Jubilee Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 3 SKU: AP.43128S Composed by Jack Bullock. Concert B...(+)
Concert Band - Grade 3
SKU: AP.43128S
Composed by Jack Bullock.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Concert
Band. Form: Overture.
Score. 28 pages. Duration
5:15. Belwin Music
#00-43128S. Published by
Belwin Music (AP.43128S).
UPC: 038081504568.
English.
A jubilee
means a special
anniversary and this
original concert or
contest composition fills
the bill for any joyous
occasion. Opening with a
bold and alluring
fanfare, it continues
with an upbeat
dance-style statement,
then moves to a
delightful ballad with a
variety of stylist
variations. (5:15).
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526012 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526012
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, Violin 2 and 3.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526012.
Published by Carus Verlag
(CA.5526012).
ISBN
9790007310943.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - b...(+)
Chorus a cappella (solos:
STB - choir: SATB -
0.1.0.1 - 0.3.4.0 - timp
- str - bc)
SKU:
BR.CHB-4521-02
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Choral score. 36
pages. Duration 45'.
Breitkopf and Haertel
#ChB 4521-02. Published
by Breitkopf and Haertel
(BR.CHB-4521-02).
ISBN
9790004406151. 7.5 x 10.5
inches. German /
English.
The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525815 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp
SKU:
CA.5525815
Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part, basso
continuo. Composed 1727.
HWV 258. Duration 6
minutes. Carus Verlag
#5525815. Published by
Carus Verlag
(CA.5525815).
ISBN
9790007311032.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc SKU: CA.3119750...(+)
Soli SAB, SATB Choir, 2
Ob/Obda, Fg, 3 Tr, Timp,
2 Vl, Va, Bc
SKU:
CA.3119750
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas. Full
score. BWV 197. 68 pages.
Duration 20 minutes.
Carus Verlag #CV
31.197/50. Published by
Carus Verlag
(CA.3119750).
ISBN
9790007186685. Language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score available
separately - see item
CA.3119700.
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525849 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp
SKU:
CA.5525849
Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525849.
Published by Carus Verlag
(CA.5525849).
ISBN
9790007252007.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Dances & Sonnets Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104959-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104959-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2010. 44 pages.
De Haske Publications
#DHP 1104959-140.
Published by De Haske
Publications
(BT.DHP-1104959-140).
9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tänze, die
damals in den
Fischereihäfen
längs der
niederländischen
Nordseeküste und der
ehemaligen Zuiderzee
populär waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden
können. Begleitet
werden die Gedichte von
leise und getragen
gespielter Musik des
Blasorchesters. Für
die Aufführung von
Dances & Sonnets
können die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Aufführung von
Dances & Sonnets
bereichern, das aber auch
rein instrumental
vorgetragen vorzüglich
zur Geltung kommt.
Questo
brano s’ispira
alla danza e alla poesia
del XIX secolo, in
particolare alle danze
dei pescatori lungo il
litorale del Mare del
Nord e dell’antico
golfo del Zuidersee.
Dances and Sonnets
propone
un’introduzione
maestosa. Il compositore
esplora in seguito
l’universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets è un brano che
può essere eseguito
con o senza la lettura
del poema o la
rappresentazione delle
danze.
First Leipzig version.
Cantata for Palm Sunday
and the feast of the
Annunciation Cantata for
Palm Sunday and the feast
of the Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Himmelskonig,
Sei Willkommen G-Dur.
Sacred vocal music,
Cantatas, Lent and
Passiontide. Study score.
BWV 182. 60 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/57. Published by
Carus Verlag
(CA.3118257).
ISBN
9790007142872. Key: G
major. Text language:
German/English.
Ver
sion in G major (A major
= Carus 31.182/00) The
cantata Himmelskonig, sei
willkommen BWV 182 holds
a special place in Johann
Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-23. Published by
Breitkopf and Haertel
(BR.OB-5624-23).
ISBN
9790004348697. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526114 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526114
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, basso continuo.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526114.
Published by Carus Verlag
(CA.5526114).
ISBN
9790007311162.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525812 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp
SKU:
CA.5525812
Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525812.
Published by Carus Verlag
(CA.5525812).
ISBN
9790007311001.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
182. Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1714. BWV 182.
Duration 30 minutes.
Carus Verlag #CV
31.182/07. Published by
Carus Verlag
(CA.3118207).
ISBN
9790007050276. Key: A
major. Language:
German/English. Text:
Franck,
Salomo.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200.
