfonia to Perti's opera
L'Inganno scoperto per
Vendetta, first performed
in Venice as part of the
1690/1 season.It is
sometimes hard to
ascertain the original
functional purpose behind
many of the trumpet works
written by composers of
the Bolognese school as
it would appear that some
were used as sonate da
chiesa, to celebrate mass
in the basilica of San
Petronio, Bologna, whilst
also serving as operatic
sinfonie. To confuse the
issue further, there are
several instances of
composers 'borrowing'
each other's works: for
example, it has recently
been discovered that the
Torelli trumpet sinfonia
a 4 catalogued as G4 in
Giegling was used as the
overture to Perti's opera
Nerone fatto Cesare
(1693). So far as the
present edition is
concerned, however,
stylistic considerations
would appear to confirm
that the work is indeed
by Perti and that it was
originally conceived as
the overture to L'Inganno
scoperto per Vendetta. A
couple of clues hint at a
secular raison d'etre:
the Durham source is
marked Serenatto
(presumably a corruption
of serenata, a term often
used in lieu of sinfonia)
and the last movement of
the Modena source is
marked Menuet, a term
more often associated
with sonate da camera
than with works of
ecclesiastical
provenance.Both the
Modena and Durham sources
for the present edition
are virtually
note-perfect and
occasional inaccuracies
were easily corrected by
comparing the sources
with each other and with
the part-books in Durham.
Whilst the Modena source
lacks the second violin
part in the outer
movements it contains
fuller dynamic markings
and tempi indications
than the Durham source
and these have been
followed in the present
edition with no editorial
additions. Notation has
been modernised and, in
the piano reduction
edition, right-hand
arpeggio-figurations
rendered more pianistic.
Parts are provided for
trumpet in D and B flat.
I am grateful to the Dean
and Chapter of Durham and
to the Biblioteca
Estense, Modena, for
providing microfilm of
the manuscripts. I should
also record my thanks to
Keith Wright for
realising the
figured-bass which
appears in the full-score
edition.Mark Latham,
Brancepeth Castle, June
1997.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext. 1x
27.190/21 flute 1, 1x
27.190/22 flute 2, 1x
27.190/23 oboe 1, 1x
27.190/24 oboe 2, 1x
27.190/25 clarinet 1, 1x
27.190/26 clarinet 2, 1x
27.190/27 bassoon 1, 1x
27.190/28 bassoon 2, 1x
27.190/31 horn 1, 1x
27.190/32 horn 2, 1x
27.190/33 horn 3, 1x
27.19. Stuttgart Urtext
Edition: Urtext Editions;
Carus sheet music series:
Vocal scores XL. Harmony
parts. Innovative
practice aids, Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. WAB 45. Duration
25 minutes. Carus Verlag
#CV 27.190/09. Published
by Carus Verlag
(CA.2719009).
ISBN
9790007200732. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and parts available
separately - see item
CA.2719000.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 2. TVWV 1:1166. 4
pages. Duration 15
minutes. Carus Verlag #CV
39.109/12. Published by
Carus Verlag
(CA.3910912).
ISBN
9790007215446. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For Orchest...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jens Dufner.
For Orchestra (Study
Score). Henle Study
Scores. Softcover. 119
pages. G. Henle #HN9816.
Published by G. Henle
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. TVWV 1:1166.
Duration 15 minutes.
Carus Verlag #CV
39.109/19. Published by
Carus Verlag
(CA.3910919).
ISBN
9790007139278. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and parts available
separately - see item
CA.3910900.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Organ.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Organ. WAB 45. 8
pages. Duration 25
minutes. Carus Verlag #CV
27.190/49. Published by
Carus Verlag
(CA.2719049).
ISBN
9790007200794. Language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Cello. TVWV 1:1166. 8
pages. Duration 15
minutes. Carus Verlag #CV
39.109/14. Published by
Carus Verlag
(CA.3910914).
ISBN
9790007215460. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Violin 2.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. ZWV 145.
12 pages. Duration 35
minutes. Carus Verlag #CV
40.471/12. Published by
Carus Verlag
(CA.4047112).
ISBN
9790007069681. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and part
available separately -
see item CA.4047100.
Double Bass, Bayan (Score & Parts) SKU: HL.50600462 For Bayan and Two ...(+)
Double Bass, Bayan (Score
& Parts)
SKU:
HL.50600462
For
Bayan and Two Double
Basses. Composed by
Sofia Gubaidulina.
Ensemble. Classical,
Contemporary. Softcover.
28 pages. Sikorski
#SIK8717. Published by
Sikorski (HL.50600462).
UPC: 888680602598.
8.25x11.75
inches.
