Composed by Hans Leo Hassler (1564-1612). Edited by and arr., with English Text,...(+)
Composed by Hans Leo
Hassler (1564-1612).
Edited by and arr., with
English Text, by Patrick
M. Liebergen. Choir
Secular. Women's Choir.
Choral Octavo;
Masterworks. Choral
Designs. Masterwork
Arrangement; Renaissance;
Secular. Choral Octavo.
12 pages. Published by
Alfred Music
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Choral (3-Part Mixed choir) SKU: HL.35027709 Composed by George L.O. Stri...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.35027709
Composed
by George L.O. Strid and
Mary Donnelly. Choral.
Canon, Christmas,
Christmas Secular,
Concert, Holiday, Secular
Christmas, Winter.
Octavo. 8 pages. Duration
112 seconds. Published by
Shawnee Press
(HL.35027709).
UPC:
884088538224.
6.75x10.5x0.019 inches.
Mary Donnelly/George L.O.
Strid.
Let's hang
some tinsel on the
Christmas tree, put up
some shining lights for
all to see, and decorate
in a million ways! These
phrases and many others
make up this bright
choral that set the scene
of getting ready for the
holidays. Partner song in
style for three voices! A
great lighter number for
your concert and easy to
learn for limited
rehearsal time! Available
separately: 3-Part Mixed,
StudioTrax Cd. Duration:
ca. 1:52.
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Choral (SSA Choir) SKU: HL.35031994 Composed by Becki Slagle Mayo and Lyn...(+)
Choral (SSA Choir)
SKU: HL.35031994
Composed by Becki Slagle
Mayo and Lynn Shaw
Bailey. Shawnee Press.
Christmas. Octavo. 12
pages. Published by
Shawnee Press
(HL.35031994).
ISBN
9781540019448. UPC:
888680725945. 6.75x10.5
inches. Becki Mayo/Lynn
Shaw
Bailey.
Pierpont's
“Jingle
Bells” takes a
jazzy turn with the
addition of original
music and lyrics creating
a waltz that rings and
swings in the holiday
season! The piano is a
jazz-waltz rhythm setting
the mood for festive,
three-part or two-part
treble vocals. Add the
optional sleigh bells for
the perfect holiday
concert selection.
Jingle Bells (SAB) Chorale 3 parties SAB, Piano [Octavo] Faber Music Limited
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). ...(+)
Arranged by Alexander
L'Estrange. Choir
Secular.
For with Piano (SAB).
Choral
Octavo. Faber Choral
Singles. Christmas;
Secular;
Winter. Published by
Faber
Music
Choral SSA Choir and Piano SKU: CF.CM9704 Composed by Richard Hageman. Ar...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9704
Composed by
Richard Hageman. Arranged
by Stephen Rotz. Jbc. 12
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #CM9704.
Published by Carl Fischer
Music (CF.CM9704).
ISBN 9781491160114.
UPC: 680160918713. Key:
F# minor. English. Sir
Rabindranath
Tagore.
Richard
Hageman (1881-1966) was a
born into a family of
musicians. As a pianist,
he performed concerts
from the age of six, and
his mastery of this
instrument is evident in
the intricate
accompaniment of this
piece. After coming to
America, (originally as
accompanist to touring
French singer Yvette
Guilbert), he worked for
a period of years as a
conductor and pianist for
the Metropolitan Opera in
New York. It was during
this period of time that
he composed Do Not Go, My
Love for solo voice,
originally dedicating it
to the operatic tenor,
George Hamlin. Hageman's
later career included
work in Hollywood, first
as a conductor, but later
as a film-score composer
and actor. Do Not Go, My
Love is well-known among
classical soloists, and
many recordings exist.
The SSA version of this
American standard brings
a vocal classic to
younger singers who might
not yet possess the
dexterity to perform the
original solo.
Rabindranath Tagore
(1861-1941) was an Indian
polymath; someone who
possesses deep knowledge
and understanding of many
disparate subjects.
Tagore's expertise
included the visual arts,
music, and poetry. Tagore
won the Nobel Prize in
Literature in 1913,
contributing to his
receiving knighthood from
King George V in 1915,
but Tagore renounced his
knighthood after the 1919
Jallianwala Bagh
massacre. There are five
Tagore museums in
Bangladesh and three in
India; at least three
universities bear his
name. Do Not Go, My Love
is taken from The
Gardener, a collection of
poems translated from
Bengali by Tagore and
published in 1915. Number
34 in the collection, and
taken by itself, the poem
might be interpreted as
someone watching over the
deathbed of a lover or
child; however, the
larger narrative woven
through The Gardener
suggests a romantic
relationship being clung
to by the speaker.