By Johann Sebastian Bach (1685-1750). Edited by Hans Ludwig Berger. Genres: Hymn...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Hans Ludwig Berger.
Genres: Hymn settings;
Choral Collections for
Mixed Choir; Use /
Occasion: Eucharist,
Morning, Midday, Evening,
Psalms, Mourning, Death;
Use during church year:
Special Days, End of the
church year, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Choral collection. 24
pages. Published by Carus
Verlag
The Fever Tree Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-001010-120 Composed by Rob Goorhuis. S...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-001010-120
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
001010-120. Published by
Gobelin Music
Publications
(BT.GOB-001010-120).
The composition
".The Fever
Tree". in 2008 was
commissioned by the Music
Association of Central
and Eastern Netherlands
St.Willibrord as a gift
to all its members on the
occasion of the formation
of a national music
organization and the
elimination of the music
union for Central and
Eastern Netherlands
St.Willibrord. The
fever tree is a
controversial legend
about St. Willibrord
(658-739). The
daughter of a pagan
chieftain of Hoemannen
that made the area around
Heumen unsafe, was
seriously ill. They
feared for her life.
The chief of the gang
turned to predatory
Willibrord, who same time
in this region led
mission. Willibrord
commanded theman to
repent and a headband of
the girl to a certain
special tree to hang.
The desperate captain
obeyed, and his daughter
was a miraculous heal.
Then came the anger
of the Hoemannen against
their leader, who in
their eyes had
committed treason by the
group to convert. They
abused themselves to him
and killed him brutally.
The daughter remained
behind in great sorrow,
comforted by Willibrord.
The composition
has the following scenes:
- Andante moderato -
the calling of Willibrord
- Allegro moderato -
Willibrord passes through
the province of Brabant
and try to people to
repent - Vivace -
Hoemannen terrorize the
inhabitants of the area
Heumen - Andante -
the healing of the sick
girl and the conversion
of the centurion -
Inquieto - the revenge of
the Hoemannen -
Adagio - elegy on the
death of the chief
De compositie
'The Fever Tree' (De
koortsboom) werd in 2008
geschreven in opdracht
van de Muziekbond Midden-
en Oost Nederland
St.Willibrord, als
geschenk aan al haar
leden bij gelegenheid van
de vorming van één
landelijke
muziekorganisatieen de
opheffing van de
muziekbond voor Midden-
en Oost Nederland
St.Willibrord.
De
koortsboom is een
omstreden legende rond
St. Willibrord
(658-739). De dochter
van de heidense hoofdman
van de Hoemannen, diehet
gebied rond Heumen
onveilig maakten, was
ernstig ziek. Men vreesde
voor haar leven. De
hoofdman van de
roofzuchtige bende wende
zich tot Willibrord, die
in dezelfde tijd in deze
streek missioneerde.
Willibrord gebood deman
zich te bekeren én een
hoofdband van het meisje
aan een bepaalde,
bijzondere boom te
hangen. De radeloze
hoofdman gehoorzaamde en
zijn dochter werd op
wonderbaarlijke wijze
genezen. Toen keerde de
woede van de Hoemannen
zichtegen hun leider, die
in hun ogen verraad had
gepleegd aan de groep
door zich te bekeren. Ze
vergrepen zich aan hem en
vermoordden hem op
gruwelijke wijze. De
dochter bleef in grote
droefheid achter,
getroost door
Willibrord.
De
compositie kent de
volgende
tableaus:
-
Andante moderato - de
roeping van Willibrord
- Allegro moderato -
Willibrord trekt door het
Brabantse land en tracht
de bevolking te bekeren
- Vivace -
deHoemannen terroriseren
de inwoners van het
gebied rond Heumen -
Andante - de genezing van
het zieke meisje en de
bekering van de hoofdman
- Inquieto - de
wraak van de Hoemannen
- Adagio - treurzang
over de doodvan de
hoofdman.
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526014 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526014
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, basso continuo.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526014.
Published by Carus Verlag
(CA.5526014).
ISBN
9790007310967.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
A Japanese Folk Song Setting For Wind Band. Arranged by Benjamin Yeo. Con...(+)
A Japanese Folk Song
Setting For Wind
Band. Arranged by
Benjamin Yeo. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Score only.
Composed 2017. Duration 5
minutes, 18 seconds.
Published by C.L.
Barnhouse
(CL.012-4521-01).
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-27. Published by
Breitkopf and Haertel
(BR.OB-5624-27).
