Composed by Robert Lehman. Catholic Year C Ordinary26; Year C Pentecost19;. 21st Century. Octavo. MorningStar Music Publishers #50-5220. Published by MorningStar Music Publishers

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703549

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed circa 1769. KreD 326. 36 pages. Duration 42 minutes. Carus Verlag #CV 27.035/49. Published by Carus Verlag (CA.2703549).

ISBN 9790007023256. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

By Randall Johnson. For TTBB choir, piano (with optional timpani). Randy and Rachel Stenson Choral Series. Concert. Octavo. 19 pages. Duration 3 minutes 30 seconds. Published by Santa Barbara Music Publishing

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1125313-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Score Only. Composed 2012. 28 pages. De Haske Publications #DHP 1125313-140. Published by De Haske Publications (BT.DHP-1125313-140).

9x12 inches. English-German-French-Dut ch.

Sa Música - ‘Our Music’ - is the music from Mallorca, an island with a long and difficult past. The work tells of the Greeks, who once erected a temple on the island; of the Romans who occupied the island; and of traditional processions that continue to take place. A Spanish fiesta and a lyrical section, which is inspired by a famous pirate poem, bring this work to a close with Spanish flair. This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050).

S a Música, ‘Haar’ muziek, de muziek van Mallorca, een eiland met een bewogen geschiedenis. Het werk verhaalt van de Grieken die een tempel oprichtten op het eiland. En van de Romeinen die het eiland bezetten. Maar ook van de traditionele rooms-katholieke processies die daar nog steeds in ere worden gehouden. Een Spaanse fiesta en een lyrisch deel, gebaseerd op een beroemd piratengedicht, besluit dit werk met Spaanse flair. Dit thema kan worden gewzongen in het Spaans, met een of meer zangers/zangeressen of een koor (koorpartijen zijn separaat verkrijgbaar: DHP 1125313-050).

S a Música - ‘Ihre Musik’ - ist die Musik der Insel Mallorca, die auf eine bewegte Geschichte zurückblicken kann. Das Werk erzählt von den Griechen, die einst einen Tempel auf der Insel errichteten, von den Römern, die die Insel besetzten und von den traditionellen Prozessionen, die heute noch in Ehren gehalten werden. Eine spanische Fiesta und ein lyrischer Teil, der von einem berühmten Piratengedicht inspiriert ist, runden dieses Werk mit spanischem Flair ab. Dieses Thema kann auch von einem oder mehreren Sängern oder einem Chor zum originalen spanischen Text gesungen werden. Chorstimmen erhältlich: DHP 1125313-050.

Sa Música évoque l’histoire et l’ambiance de l’île espagnole de Majorque, l’une des îles Baléares. L’oeuvre débute avec une introduction majestueuse s’inspirant de motifs grecs. Peu peu, les influences espagnoles se distinguent clairement dans le thème rapide qui vient ensuite, une véritable fiesta. A cette ambiance festive succède le calme, avec un lent passage lyrique que Jacob de Haan a composé sur le texte du célèbre poème sur les pirates, Canción del pirata. Une pièce pétillante ! Ce thème peut être interprété dans sa version espagnole d'origine ou chanté par un ou plusieurs chanteurs ou un choeur (voix disponibles séparément: DHP 1125313-050).

S a Música si ispira alla storia e alle atmosfere dell’isola di Mallorca nell’arcipelago delle Baleari. Il brano apre con una maestosa introduzione che vuole ricordare le gesta dei colonizzatori greci; segue un tema che riprende le tradizionali processioni che si tengono sull’isola e che anticipa un tema tipicamente spagnolo. A questa atmosfera festiva segue la calma con un passaggio lirico che Jacob de Haan ha composto sul testo del celebre poema Cancion del pirata. (This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050)).

SATB choir, voice solo, keyboard accompaniment - Beginning

SKU: GI.G-7376

Composed by Darrell Crawford. Advent. Choral. Sacred. Octavo. 8 pages. GIA Publications #7376. Published by GIA Publications (GI.G-7376).

UPC: 785147737605. English. Text Source: Charles Wesley, 1707–1788, alt. Text by Charles Wesley.

A reflective composition that is not challenging and features an attractive part for a soloist at the beginning and end. The men’s parts provide a supportive, gently rocking accompaniment throughout, except for a unison verse and a lovely 4-part a cappella verse. This is a wonderful new tune to pair with Wesley’s timeless text when you want to venture beyond the traditional pairings (e.g., HYFRYDOL, STUTTGART).

Composed by Traditional. Arranged by Larry Nickel. Folk song. Octavo. Published by Cypress Choral Music (C3.CP1483).

