Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. E.C. Schirmer Publishing #7928. Published by E.C. Schirmer Publishing

Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. Duration 5 minutes, 30 seconds. E.C. Schirmer Publishing #7926. Published by E.C. Schirmer Publishing

By Mark Hayes. For SATB choir and piano (with optional alto saxophone, tenor saxophone, 2 trumpets, 2 trombones, rhythm). Christmas. Octavo

BH Large Choral. Octavo. 32 pages. Hal Leonard #M060131110. Published by Hal Leonard

By Craig Curry. For SATB choir and piano (with optional alto saxophone, trumpet, trombone, rhythm). Ascension, General, Trinity Sunday, Sacred. Sacred Anthem

Composed by Bob Chilcott. Vocal score. 32 pages. Duration 11'. Published by Oxford University Press (OU.9780193406537).

SSATB Choir, Piano - Level 3

SKU: CA.926200

Composed by Claude Debussy. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1883. L 6. Duration 3 minutes. Carus Verlag #CV 09.262/00. Published by Carus Verlag (CA.926200).

ISBN 9790007249243. Key: E major. Language: French. Text: Bourget, Paul.

Beau soir seems to have inspired musicians to make their own arrangements - for violin, cello, saxophone quartet, or even for five-part chamber choir and piano, as in this version by Denis Rouger. Unlike the instrumental versions, this one retains Paul Bourget's text: the poetic depiction of a sunset on a mild summer evening, on which light and shade merge into one another like the rhythm and harmony in Debussy's setting. It is not an unclouded depiction, but the recognition of our own finiteness. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SATB choir and Piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0107

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score and instrument parts. Duration 3 minutes, 32 seconds. MorningStar Music Publishers #56-0107. Published by MorningStar Music Publishers (MN.56-0107).

UPC: 688670221248. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for SATB (divisi) choir and piano. A text by Æmelia Lanyer (née Bassano) (“Why should unlawful actions use the Light?”) is set as a homophonic chorale with a supportive accompaniment. Duration 3:32.

Composed by Mark Hayes. For SATB choir, piano (with optional 2 trumpets, 2 trombones, alto saxophone, electric guitar, percussion, piano, bass, tenor saxophone). Sacred anthem. Octavo. Published by Lorenz Publishing Company

(Mixed Chorus, Saxophone, Percussion, and Piano Duet Vocal Score). By Karl Jenkins. SATB. BH Secular Choral. Softcover. 56 pages. Boosey and Hawkes #M060120732. Published by Boosey and Hawkes

Composed by Mary Mcdonald. For SATB choir, piano (with optional tenor saxophone, bass, guitar, percussion, alto saxophone, 2 trumpets, 2 trombones). Sacred anthem. Octavo. Published by Lorenz Publishing Company

Composed by Jay Rouse. For SATB choir, piano accompaniment (with optional tenor saxophone, brass and rhythm, alto saxophone). Sacred Anthem, Christmas. Octavo. Lorenz Publishing Company #10/4669L. Published by Lorenz Publishing Company

Composed by Mary McDonald. For SATB choir, piano (with optional alto saxophone, electric guitar, electric bass, drum set, tenor saxophone, 2 trumpets, 2 trombones). Sacred Anthem, Easter, General, Memorial Services. Octavo. Lorenz Publishing Company #10/4707L. Published by Lorenz Publishing Company

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309-91

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. Paperback. Choral score. Baerenreiter Verlag #BA11309-91. Published by Baerenreiter Verlag (BA.BA11309-91).

ISBN 9790006569182. 27 x 19 cm inches. Text Language: English.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

By Gregory Pysh. For SATB Choir, Soprano Saxophone or Instrument in C, and Piano Accompaniment (SATB). Music for the Church Year. Sacred, Choral. Grade 3. Choral octavo

SATB choir and piano, with optional saxophone solo - Beginning

SKU: MN.50-1177

Composed by J. Donald Dumpson. Christmas, Sacred. MorningStar Music Publishers #50-1177. Published by MorningStar Music Publishers (MN.50-1177).

UPC: 688670511776. English.

A soulful arrangement of this classic Christmas carol. Performed regularly in A Soulful Christmas at the Kimmel Center in Philadelphia. Optional performance notes are included in the publication.

By Mark Patterson. For SATB choir and piano (with optional alto saxophone (clarinet)). Mixed Voices. General, Spiritual, Sacred. Sacred Anthem

By Larry Shackley. For SATB choir and piano (with optional soprano saxophone). Ascension, Christ the King, Eastertide, General, Sacred. Sacred Anthem

By Lloyd Larson. For SATB choir and piano (with optional Solo, 2 trumpets, 2 trombones, alto saxophone, rhythm). All Saints Day, General, Sacred. Sacred Anthem

SATB choir & piano & optional saxophone, bass, drum kit (SATB) - easy

SKU: OU.9780193412729

Composed by Bob Chilcott. Choral Works (inc. Oratorios). Bass, drum and saxophone part. 12 pages. Duration 11'. Oxford University Press #9780193412729. Published by Oxford University Press (OU.9780193412729).

ISBN 9780193412729. 12 x 8 inches.

For SATB, piano, and optional saxophone, bass, and drum kit Ophelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.

Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. E.C. Schirmer Publishing #7927. Published by E.C. Schirmer Publishing

SATB choir, piano, bass, drums, saxophone, etc

SKU: GH.CG-6735

Composed by Lars Wallenas. With Language: English. Gehrmans Musikforlag #CG 6735. Published by Gehrmans Musikforlag (GH.CG-6735).

ISBN 9790070012720. 185 x 262 mm inches.

Arrangemang for blandad kor och jazzgrupp.

SATB choir, Piano, and Optional Soprano Saxophone. Composed by Paul Mealor. Choral. Octavo. 20 pages. Novello and Co Ltd. #NOV297526. Published by Novello and Co Ltd.

Nation, Do Not Cry. By Paul Caldwell and Sean Ivory. Text: South African Freedom Song. For SATB Chorus and Piano. (SATB). Anton Armstrong Choral Series. Sacred. Octavo. Published by Earthsongs.

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by William Walton (1902-1983). Edited by Steuart Bedford. For mixed choir, baritone voice solo, and orchestra (piccolo, 2 flutea, 2 oboea, english horn (opt.), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, mixed chorus, baritone solo, piano, organ, 2 harps, strings; 2 brass bands). Oratorios. William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 176 pages. Duration 35'. Published by Oxford University Press

Soprano solo, Mixed choir (SATB), Saxophone quartet, Organ, Strings

SKU: BA.BA11305-90

Composed by Camille Saint-Saens. This edition: urtext edition. Paperback. Piano reduction. Baerenreiter Verlag #BA11305-90. Published by Baerenreiter Verlag (BA.BA11305-90).

ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Saint-Sa� �«ns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.