Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

String Orchestra

SKU: BT.MUSM570367214

Composed by Robert Saxton. Classical. Score Only. 25 pages. University of York Music Press #MUSM570367214. Published by University of York Music Press (BT.MUSM570367214).

English.

Robert Saxton 's The Resurrection Of The Soldiers for String Orchestra. Composed and published 2016. Duration: c. 12 minutes. The Resurrection Of The Soldiers for String Orchestra was commissioned by George Vass, to whom it is dedicated, and the English Symphony Orchestra, for the 2016 Presteigne Festival, with funds generously provided by the John S. Cohen Foundation and the Arts Council of England.  The title derives from the final panel of Stanley Spencer’s Sandham Chapel visionary series of paintings which were the result of Spencer’s experiences in the British army in World War One and depicts soldiers emerging from their graves on the last day. Themusic is in three continuous sections: a slow, sustained introduction which is, in essence, a descent from the note E by means of a prolation canon, but which ascends to a rather intense climactic point before finally falling and giving way to an active fugue which, after arriving at an anguished, sustained climax, is succeeded by a closing slow movement consisting of a rising melodic line which permeates the entire texture heterophonically , leading to the closing E major triad. The work thus traces a cyclical pitch path which, while tracing a cyclical path, also develops expressively towards a sense of hope and resurrection. - Robert Saxton, April 2016.

(1st series). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For piano. This edition: Stapled, Urtext edition. Score. Text Language: German/English/French. 27 pages. Published by Baerenreiter Verlag

(2e serie). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For piano. This edition: Stapled, Urtext edition. Score. Text Language: German/English/French. 28 pages. Published by Baerenreiter Verlag

Flute duo

SKU: P2.10021

Composed by Cornelius Boots. Chamber music, 20th century. Published by Potenza Music (P2.10021).

The second part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979) by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The duo is divided into two sections: Nekyia and Hypnoia. Each of these is a Greek myth-nerd term for some key aspect of an archetypal descent into the underworld. In fact, nekyia is a term that specifically means archetypal descent as one finds in myths across the ages from Dante to the Greeks and beyond. Hillman sees a lack of sufficient nekyia myths in our modern culture, yet our popular heroes in films and music are shady underworld characters. Dante's underworld was our culture's last, and it was imagined even before the Renaissance had properly begun. Our ethnic roots reach back to great underworld configurations: the Celtic Dagda or Cerunos, the Germanic Hel, and the Biblical Sheol. All have faded... (p.64) Hyponoia is a more subtle term used by Plato that refers to an undersense or a deeper meaning. The search for undersense is what we express in common speech as the desire to understand. We want to get below what is going on and see its basis, its fundamentals, how and where it is grounded. (p. 137) This deeper understanding is one of the motivations and constant characteristics of the underworld descent: but the discoveries made and experiences experienced are not always as they seem to be. Hillman recommends over and over that we see and see into each thing for what it is, and not force a dayworld perspective onto dream images and occurrences. As a duo movement, the term enantiodromia (counter enantio, and running dromia) is particularly appropriate as it is a grounding principle by which Jung understands the regulative function of opposites. As Hillman tends to turn things on their metaphorical heads, he fleshes out dualism and oppositionalism in such a way that in the underworld this actually becomes a unifying principle: If you go far enough with any one movement, a countermovement will set in...The way up and the way down are one and the same: the manifestation of one power by opposite forces. (p. 76) This implies a union of the two opposites, a conjunction as contrasted with an opposition. There are two voices but they are both flutes; there are two contrasting halves to the piece, yet they balance each other even in their differences.

14 Divisions. Composed by Anonymous. Edited by Kathryn Bennetts and Peter Bowman. Arranged by Yeo Yat-Soon. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. 20 pages. Schott Music #SE 1048. Published by Schott Music

Composed by Michael John Trotta. Cathedral Series. Catholic Year A Immaculate Conception. Marian, Advent, Mother. Octavo. Published by MorningStar Music Publishers (MN.50-0087).