Composed by Thomas Kelly. Arranged by Dana F. Everson. For flute solo with piano accompaniment. Traditional. Main key: Eb, F, Bb. Sacred instrumental music. Grade 3.5. Score and parts. Composed 2013. Duration 2'00 . Published by David E. Smith

By Micahel Barrett; Lloyd Larson. For SATB choir. Sacred. Octavo. Published by Shawnee Press.

Orchestra String Orchestra - Grade 1; Grade 1.5; Grade 2; Grade 2.5; Grade 3; Grade 3.5

SKU: FJ.ST6488

Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score and Part(s). The FJH Music Company Inc #98-ST6488. Published by The FJH Music Company Inc (FJ.ST6488).

UPC: 241444422052. English.

Commission ed by the National String Project Consortium, this gorgeous lyrical work can be performed alone as an intermediate level piece, or with multi-level supplemental parts (available separately) for beginning and developing string students. Orchestrated to celebrate inclusion and diversity, the multi-level option is designed to sound far greater than the intermediate version alone. Not your traditional festival orchestra piece by any means.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Handbells 3-5 octave handbells and choir, with optional flute - Level 2

SKU: HP.2894

Composed by Dona Nobis Pacem. Arranged by Brenda Austin. Hymntune, Hymn Arrangements, General Worship, Service Music. Handbell score. 8 pages. Hope Publishing Company #2894. Published by Hope Publishing Company (HP.2894).

UPC: 763628128944.

Tradi tional hymn tune This enchanting Level 2 arrangement includes options to add flute and three-part, any combination, choir. A gentle plea for 'peace,' this is the perfect closer to a combined concert or poignant moment in worship during the Christmas season, or any time of year.

Guitar

SKU: PR.ZM24840

Memories of Borneo. Composed by Siegfried Behrend. With Standard notation. Zimmermann #ZM24840. Published by Zimmermann (PR.ZM24840).

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

(Partner Songs Based on Traditional Spirituals and Gospel Music). By Jill Gallina. Book and CD. Text language: English

Arranged by Victor C Johnson. For SSA choir with optional violin. Sing!. Octavo. Published by Chorister's Guild

Arranged by Jay Althouse. For Choir. (2-Part). Choral Octavo. Christmas Pop Choral Series. Secular, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

String Quartet (2vl,va,vc)

SKU: BR.EB-9243

Full Score. Composed by Christian Mason. Chamber music; stapled. Edition Breitkopf. World premiere of the original version: London, May 10, 2016World premiere of the string orchestra version: Clermont-Ferrand, October 8, 2020. New music (post-2000). Full score. Composed 2016/2020. 40 pages. Duration 19'. Breitkopf and Haertel #EB 9243. Published by Breitkopf and Haertel (BR.EB-9243).

ISBN 9790004185438. 9 x 12 inches.

It was the practice of Khoomii (throat singing) - following several workshops with Michael Ormiston - that first attracted me to Tuvan music. Composing this Songbook, the first in a series commissioned by the Ligeti Quartet, I took the chance to reflect on compositional questions around transcription and arrangement of existing music, and frequently found myself asking: where is the boundary between the source material and the new substance? Of course the relationship varies from piece to piece, and moment to moment: sometimes we seem to glimpse the pure source, but most of the time there are differing degrees of distance, working towards or away from it. This new version for string orchestra corresponds closely to the original quartet version, with an additional part for double basses.The traditional Tuvan songs that I have transcribed and recomposed are all known to me from the Ay Kherel CD The Music of Tuva: Throat Singing and Instruments from Central Asia (2004, Arc Music). According to the notes from that CD, this is what the songs are about:1. Dyngylday: If you have come on a horse in blue, it doesn't mean that you are the best. My heart tells me something else: my sweetheart doesn't have such a beautiful horse, but he is my darling.An alternative interpretation from Alash Ensemble (alashensemble.com): The word dyngylday is a nonsense term with no translation. The song makes good-humored fun of somebody for being a good-for-nothing.2. Eki Attar (The Best Steeds): The horse is the basis of our life. It is a magic creature. Even its step is full of music and rhythm. You may not be a horse rider, but when you hear this song you will always remember horses.3. Kuda Yry: This wedding song glorifies the strength of the groom and the beauty of his Horse.4. Ezir-Kara ('Black Eagle'): This was the name of a horse, who became a legend through his remarkable strength and speed.It is not just overtones that abound here: there are galloping rhythms aplenty, and though I am no horse rider I tried to keep the horses galloping in my imagination while composing these pieces.Christian Mason (with quotes from Ay Kherel and Alash Ensemble)

World premiere of the original version: London/UK, May 10, 2016, World premiere of the string orchestra version: Clermont-Ferrand/France, October 8, 2020.