ISBN
9790004348703. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc SKU: CA.3119769...(+)
Soli SAB, SATB Choir, 2
Ob/Obda, Fg, 3 Tr, Timp,
2 Vl, Va, Bc
SKU:
CA.3119769
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
BWV 197. Duration 20
minutes. Carus Verlag #CV
31.197/69. Published by
Carus Verlag
(CA.3119769).
ISBN
9790007210564. Language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and parts
available separately -
see item CA.3119700.
By Richard Wagner. Arranged by Vernon Leidig. For Full Orchestra. Full Orchestra...(+)
By Richard Wagner.
Arranged by Vernon
Leidig. For Full
Orchestra. Full
Orchestra. Full
Orchestra. Masterwork.
Conductor Score and
Parts. 133 pages.
Published by Alfred
Publishing. Level: 3
(grade 3).
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526049 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526049
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 260. Duration
11 minutes. Carus Verlag
#5526049. Published by
Carus Verlag
(CA.5526049).
ISBN
9790007252083.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Takeda Lullaby Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4521-75 A Japanese Folk Song Settin...(+)
Concert band - Grade 3
SKU:
CL.012-4521-75
A
Japanese Folk Song
Setting For Wind
Band. Arranged by
Yeo. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 5
minutes, 18 seconds. Opus
III Wind Orchestra
Publications
#012-4521-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4521-75).
If you are
looking for a truly
authentic cross-cultural
work, or just a fresh
lyrical selection for
your ensemble, don't miss
this beautiful setting of
the famous Japanese folk
song Takeda Lullaby (or
Takeda No Komoriuta).
Using (optional)
traditional Japanese
percussion instruments,
this exquisite work has
an amazing rhythmic and
harmonic touch. Includes
an optional 2-part choir
part. A truly special
selection for any
occasion and a valuable
addition to any concert.
Ravishing!
(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edite...(+)
(Kantate zum Sonntag
Septuagesimae). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For soprano
voice solo, SATB choir,
oboe, violin solo, 2
violins, viola, basso
continuo. BWV 84. Full
score available
separately - see item
CA.3108400. Genres:
Cantatas; Stuttgart
Urtext Editions; Use /
Occasion: Praise and
thanks; Use during church
year: Special Days. Level
3. Part: Violin 2.
Language: German/English.
Composed 1727 (?). 4
pages. Duration 16 min.
Published by Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525814 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp
SKU:
CA.5525814
Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525814.
Published by Carus Verlag
(CA.5525814).
ISBN
9790007311025.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525914 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob
SKU:
CA.5525914
Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part, basso
continuo. Composed 1727.
HWV 259. Duration 8
minutes. Carus Verlag
#5525914. Published by
Carus Verlag
(CA.5525914).
ISBN
9790007311100.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-19. Published by
Breitkopf and Haertel
(BR.OB-5624-19).
ISBN
9790004348680. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525800 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp
SKU:
CA.5525800
Composed
by George Frideric
Handel. Edited by Alon
Schab. Carus digital:
Extra digital products.
Full Score. Composed
1727. HWV 258. Duration 6
minutes. Carus Verlag
#5525800. Published by
Carus Verlag
(CA.5525800).
ISBN
9790007251970.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Dances & Sonnets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104959-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104959-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104959-010. Published by
De Haske Publications
(BT.DHP-1104959-010).
9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tänze, die
damals in den
Fischereihäfen
längs der
niederländischen
Nordseeküste und der
ehemaligen Zuiderzee
populär waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden
können. Begleitet
werden die Gedichte von
leise und getragen
gespielter Musik des
Blasorchesters. Für
die Aufführung von
Dances & Sonnets
können die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Aufführung von
Dances & Sonnets
bereichern, das aber auch
rein instrumental
vorgetragen vorzüglich
zur Geltung kommt.
Questo
brano s’ispira
alla danza e alla poesia
del XIX secolo, in
particolare alle danze
dei pescatori lungo il
litorale del Mare del
Nord e dell’antico
golfo del Zuidersee.
Dances and Sonnets
propone
un’introduzione
maestosa. Il compositore
esplora in seguito
l’universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets è un brano che
può essere eseguito
con o senza la lettura
del poema o la
rappresentazione delle
danze.
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526005 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526005
Composed by George
Frideric Handel. Edited
by Alon Schab. Choral
Score. Composed 1727. HWV
260. Duration 11 minutes.
Carus Verlag #5526005.
Published by Carus Verlag
(CA.5526005).
ISBN
9790007252076.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.