It so
happens, time and again,
that composers have
written one work or
another with great
élan and then
withheld it for a while.
This is rather an
exception with Sofia
Gubaidulina. Nonetheless,
several decades passed
before the striking
“Tatar Dance”
for bayan and two double
basses - unusual simply
in view of its
instrumental combination
- could now be published
as a printed edition. The
“Tatar” Dance
was composed in 1992, and
it is thanks to the bayan
virtuoso Friedrich Lips
that he continued to
speak to the composer
about this wonderful
composition and motivated
her to have it published.
Lips has now edited the
work which is full of
magnificent new sounds,
with the double basses
forming a sonorous
counterpoint to the
bayan. The world premiere
of the chamber work
“Tatar Dance”
was given on 25 July 1992
by the soloists Elsbeth
Moser (bayan), Wolfgang
Güttler and
Alexander Suslin (both
double bass) in
Hitzacker. Sofia
Gubaidulina dedicated
this work to Viktor
Suslin.
Cantata
for harvest festivals
(Tempore Messis) and
other festivals of
thanksgiving.
Composed by Georg Philipp
Telemann. Edited by
Jurgen Neubacher. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Nun danket alle
Gott. Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Viola. TVWV 1:1166. 4
pages. Duration 15
minutes. Carus Verlag #CV
39.109/13. Published by
Carus Verlag
(CA.3910913).
ISBN
9790007215453. Language:
German/English.
Tel
emann's cantata Now thank
we all our God cannot be
assigned to any of the
composer's known annual
cycles of cantatas. The
given designation,
Tempore Messis, which
appears in the title in
the sole surviving
source, suggests it was
composed on the occasion
of a harvest thanksgiving
festival, but the general
nature of the text means
that other occasions for
performance such as New
Year, Reformation Day,
church or organ
consecrations and
weddings are conceivable.
Musically, the work is
distinguished by two
spirited choral movements
reinforced by trumpets
which frame a duet for
tenor and bass and an
aria for alto and
transverse flute. Score
and part available
separately - see item
CA.3910900.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Complete
orchestral parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 145. Duration
35 minutes. Carus Verlag
#CV 40.471/19. Published
by Carus Verlag
(CA.4047119).
ISBN
9790007218683. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and parts
available separately -
see item CA.4047100.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014).
ISBN
9790007200770. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Chamber Music Bass, Violin SKU: PR.141401040 Composed by Ellen Taaffe Zwi...(+)
Chamber Music Bass,
Violin
SKU:
PR.141401040
Composed
by Ellen Taaffe Zwilich.
Set of Score and Parts. 8
4 pages. Duration 4
minutes. Merion Music
#141-40104. Published by
Merion Music
(PR.141401040).
ISBN
9781491136379. UPC:
680160688913. English.
Comments by guests of
Soup Kitchen.
This
theatrical miniature has
carved a unique place in
music literature, thanks
to many warm hearts and
minds. In 2005 the
distinguished violinist
Kelly Hall-Tompkins
started a project called
Music Kitchen where the
homeless and needy, after
a meal provided by a soup
kitchen, were treated to
a concert performed by
some of the best
musicians in New York.
After these concerts,
Hall-Tompkins asked the
listeners for comments.
This became inspiration
for Zwilichâ??s MUSIC
KITCHEN INTERPLAY, which
includes vocal settings
of listenersâ?? comments
in musical counterpoint
with reworked fragments
of her Fantasy for Solo
Violin. In 2005 the
wonderful violinist,
Kelly Hall-Tompkins,
started a project called
Music Kitchen where needy
(often homeless) people,
after a meal provided by
a Soup Kitchen, were
treated to a concert
performed by some of the
best musicians in New
York. After the concerts,
Kelly asked the listeners
if they had any comments,
and she saved these.To
celebrate of 10 years of
the project, in 2015
Kelly asked a number of
composers to write a
composition for Music
Kitchen. I loved the
idea, and I was
particularly inspired by
the comments that the
listeners had made.The
premiere of Music Kitchen
Interplay featured
Kellyâ??s performance,
based on my Fantasy for
Solo Violin, with
audience comments (like
â??never been so close
to a violinâ?) given
voice by the outstanding
Bass, Mark Risinger. The
music is meant to
celebrate the
receptiveness and
understanding of our
fellow humans who, like
me, need music to enrich
our lives.
(To Us a Child is Born). By Johann Sebastian Bach. (SATB). Choral Large Works. ...(+)
(To Us a Child is Born).
By Johann Sebastian Bach.
(SATB). Choral Large
Works. Softcover. Size
6.7x10.5 inches. 36
pages. Published by G.
Schirmer, Inc.