 . Richard Hageman
(1881–1966) was a
born into a family of
musicians. As a pianist,
he performed concerts
from the age of six, and
his mastery of this
instrument is evident in
the intricate
accompaniment of this
piece. After coming to
America, (originally as
accompanist to touring
French singer Yvette
Guilbert), he worked for
a period of years as a
conductor and pianist for
the Metropolitan Opera in
New York. It was during
this period of timeÂ
that he composed Do Not
Go, My Love for solo
voice, originally
dedicating it to the
operatic tenor, George
Hamlin. Hageman’s
later career included
work in Hollywood, first
as a conductor, but later
as a film-score composer
and actor. Do Not Go, My
Love is well-known among
classical soloists, and
many recordings exist.
The SSA version of this
American standard brings
a vocal
“classic†to
younger singers who might
not yet possess the
dexterity to perform the
original
solo.Rabindranath Tagore
(1861–1941) was an
Indian polymath; someone
who possesses deep
knowledge and
understanding of many
disparate subjects.
Tagore’s expertise
included the visual arts,
music, and poetry. Tagore
won the Nobel Prize in
Literature in 1913,
contributing to his
receiving knighthood from
King George V in 1915,
but Tagore renounced his
knighthood after the 1919
Jallianwala Bagh
massacre. There are five
Tagore museums in
Bangladesh and three in
India; at least three
universities bear his
name.Do Not Go, My
Love is taken
from The Gardener, a
collection of poems
translated from Bengali
by Tagore and published
in 1915. Number 34 in the
collection, and taken by
itself, the poem might be
interpreted as someone
watching over the
deathbed of a lover or
child; however, the
larger narrative woven
through The
Gardener suggests a
romantic relationship
being clung to by the
speaker. .
By Hal H. Hopson. For SSA, Soloist, Flute, and Organ, with opt. Strings, Harp, a...(+)
By Hal H. Hopson. For
SSA, Soloist, Flute, and
Organ, with opt. Strings,
Harp, and Medium Drum.
Advent/Christmas. Level:
Moderately Easy. Choral
Score. Published by
MorningStar Music
Publishers.
Just Let Me Sing Chorale 3 parties 3 parties Mixtes [Octavo] - Intermédiaire Alfred Publishing
Just Let Me Sing by Mary Donnelly. Arranged by George L.O. Strid. Choir Secular....(+)
Just Let Me Sing by Mary
Donnelly. Arranged by
George L.O. Strid. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Grade 3. Choral
Octavo. Published by
Alfred Music Publishing
3-Part Mixed Choral (3-Part Mixed/Kazoos) SKU: HL.1224302 Composed by Joh...(+)
3-Part Mixed Choral
(3-Part Mixed/Kazoos)
SKU: HL.1224302
Composed by Johnny Marks.
Arranged by Greg Gilpin.
Shawnee Press. Christmas,
Concert, Festival,
Holiday. Octavo. 12
pages. Duration 135
seconds. Published by
Shawnee Press
(HL.1224302).
ISBN
9781705196335. UPC:
196288143284.
6.75x10.5x0.029
inches.
You will
never go wrong with a
holiday classic by Johnny
Marks! Let's add some
sleigh bells and kazoos
and jingle like Santa
into the hearts of our
audience! Your singers
will love learning and
performing this winner so
give it a good “ho
ho ho†and
enjoy!
Discovery Level 2.
Composed by Paul Smith.
Arranged by Audrey
Snyder. Discovery Choral.
Christmas, Christmas
Secular, Holiday. Octavo.
16 pages. Published by
Hal Leonard (HL.211606).
UPC: 888680661601.
6.75x10.5
inches.
Ideal for
developing choirs! This
accessible setting of the
Andrews Sisters classic
offers a sleigh-ride full
of merriment with this
bright and cheery song
with great opportunities
to build intonation and
diction skills.
Composed by Brad Hatfield
and Jeff Meegan. Arranged
by Greg Gilpin.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-31168. Published by
Alfred Music (AP.31168).
UPC: 038081339399.
English.
A touching
and tender ballad for
those far from home
during the holidays.
Overlapping vocal lines
weave a beautiful
tapestry of sound and
deliver a poignant and
timely message. Not
difficult to sing, but
highly effective.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Ch...(+)
Arranged by Alexander
L'Estrange. Choir
Secular. For with Piano
(3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Published by Faber Music
Tidings of Joy! Chorale 3 parties SSA, Piano [Octavo] Lorenz Publishing Company
(Ding Dong! Merrily on High/Ukrainian Bell Carol/God Rest You Merry, Gentlemen)....(+)
(Ding Dong! Merrily on
High/Ukrainian Bell
Carol/God Rest You Merry,
Gentlemen). By Lloyd
Larson. For SSA choir,
piano (piano 4-hands)
(with optional handbells
(3-5 octaves)). Sacred
Anthem, Christmas.
