Composed
by Wolfgang Amadeus
Mozart. Edited by Albert
Dunning. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. KV 287 (271b, 271
H). Baerenreiter Verlag
#BA08809_00. Published by
Baerenreiter Verlag
(BA.BA08809).
ISBN
9790006568970. 31 x 24.3
cm inches. Key: B-flat
major. Preface: Gudula
Schutz.
Mozart
composed his two
â??Lodron Serenadesâ?
for open-air performances
on the name day of
Countess Antonia Lodron
in June 1776 and 1777.
Their bright â??al
frescoâ? character is
immediately recognisable.
Alfred Einstein
considered these two
divertimentos to be
â??among the purest,
gayest, most satisfying,
and most perfect that
ever assumed musical
formâ?.
For
both works Mozart chose
an ensemble of two horns,
two violins, viola and
bass instruments.
However, the second
Lodron Serenade, the
Divertimento in B-flat
major K. 287, stands out
from this sextet format
by assigning a remarkably
virtuosic solo role to
the first violin, from
the richly diverse
opening movement to the
finale with its almost
ironic recitative and an
exhilarating passage on
the folk song
â??Dâ??Bäurin hat
dâ??Katz verlornâ?.
Mozart himself played
first violin in the 1777
performance. Later he
wrote, â??They all
opened their eyes! I
played as though I were
the finest fiddler in all
Europeâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert band - Grade 2 SKU: CL.011-4270-00 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-00
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Score
and set of parts.
Composed 2014. Duration 2
minutes, 17 seconds. C.L.
Barnhouse #011-4270-00.
Published by C.L.
Barnhouse
(CL.011-4270-00).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.49046391
For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391).
ISBN
9781540086549. UPC:
842819108696.
The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017.
Fragment of a
religious drama in 3
acts. Consists of act 1,
act 2 (incomplete)and the
end of a libretto. Urtext
based on the New Schubert
Edition. Composed by
Franz Schubert. Edited by
Reinhold Kubik. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 10. Complete
edition, Score. D 689.
Baerenreiter Verlag
#BA05526_00. Published by
Baerenreiter Verlag
(BA.BA05526).
ISBN
9790006472215. 33.1 x
26.5 cm inches. Text:
August H
Niemeyer.
Fragment
eines religiosen Dramas
in 3 Akten. 1. und 2.
unvollstandiger Akt,
Schluss des Lbrettos.
Uretxt der Neuen
Schubert-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches.
Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti!
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Score and Parts Concert Band (Score and Parts) - Grade 4 SKU: HL.4006034 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 4
SKU:
HL.4006034
Concert
Band Score and Parts.
By Frank Sinatra.
Arranged by Naohiro Iwai.
De Haske Concert Band.
Classical, Standards.
Softcover. De Haske
Publications #0981116010.
Published by De Haske
Publications
(HL.4006034).
ISBN
9781540058355. UPC:
888680952013.
Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience.
Concert Band (Score) - Grade 4 SKU: HL.4006035 Concert Band Score....(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4006035
Concert
Band Score. By Frank
Sinatra. Arranged by
Naohiro Iwai. De Haske
Concert Band. Classical,
Standards. Softcover. De
Haske Publications
#0981116140. Published by
De Haske Publications
(HL.4006035).
UPC:
888680952020.
Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Tchaikovsk
y strolls the streets of
the French Quarter!
Arranger Michael Kamuf
reimagines the Overture,
Dance of the Sugar Plum
Fairies, and Trepak
themes by using different
New Orleans-based
grooves, rich jazz
harmony, and plenty of
syncopation and rhythmic
twists. Students will
love playing these
themes, and your audience
will dance in the aisles!
A New Orleans Nutcracker
Suite is the perfect
addition to your holiday
program. Though written
as a suite, each movement
can stand alone.
(6:00).
Tchaikovsk
y strolls the streets of
the French Quarter!
Arranger Michael Kamuf
reimagines the Overture,
Dance of the Sugar Plum
Fairies, and Trepak
themes by using different
New Orleans-based
grooves, rich jazz
harmony, and plenty of
syncopation and rhythmic
twists. Students will
love playing these
themes, and your audience
will dance in the aisles!
A New Orleans Nutcracker
Suite is the perfect
addition to your holiday
program. Though written
as a suite, each movement
can stand alone.
(6:00).
(Book) SKU: HL.1303101 Revised 4th Edition with Answers. Composed ...(+)
(Book)
SKU:
HL.1303101
Revised
4th Edition with
Answers. Composed by
Josephine Koh. Music
Sales America. Classical,
Theory. Softcover. Hal
Leonard #WMP1636.
Published by Hal Leonard
(HL.1303101).
UPC:
196288173007.
This
revised 4th edition of
Practice in Music Theory
Grade 6 comes complete
with detachable Model
Answers! The success of
its previous editions for
the past two decades has
prompted the need for
more definitive
solutions. Based on the
ABRSM theory examination
syllabus, it is the first
of three comprehensive
coursebooks leading to
Grade 8 and beyond.
Students are guided to
achieve a high
theoretical standard,
with competent knowledge
in harmony, counterpoint,
melodic writing and score
analysis. The J Koh's
instructional approach is
academic and systematic;
yet musically conceived
with graphical layouts
and selective examples.
There are 2 parts to this
coursebook. Part I -
Harmony The principles of
harmony are introduced
here: 4-part writing,
2-part counterpoint,
concepts of traditional
chord progression, use of
inversions, principles of
voice-leading, and the
use of non-harmony notes.
Harmonic guidelines and
rules are clearly
explained with relevant
examples. Exercises are
progressively structured
to ensure a strong grasp
of the theoretical
concepts. Part II -
Melodic Composition and
Analysis Meloic
composition is taught
through an analytical
approach. The concepts of
phrasing, use of motifs,
modulations and melodic
contour are illustrated
with authentic extracts.
By taking students
through the works of the
great masters, their
technical skills are
sharpened, enhanced with
useful tools for the
creative compositional
process. Skills in score
analysis involve the
acquisition of sound
musical knowledge - the
study of forms, genres,
history of western music
that spans 4 centuries,
along with the
composersÂ’ works and
styles. Appendices II and
III provide guidance for
basic research needed at
this level. The essential
and highly recommended
reference texts are:
Musical Forms and Terms
and Understanding
Orchestration, The
Orchestra and Its
Instruments.
Composed by Edward Elgar.
Score. Lucks Music
Library #A6120. Published
by Lucks Music Library
(TM.09975SC).
Girls & Boys
Come Out to Play, Upon
Paul's Steeple Stands a
Tree, Dame Get Up and
Bake Your Pies, I Saw 3
Ships Go Sailing By, Sing
a Song of Sixpence, There
was a Lady Loved a Swine,
Over the Hills & Far
Away, The Frog and the
Crow.
