Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lyrics based on Traditional Spiritual, music by Greg Gilpin. For Choir. (SSATB)...(+)
Lyrics based on
Traditional Spiritual,
music by Greg Gilpin. For
Choir. (SSATB). Choral
Octavo. Choral Designs.
Spiritual. Choral Octavo.
16 pages. Published by
Alfred Publishing.
From Two Madrigals from the Triumphs of Thusnelda. By PDQ Bach. Arranged by Pete...(+)
From Two Madrigals from
the Triumphs of
Thusnelda. By PDQ Bach.
Arranged by Peter
Schickele. Text by Peter
Schickele. For SSATB. S.
1601. Published by
Theodore Presser Company.
From Two Madrigals from the Triumphs of Thusnelda. By PDQ Bach. Arranged by Pete...(+)
From Two Madrigals from
the Triumphs of
Thusnelda. By PDQ Bach.
Arranged by Peter
Schickele. Text by Peter
Schickele. For SSATB. S.
1601. Published by
Theodore Presser Company.
Soiree en mer Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano
SKU: CA.926400
Composed by Camille
Saint-Saens. Arranged by
Denis Rouger, Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Composed
1862. Op. 13, No. 1.
Duration 5 minutes.
Published by Carus Verlag
(CA.926400).
ISBN
9790007261870. French.
Text: Victor
Hugo.
In his poem
Soiree en mer, Victor
Hugo describes how the
sea can be perceived very
differently by two lovers
at the same time in the
same place. While the man
perceives the deepening
shadows on the dancing
waves, the woman marvels
at the stars shining ever
brighter in the
firmament. In nature, as
in the words of the poem,
the painful ambiguity
that represents life at
its core can be
experienced. Like no
other poet, Hugo captures
this almost unbearable
simultaneity of living
and dying, of love and
suffering. Saint-Saens
translates this into
music - probably the most
ephemeral and
contemporary of all art
forms. His balanced
musical form leaves
plenty of room for the
poetry and his subtle
variations in timbre,
which also inspired Denis
Rouger to his choral
arrangement, create a
seething motion under the
surface of the
sea.
This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
any of the qualities of
the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
...wo die Ztronen bluhn
(Carus 83.514).
Zwei
Motetten. Composed by
Siegfried Reda. Stapled.
Aus Das Psalmbuch (1948).
Sacred, Psalmen (Psalms).
Choral score. Composed
1948. Baerenreiter Verlag
#BA02382_00. Published by
Baerenreiter Verlag
(BA.BA02382).
(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited b...(+)
(Cantata for Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ruprecht Langer. For
SSATB choir, ST vocal
soli, 2 flute, 2 oboe, 3
trumpet, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Cantatas,
Christmas. Full score.
Text language:
German/English. BWV 191.
Duration 18 minutes.
Published by Carus Verlag
Choral (SSATB) SKU: HL.325461 Composed by African American Spiritual. Arr...(+)
Choral (SSATB)
SKU:
HL.325461
Composed by
African American
Spiritual. Arranged by
Rollo Dilworth. Choral.
African-American,
Concert, Spiritual.
Octavo. Duration 210
seconds. Published by Hal
Leonard (HL.325461).
UPC: 888680986438.
6.75x10.5x0.036
inches.
In this
oft-performed spiritual,
the Bible tells that a
vision of two wheels
intersecting was shown to
Ezekiel, signifying the
“spirit of living
creatures.†Rollo
Dilworth's arrangement of
this song doubles down on
the wheel imagery, with
cyclical melodic passages
throughout and a piano
part to match.
Choral (SSATBB choir) SKU: HL.14011728 Composed by Pelle Gudmundsen-holmg...(+)
Choral (SSATBB choir)
SKU: HL.14011728
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical, Danish,
Madrigal. Vocal Score. 56
pages. Edition Wilhelm
Hansen #KP01218.
Published by Edition
Wilhelm Hansen
(HL.14011728).
ISBN
9788759851890. UPC:
888680705817. 10.5x14.5
inches.
Danish.
These
Four Madrigals by
Pelle
Gudmundsen-Holmgreen are
settings of texts by the
Australian author, Les
Murray. Two songs were
originally written for
the Song Company,
Australia and two more
from his larger work,
Sound/Sight for
Danish Radio Chamber
Choir. All have been
arranged here for six
voices (SSATBarB) with
texts in English and
Danish. Duration
16:30.
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.