Octavo. Published by
Lorenz Publishing Company
(LO.10
Tidings of Joy! Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
(Ding Dong! Merrily on High/Ukrainian Bell Carol/God Rest You Merry, Gentlemen)....(+)
(Ding Dong! Merrily on
High/Ukrainian Bell
Carol/God Rest You Merry,
Gentlemen). By Lloyd
Larson. For SAB choir,
piano (piano 4-hand)
(with optional handbells
(3-5 octaves)). Sacred
Anthem, Christmas.
Octavo. Published by
Lorenz Publishing Company
By Duke Ellington, lyrics by Irving Mills. Arranged by Tom Anderson. For Choir. ...(+)
By Duke Ellington, lyrics
by Irving Mills. Arranged
by Tom Anderson. For
Choir. (SAB). Choral
Octavo. Pop Choral
Series. Choral Octavo. 20
pages. Published by
Alfred Publishing.
Choral (SSA Choir) SKU: HL.267463 From The Sky's the Limit. Compos...(+)
Choral (SSA Choir)
SKU: HL.267463
From The Sky's the
Limit. Composed by
Harold Arlen and Johnny
Mercer. Arranged by Kirby
Shaw. Jazz Chorals.
Standards, Swing, Vocal
Jazz. Octavo. 16 pages.
Published by Hal Leonard
(HL.267463).
UPC:
888680734190. 6.75x10.5
inches.
Following
the huge success by
Harold Arlen of
“Over The
Rainbow” he was
both incredibly busy and
incredibly successful. In
1943 he wrote the film
score for The Sky's
The Limit and,
although the film was not
a huge success, “My
Shining Hour” was
the #1 song of its day.
Since then if has been
covered by countless jazz
musicians as well as song
stylists. Here is a
strong arrangement for
your choir that they will
love to sing.
Choral (SAB Choir) SKU: HL.267462 From The Sky's the Limit. Compos...(+)
Choral (SAB Choir)
SKU: HL.267462
From The Sky's the
Limit. Composed by
Harold Arlen and Johnny
Mercer. Arranged by Kirby
Shaw. Jazz Chorals.
Standards, Swing, Vocal
Jazz. Octavo. 16 pages.
Published by Hal Leonard
(HL.267462).
UPC:
888680734183. 6.75x10.5
inches.
Following
the huge success by
Harold Arlen of
“Over The
Rainbow” he was
both incredibly busy and
incredibly successful. In
1943 he wrote the film
score for The Sky's
The Limit and,
although the film was not
a huge success, “My
Shining Hour” was
the #1 song of its day.
Since then if has been
covered by countless jazz
musicians as well as song
stylists. Here is a
strong arrangement for
your choir that they will
love to sing.
3-part mixed choir and piano SKU: LO.15-3852H Composed by Russell L. Robi...(+)
3-part mixed choir and
piano
SKU:
LO.15-3852H
Composed
by Russell L. Robinson.
Choral. Concert, General,
Spiritual. Octavo.
Heritage Music Press
#15/3852H. Published by
Heritage Music Press
(LO.15-3852H).
ISBN
9780787774431.
This
delightful and lively
pairing of spirituals
from Russ Robinson is
available in SAB or
Two-part voicing. A
handclapping pattern is
featured between verses
to enhance the rhythmic
excitement of this
setting. The two
spirituals, I'm Gonna
Sing When the Spirit Says
Sing and Swing Low, Sweet
Chariot are introduced
independently before
being combined in and
exciting conclusion with
a soaring descant.
Composed by Pierre Certon (1510-1572). Arranged by with English words; by Patric...(+)
Composed by Pierre Certon
(1510-1572). Arranged by
with English words; by
Patrick M. Liebergen.
Masterworks; Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Masterwork
Arrangement; Renaissance;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-45606. Published by
Alfred Music (AP.45606).
Choral (SAB Choir) SKU: HL.122254 (The Best of Glee, Season 4). By...(+)
Choral (SAB Choir)
SKU: HL.122254
(The Best of Glee,
Season 4). By Glee
Cast. Edited by Mac Huff.
Arranged by Adam Anders
and Peer Astrom. Pop
Choral Series. Medley,
Pop, Pop/Rock, Show
Choir, TV. Octavo. 36
pages. Published by Hal
Leonard (HL.122254).
UPC: 884088948986.
6.75x10.5 inches. Adapt.
Mac Huff.
The cast
of Glee features
the next generation of
New Directions singers in
Season 4, while
continuing to follow some
of the alumni in their
post high school
experiences. The music
continues as an important
dramatic element in the
show, with a hit parade
of classic songs and the
latest hits. This
10-minute medley
includes: Holding Out for
a Hero, Homeward
Bound/Home, It's Time,
Live While We're Young,
New York State of Mind,
The Scientist, Some
Nights.