Composed by Wolfgang
Amadeus Mozart. Edited by
Walter Senn. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series I, Workgroup
1, Volume 1, No. 3.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04585_01.
Published by Baerenreiter
Verlag (BA.BA04585-01).
ISBN 9790006451210. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Johann Pachelbel.
Edited by Katharina
Larissa Paech. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 4. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10554_00.
Published by Baerenreiter
Verlag (BA.BA10554).
ISBN 9790006553037. 33
x 26 cm inches.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Vocal soli/instrument (Soli, Instrument) SKU: BA.BA10552 Composed by Joha...(+)
Vocal soli/instrument
(Soli, Instrument)
SKU: BA.BA10552
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 2. Edition
of selected works, Score.
Baerenreiter Verlag
#BA10552_00. Published by
Baerenreiter Verlag
(BA.BA10552).
ISBN
9790006553013. 33 x 26 cm
inches. Text Language:
Latin. Preface: Katharina
Larissa Paech.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir SKU: LP.OR-9177 Three Decades of Inspirational Song -- 27 S...(+)
SATB choir
SKU:
LP.OR-9177
Three
Decades of Inspirational
Song -- 27 Stirring
Classics & Exciting New
Standards. Arranged
by Thomas Fettke. Choral.
Masters Chorale.
Multicultural and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9177).
UPC:
765762090804.
Incre
dible treasury of
powerful choral
arrangements by Tom
Fettke 27 stirring
classics and exciting
standards Covers a wide
range of styles including
contemporary gospel
praise and worship and
southern gospel Large
folio-sized
solo/accompaniment
edition provides an
outstanding collection of
medium-high voice solo
arrangements as well as
the full piano
accompaniments for the
choral book Split-channel
accompaniment trax are
available specifically
for solo use. Choral
music enthusiasts will
enjoy the stereo
listening recording
available in cassette or
CD. This excellent
recording is produced by
Tom Fettke and features
the Master's Chorale.
Sample titles include:
High and Lifted Up;
Praises; I Stand Here
Forgiven; Think About His
Love; God So Loved the
World; Home Where I
Belong; I Am; The Gates
of Hell Shall Not
Prevail; Joy of My
Desire; My Life Is in You
Lord.
Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828.
Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion.
SATB choir (SATB Choir) SKU: BA.BA04492 Chorsätze zu vier und fü...(+)
SATB choir (SATB Choir)
SKU: BA.BA04492
Chorsätze zu vier
und fünf Stimmen. Teil
1: Nr. 1-156 (ein Satz zu
6 Stimmen von Seth
Calvisius)/ Teil 2: Nr.
157-313. 2
Teilbände.
Composed by Johann
Hermann Schein. Edited by
Adam Adrio. This edition:
complete edition, urtext
edition. Linen. Johann
Hermann Schein. Neue
Ausgabe samtlicher Werke
2. Complete edition,
Score, anthology.
Composed 1627/1645.
Baerenreiter Verlag
#BA04492_00. Published by
Baerenreiter Verlag
(BA.BA04492).
ISBN
9790006449019. 27.5 x
19.8 cm
inches.
Chorsatze
zu vier und funf Stimmen.
Teil 1: Nr. 1-156 (ein
Satz zu 6 Stimmen von
Seth Calvisius)/ Teil 2:
Nr. 157-313. 2
Teilbande.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by
Jay Althouse. General
Worship, Assurance,
Children, Christ's
Presence, Comfort,
Devotion, Guidance,
Promise, Sacred. Vocal
score. Hope Publishing
Company #8690. Published
by Hope Publishing
Company (HP.8690).
UPC: 763628186906.
Romans 12:12, Matthew
15:21, Matthew 15:22,
Matthew 15:23, Matthew
15:24, Matthew 15:25,
Matthew 15:26, Matthew
15:27, Matthew
15:28.
Original
anthem This Jay
Althouse original is one
of the all-time
top-sellers in the Hope
catalog; available in
SATB, SAB, two-part mixed
or treble choir, and now
a new setting for men's
voices. Accompaniment can
be provided by keyboard
or by the separate 3-5
octave handbell setting.
The bell setting also
works wonderfully as a
stand alone handbell
piece.
