Composed by Antonin Dvorak (1841-1904). This edition: Urtext edition. Piano reduction. Published by Baerenreiter Verlag (BA.BA10422-90).

Composed by Felix Mendelssohn, arranged by Adolf Ruthardt. For 2 pianos (duet). Schirmer Library Vol.61. Format: piano duet book (two copies needed for performance). With solo part and piano reduction. Romantic period. 44 pages. 9x12 inches. Published by G. Schirmer, Inc..

Composed by Ludwig van Beethoven (1770-1827), edited by Theodor Kullak (1818-1882). For two pianos four-hands. Schirmer Library, volume 623. Format: piano duet score (2 copies necessary for performance). With solo part and piano reduction. Classical period and romantic period. 60 pages. 9x12 inches. Published by Schirmer.

(Chopin National Edition 30B, Vol. Vla). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For 2 Pianos, 4 Hands. PWM. 140 pages. Polskie Wydawnictwo Muzyczne #51600007. Published by Polskie Wydawnictwo Muzyczne

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

Composed by Lauren Bernofsky (1967-). Edited by Tomoko Kanamura. Solo part with piano reduction. With Standard notation. 29 19 pages. Carl Fischer #BQ-113. Published by Carl Fischer

For Bb Clarinet and Piano. Composed by Amanda Harberg. Premiered in the Music in Montclair Series with clarinetist Benjamin Fingland and pianist Amanda Harberg, at the Unitarial Universalist Congregation At Montclair. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2015. 28 pages. Duration 12 minutes. Theodore Presser Company #114-41747. Published by Theodore Presser Company (PR.114417470).

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For 2 pianos. This edition: Urtext edition. Paperback. Piano reduction, Part(s). English/German. No. 1, Op. 15. 57/52 pages. Published by Baerenreiter Verlag (B

2 Pianos

SKU: HL.14007452

Composed by Jean Joubert. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV100078. Published by Music Sales (HL.14007452).

ISBN 9781783057863.

Composed by Joaquin Rodrigo (1901-1999), edited by Angel Romero. For guitar and piano. Includes piano/guitar book (includes separate pull out guitar part), performance part and piano reduction. With full score notation, standard guitar notation, solo part and piano reduction. 20th century. 78 pages. 9x12 inches. Published by Schott Editions.

For Alto Saxophone and Piano. Composed by Lauren Bernofsky (1967-). Premiere: Marc Goldstick, English horn, and Maria Letona, piano; Tuesday Night Music, Jordan Hall, New England Conservatory. Contemporary. Solo part with piano reduction. With Standard notation. Composed 1992. 20 pages. Duration 12 minutes, 10 seconds. Theodore Presser Company #144-40618. Published by Theodore Presser Company (PR.144406180).

Composed by Geraldine Green. For bass clarinet and piano. Classical; 21st century. Solo part and piano reduction. Composed 1992. Duration 23 minutes. Published by Alea Publishing

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

For Violin, Violoncello, Piano and Orchestra - Piano Reduction. By Ludwig van Beethoven. Edited by B.V.D. Linde, H. Kann. Work for the Stage. Pages: Piano Reduction = IV and 103* Vl = 16 * Vc = 16 * Solo Pno = 38. Piano Reduction-paper bound. Published by G. Henle.

After the ViolinConcerto - Piano Reduction - with Comments in English. By Ludwig van Beethoven. Edited by H.-W Kuthen. This edition: HN815. 2 Pianos, 4-hands. Henle Music Folios. Pages: XI and 79. Urtext edition (Paper-bound). 93 pages. Published by G. Henle.

Cello and Piano

SKU: HL.14041367

Composed by Per Norgard. Music Sales America. Classical. Piano Reduction. 38 pages. Edition Wilhelm Hansen #WH31033C. Published by Edition Wilhelm Hansen (HL.14041367).

ISBN 9788759818893. 10.0x14.0x0.436 inches.

This is the Piano reduction for Momentum - Cello Concerto No. 2 for Violoncello Solo and Chamber Orchestra by Per Nørgård (2009).

Full Score: WH31033

 

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orchestra. This edition: Urtext edition. Paperback. Score. English/German. No. 1, Op. 15. Published by Baerenreiter Verlag

(The Prince of Denmark's March). By Henry Purcell (1659-1695). Edited by Igor Kipnis. Arranged by Igor Kipnis. For Harpsichord, Piano. Classical. Solo part with piano reduction. Standard notation. 5 pages

Oboe and Piano

SKU: HL.14007465

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV262169. Published by Music Sales (HL.14007465).

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

Scott  composed his Concerto For Oboe & Orchestra i n 1946. The three movements (Molto vigoroso - Andante,Pastoral e:Tranquillo an d Rondo giocoso: Allegronon troppo - cadenza - Con spirit) are published here with a Piano reduction of the orchestra accompaniment.

Complete performance time of the entire piece is approximately 20 minutes.

Elegy for Cello and Orchestra. (Cello with Piano Reduction). By John Williams. For Cello, Piano Accompaniment. John Williams Signature Edition - Strings. 8 pages. Published by Hal Leonard

(Clarinet with Piano Reduction). Composed by Louis Spohr (1784-1859). Edited by Christoph Sobanski and Ulrich Scheideler. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN995. Published by G. Henle

Bassoon and Piano

SKU: HL.14007456

Composed by Jean Joubert. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120485. Published by Music Sales (HL.14007456).

John Joubert's Concerto For Bassoon And Chamber Orchestra, Op.77 is scored here for Bassoon with a Piano Reduction.

Cello with Piano Reduction. Composed by Nino Rota (1911-1979). String. Softcover. 104 pages. Schott Music #CB264. Published by Schott Music (HL.49045070).

Composed by Francesco Antonio Rosetti. Edited by Denis Stevens. This edition: Saddle stitching. Sheet music. Woodwind. Classical. Piano reduction with solo part. 40 pages. Schott Music #ED10420. Published by Schott Music

(Violin with Piano Reduction). Composed by Henry Vieuxtemps. Edited by Ray Iwazumi. For Violin, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1257. Published by G. Henle