By Brian Balmages. Young Band. FJH Young Band. Moscow, 1941 was commissioned by the Perry Hall Middle School Band and funded by the PTA. Directors Nwil Fishler and Kelly Clavell asked that the piece be dedicated to Larry Bondar, a music teacher who has been affecting the lives of students for over 40 years, and an icon in the Baltimore area. Mr. Bondar is of Russian descent, so it seemed fitting that the commission be based on one of Russia's most famous songs, Meadowlands. Score for this title: B1320S. Concert Band. Level: 2.5. Score and Set of Parts. Composed 2006. Published by The FJH Music Company Inc.

Concert band (1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, TC Baritone, Tuba, Per) - grade 2

SKU: CN.R10274

Composed by Pete Meechan. Band Music. Score and parts. Duration 4:35. Published by G & M Brand Music Publishers (CN.R10274).

Hop on the plane, it's time to fly! This short suite of descriptive pieces takes the ensemble on a brief ride through the sky. Hear the sounds of the engine starting, the take off, the beauty and solace of the clouds from above, the nervousness of the descent, and the excitement and joy of arriving at our destination.

Lift Off! is a short suite of descriptive pieces, all inspired by a short flight from Manchester, England to Brussels. In the first movement we hear the engine start, and after the plane has moved into position, it takes off. The second movement depicts the beautiful view of the clouds from above. It all seems timeless and you don't even feel as if you are moving. The last movement starts nervously (I'm not a great flier!), as the plane begins its descent from the sky. However, as we land safely back on earth, the piece ends in a flurry of excitement and triumph, returning to a theme heard in the first movement.

Soprano Recorder & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-44983

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Soprano Recorder & CD Playback (Play Along). Score and parts. Duration 18'03. Editions Marc Reift #EMR 44983. Published by Editions Marc Reift (MA.EMR-44983).

Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...

Concert Band - Grade 3

SKU: ML.013778080

Composed by Andrew Pearce. Full set. Molenaar Edition #013778080. Published by Molenaar Edition (ML.013778080).

A flashy composition depicting the fast descents during the slalom and the associated challenges for the skier. Don't fly out of the turn!

Een flitsende compositie die de snelle afdalingen tijdens de slalom en de bijbehorende uitdagingen voor de skiër weergeeft. Vlieg niet uit de bocht!

Une composition flashy décrivant les descentes rapides pendant le slalom et les défis qui en découlent pour le skieur. Ne vous envolez pas hors du virage !

Eine Beeindruckende Komposition, die die schnellen Abfahrten beim Slalom und die damit verbundenen Herausforderungen für den Skifahrer darstellt. Nicht aus der Kurve fliegen!

By Richard Meyer. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Grade 4. 124 pages. Published by Alfred Music

Composed by Richard Meyer. Orchestra. Score; SmartMusic; String Orchestra. Highland String Orchestra. Grade 4. 28 pages. Published by Highland/Etling

Choral TBB choir, piano accompaniment

SKU: CF.CM9590

Composed by Philip E. Silvey. Sws. OCTAVO. 16 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9590. Published by Carl Fischer Music (CF.CM9590).

ISBN 9781491154120. UPC: 680160912629. 6.875 x 10.5 inches. Key: F major. English. Philip E. Silvey. Original.

Early one spring a robin nested in the bend of the downspout under my neighbors roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighboras roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighbor's roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighbor’s roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.

Composed by Geoffrey Poole (1949-). For Treble recorder with piano. Moderate. Published by Forsyth Publications

Westminster Conservatory Youth Chorale Jewish Music Series. By Joel Phillips. (SATB). Transcontinental Music Choral. Jewish. 12 pages. Published by Transcontinental Music Publications.

The Complete Book of the Musical. Applause Books. Softcover. Size 6.2x9.5 inches. 172 pages. Published by Applause Books.

(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. For Concert Band. Arrangements of Classical Opera and Operetta Overtures / Arrangements of Classical Pieces. Classic Arrangement. Grade 6. Score and Parts. Published by Molenaar Edition

SSA choir, flute, cello - Level 3

SKU: CA.950500

Fragmente. Composed by Wilfried Hiller. Carus Novus; Contemporary choral music. German title: Sappho. Secular choral music. Full score. Composed 1997. Duration 10 minutes. Carus Verlag #CV 09.505/00. Published by Carus Verlag (CA.950500).