Composed by
Jay Althouse. General
Worship, Assurance,
Children, Christ's
Presence, Comfort,
Devotion, Guidance,
Promise, Sacred. Vocal
score. Hope Publishing
Company #8710. Published
by Hope Publishing
Company (HP.8710).
UPC: 763628187101.
Romans 12:12, Matthew
15:21, Matthew 15:22,
Matthew 15:23, Matthew
15:24, Matthew 15:25,
Matthew 15:26, Matthew
15:27, Matthew
15:28.
Original
anthem This Jay
Althouse original is one
of the all-time
top-sellers in the Hope
catalog; available in
SATB, SAB, two-part mixed
or treble choir, and now
a new setting for men's
voices. Accompaniment can
be provided by keyboard
or by the separate 3-5
octave handbell setting.
The bell setting also
works wonderfully as a
stand alone handbell
piece.
ISBN
9790006564149. 33 x 24 cm
inches. Preface: Sylvie
Bouissou.
Christoph
Willibald Gluck's opera
in four acts about the
Curse of the House of
Atreus is based on a
tragedy by the classical
Greek dramatist
Euripides. The
mythological plot about
the siblings Iphigenia
and Orestes is
characterized by hatred,
ritual sacrifice, and
murder and was especially
popular during the 18th
century. The premiere of
Gluck's opera in 1779 was
immensely
successful.
Barenr
eiter now presents a
carefully edited and
corrected piano reduction
that was newly set to
meet Barenreiter's
current quality
standards. An informative
preface (Ger/En/Fr)
supplements the edition,
which also includes all
appendices of the score
volume the edition is
based on, as contained in
the Gluck Complete
Edition (GGA).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Elementary SKU: FJ.W9450 Composed by Kevin Olson. Piano Solo; Pia...(+)
Piano - Elementary
SKU: FJ.W9450
Composed by Kevin Olson.
Piano Solo; Piano
Supplemental. Written For
You. Score. The FJH Music
Company Inc #98-W9450.
Published by The FJH
Music Company Inc
(FJ.W9450).
UPC:
241444383902.
English.
Your
students will love
playing this piece
because the rhythm is so
fun! There are no eighth
notes so syncopations
occur with tied quarter
notes. A cheerful piece
where hands are
positional---L.H. in D/Dm
and R.H. in C/Cm---and
accidentals are used.
It's a great stand
alone sheet (i.e. no
duet or lyrics)---a
perfect performance
piece!
About FJH
Written For You Piano
Solos
Spar
kling and lyrical pieces
which promote musical
expression.
Jazz Ensemble Jazz Ensemble - Grade 3 SKU: FJ.JE4058S Score Only. ...(+)
Jazz Ensemble Jazz
Ensemble - Grade 3
SKU: FJ.JE4058S
Score Only.
Composed by Rob Vuono Jr.
Arranged by Rob Vuono Jr.
Jazz Ensemble. FJH
Intermediate Jazz
Ensemble. Swing. Score.
Duration 3:19. The FJH
Music Company Inc
#98-JE4058S. Published by
The FJH Music Company Inc
(FJ.JE4058S).
English.
This
classic swinger will send
you and your jazz
ensemble back to the big
band era. By borrowing
rhythmic and melodic
ideas from two familiar
big band standards, Vuono
has created his own big
band classic. Alto and
trumpet are both featured
for solos, and their
parts contain both chord
changes and written
solos. To accommodate
smaller ensembles, this
chart is playable with
only five brass.
About FJH
Intermediate Jazz
Ensemble
A
ppropriate for high
school jazz ensembles.
Lead trumpet ranges are
modest and occasionally
include optional notes
for more accomplished
players. Written solos
are provided along with
suggested parts for
rhythm section and drum
set. Guitar chord guide
included. Grades 3 -
3.5
String Quartet (Study Score) SKU: HL.51487272 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487272
Study
Score. Composed by
Alexander Zemlinsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN7272. Published
by G. Henle
(HL.51487272).
UPC:
840126989366.
6.75x9.5x0.245
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano Solo SKU: YM.GTP01100303 Composed by Various. Traditional Japanese ...(+)
Piano Solo
SKU:
YM.GTP01100303
Composed by Various.