By Dana F. Everson. For Alto Saxophone. Duet for Alto Saxophone. Meter: 3/4. Traditional. Grade 2.5-3. Duration 3'00

By Billy Madison. For Percussion Ensemble. Sextet for Percussion Ensemble. Meter: 4/4. Traditional. Level: 12.00. Duration 3'30". Published by David E. Smith Publications.

(Based on We Will Glorify). Composed by Twila Paris. Arranged by Fred Bock. For Organ (Organ Solo). Fred Bock Publications. Fred Bock Music Company #BGK1057. Published by Fred Bock Music Company

Orchestra - Grade 1.5

SKU: AP.45839S

Composed by Victor Lopez. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Form: Dance. Latin. Score. 12 pages. Duration 2:10. Belwin Music #00-45839S. Published by Belwin Music (AP.45839S).

UPC: 038081529233. English.

This high intensity Spanish-flavored composition, Fandango Festival, by Victor López will make your young strings sound like experienced musicians. Featuring percussion and a variety of dynamics and articulations, this piece is exciting and fun to play. With much intensity and bravura, this traditional Spanish dance is a perfect choice for either festivals or concerts. (2:10) This title is available in MakeMusic Cloud.

Voice, flute, violin, cello and piano - intermediate

SKU: HL.49019838

Composed by Carl Maria von Weber. Edited by Marjorie Rycroft. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1826. 44 pages. Schott Music #ED 21638. Published by Schott Music (HL.49019838).

ISBN 9790001193481. UPC: 841886021044. 9.0x12.0x0.212 inches. German.

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The individual parts are available as well.

By Traditional. Arranged by Erik Morales. For concert band. FJH Concert Band. Christmas. Grade 3. Score and set of parts. Composed 2010. Published by The FJH Music Company Inc

4 Saxophones SATBar

SKU: AP.1-ADV7429

For SATBar Saxophone Quartet. Composed by Conrad Kocher. Arranged by Bill Perconti. Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music: Holiday Celebration Series. Christmas; Epiphany; Sacred; Traditional; Winter. Score and Part(s). Advance Music #01-ADV7429. Published by Advance Music (AP.1-ADV7429).

UPC: 805095074291. English.

The lyrics for As with Gladness Men of Old were written by Englishman William Dix (1837--1898) in the 1860s, reportedly on the day of the Epiphany while Dix was sick in bed. The tune was included in a collection of German chorales edited by Conrad Kocher and published in the 1830s. As a testimony to the flexibility of such music, the hymn is also sung during Thanksgiving under the title For the Beauty of the Earth.

This arrangement for saxophone quartet (SATBar)---rather than favoring a soprano solo with accompaniment---strives to include all of the players in the music making, particularly by distributing the melodic material. All dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.

Grade 3

SKU: CL.RWS-2042-00

Arranged by Newton. Concert Band. Score and set of parts. Composed 2020. RWS Music Company #RWS-2042-00. Published by RWS Music Company (CL.RWS-2042-00).

Based around the popular holiday melody Toyland, Bryce Newton’s entertaining take on the elves at work is sure to be a hit! An exceptional change of pace from traditional holiday fare, your students will have a blast putting this one together for their holiday assemblies or concerts. Keep an ear out for several familiar holiday melodies the mischievous elves have woven throughout. Lots of fun!

Clarinet and soprano voice

SKU: P2.30061

Composed by Lori Ardovino. Chamber music. Published by Potenza Music (P2.30061).

From a Crack in the Wall (2012) was written for and dedicated to Escape 2 Create, 2012, and was premiered while in residency. The work is inspired by poems written by Japanese women poets, with dates ranging from the 10th to the 16th centuries, who centered on sounds heard in nature and appreciated as aesthetically meaningful, and including as well the silence of a sound, which indirectly suggests the sound itself. These poems were also composed in the context of a traditional natural sound that may not be mentioned directly. These women were highly respected, Princess Shikishi, a royal Shinto priestess, strongly influenced by Buddhism, Chiyo-ni, a Pure Land Buddhist nun, a very liberated, independent woman, Otagaki Regetsu, trained in martial arts, acclaimed as a waka poet, as well as a calligrapher and potter, and a Buddhist nun, Michitsuna no Haha, the poet develops enlightened connections that leap beyond the finite place of where a sight or a sound resides, the finger cymbals, representing temple bells, and the clarinet imitates the Japanese shakuhachi flute. In From a Crack in the Wall, the clarinet imitates a rubbed sound, such as with kaydids with specialized organs which make a sound when rubbed together. Many objects were also found nature, for example, the rainstick, a wooden tube encasing cactus needles, used in Each Time the Shower Returns, implying rain.

By Traditional. Arranged by Tailor. Concert Band. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 1466) Level: 4.