ISBN 9790007089665. Language: German.

Sappho * Fragments for women's chorus, flute and cello (1997) was commissioned by the Arbeitskreis fur Musik in der Jugend for the project KomponistInnen schreiben fur Kinder und Jugendchore. Thus the use of flute and cello in this work for women's choir is intended to assist intonation. According to Hiller the two instruments may also represent the aulos and lyre, the instruments which in classical antiquity accompanied the declamation of poems. He writes about the ancient Greek poetess: With her verses Sappho, who lived on the Aegean island of Lesbos, has for thousands of years inspired poets, visual artists and composers to create new works of art. In our time, for example, Aribert Reimann, Wilhelm Killmayer, Iannis Xenakis and Carl Orff have composed monuments in sound to her. The fragments of her verses which survive give rise to speculation about what is missing, to new interpretations, and to the idea of filling the gaps with music. What also fascinates me in Sappho's texts are the glowing eroticism, their iridescent glitter, and their constant high tension. These poems must be sung, especially by women, to whom Sappho dedicated most of these beautiful lines.

Composed by Gwyneth W. Walker (1947-). 21st Century, Secular, Americana, Creation/Nature. Octavo. Published by E.C. Schirmer Publishing (EC.8517).

SATB choir, piano accompaniment

SKU: GI.G-EH1006

Composed by Elaine Hagenberg. Music Education. Octavo. 12 pages. GIA Publications #EH1006. Published by GIA Publications (GI.G-EH1006).

UPC: 748769410066. Text by Harriet Monroe.

Elaine Hagenberg captures the hushed majesty of an evening in the Blue Ridge Mountains, with crystal clear melodies and fervent harmonies illuminating the poem of Harriet Monroe. The ascent and descent of the opening lines trace the mountains’ silhouette against the sky, followed by the treble and bass voices that draw us by turn to view each detail of the scene and listen for the wisdom of the mountains. Accomplished high school choirs and beyond will find beauty and meaning as they explore this piece.

Brass Band - Grade 3

SKU: BT.GOB-001054-130

Composed by Marc Cunningham. Score Only. Gobelin Music Publications #GOB 001054-130. Published by Gobelin Music Publications (BT.GOB-001054-130).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000999-010

Composed by Marc Cunningham. Set (Score & Parts). 9 pages. Gobelin Music Publications #GOB 000999-010. Published by Gobelin Music Publications (BT.GOB-000999-010).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.

Fanfare Band - Grade 3

SKU: BT.GOB-001000-120

Composed by Marc Cunningham. Score Only. Gobelin Music Publications #GOB 001000-120. Published by Gobelin Music Publications (BT.GOB-001000-120).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.

Fanfare Band - Grade 3

SKU: BT.GOB-001000-020

Composed by Marc Cunningham. Set (Score & Parts). Gobelin Music Publications #GOB 001000-020. Published by Gobelin Music Publications (BT.GOB-001000-020).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000999-140

Composed by Marc Cunningham. Score Only. 24 pages. Gobelin Music Publications #GOB 000999-140. Published by Gobelin Music Publications (BT.GOB-000999-140).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.

Brass Band - Grade 3

SKU: BT.GOB-001054-030

Composed by Marc Cunningham. Set (Score & Parts). Gobelin Music Publications #GOB 001054-030. Published by Gobelin Music Publications (BT.GOB-001054-030).

The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.

The Horn of Plenty' is een compositie waarin de hoorn zich in vele stijlen laat horen.
De opening heeft een hero?sch karakter en ademt een Spaanse sfeer.
Het hierop volgende Leggiero gedeelte is speels en lichtvoetig.
Demelodie die in maat 38 wordt ingezet heeft een Oosterse klank door het melodische gebruik van de harmonische toonladder.
In het Andante wordt een persiflage gegeven op een piano etude van de componist Stephan Heller,een Fransman van Hongaarse afkomst.
Het stuk eindigt met een ontspannen Swing gedeelte, waarin de hoorn ook eens op een andere manier kan worden beluisterd.