Traditional Japanese
Song. J-Pop, Traditional
Japanese Song, Kayo,
Enka. Score. Yamaha Music
Media #GTP01100303.
Published by Yamaha Music
Media (YM.GTP01100303).
ISBN 9784636102109.
8.5 x 12
inches.
Well-known
Japanese songs are
arranged in easy Jazz.
Even if you are not good
at improvisation, you can
enjoy improvisation-like
arrangements along with
the score. Enjoy the
fusion of Japanese
melodies and Jazz!
Marching Band - Grade 2 SKU: AP.43877 As Recorded by The Doors. Co...(+)
Marching Band - Grade 2
SKU: AP.43877
As Recorded by The
Doors. Composed by
The Doors. Arranged by
Doug Adams. Marching
Band; Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Rock. Score and
Part(s). 124 pages.
Duration 1:35. Alfred
Music #00-43877.
Published by Alfred Music
(AP.43877).
UPC:
038081497242.
English.
Have a
rockin' good time in the
stands this year with
this ever-popular classic
hit from The Doors. With
its driving rhythms and
catchy groove, this solid
Doug Adams arrangement
will be a surefire hit!
(1:35).
Marching Band - Grade 2 SKU: AP.43877S As Recorded by The Doors. C...(+)
Marching Band - Grade 2
SKU: AP.43877S
As Recorded by The
Doors. Composed by
The Doors. Arranged by
Doug Adams. Marching
Band; Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Rock. Score. 8
pages. Duration 1:35.
Alfred Music #00-43877S.
Published by Alfred Music
(AP.43877S).
UPC:
038081497259.
English.
Have a
rockin' good time in the
stands this year with
this ever-popular classic
hit from The Doors. With
its driving rhythms and
catchy groove, this solid
Doug Adams arrangement
will be a surefire hit!
(1:35).
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Heart in Motion Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145608-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145608-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2014. De Haske
Publications #DHP
1145608-010. Published by
De Haske Publications
(BT.DHP-1145608-010).
English-German-French-
Dutch.
Heart in
Motion compares the
development of an
ensemble to a tree,
which-with careful
nurturing-grows branches,
twigs, leaves and fruit.
As a fertilizer, you need
to add an extra helping
of positive attitude,
enthusiasm and passion to
it.Inspired by these
images and concepts,
Satoshi Yagisawa has
composed Heart in
Motionwhich, with a
magnificent fanfare
followed by a
warm-sounding chorale,
certainly lives up to its
name.
De opdracht
voor dit werk luidde om
de totstandkoming van een
blaasorkest te
verklanken. Afgezien van
concrete zaken komen bij
de ontwikkeling van een
succesvol
muziekgezelschap
natuurlijk ook een
positieve instelling,
enthousiasme en passie
kijken.Deze beelden en
begrippen inspireerden
Satoshi Yagisawa tot het
componeren van Heart
in Motion, dat met
een schitterende fanfare,
gevolgd door een warm
klinkende koraal, zijn
titel eer
aandoet.
Die
Entwicklung eines
Blasorchesters ist wie
ein Baum, dessen Stamm
Äste, Blätter und
Früchte hervorbringen
kann. Neben diesen
sichtbaren Merkmalen
gehören zum Wachstum
eines Ensembles auch
Hingabe, Begeisterung und
Leidenschaft. Von diesen
Metapherninspiriert
komponierte Satoshi
Yagisawa ein Werk, das
mit einer strahlenden
Fanfare, gefolgt von
einem warm klingenden
Choral, seinem Namen alle
Ehre
macht.
Quando gli è
stato affidato
l’incarico di
comporre Heart in
Motion, è stato
chiesto a Satoshi
Yagisawa di descrivere
“la vita†di
una banda, ma
metaforicamente di
paragonarla ad un albero
con il tronco, i rami, le
foglie e i frutti.
Nellamusica non potevano
mancare accenni ad un
approccio positivo,
all’entusiasmo e
alla passione. Il
risultato non poteva che
essere un brano
coinvolgente, che inizia
con una luminosa fanfara
seguita da un caldo
corale.