Double bass SKU: M7.VHR-3903 Composed by Simone Drebenstedt. Sheet music....(+)
Double bass
SKU:
M7.VHR-3903
Composed
by Simone Drebenstedt.
Sheet music. Student's
edition. 172 pages.
Holzschuh Musikverlag
#VHR 3903. Published by
Holzschuh Musikverlag
(M7.VHR-3903).
ISBN
9783940069818.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Spielstucke fur kleine
Leute ab funf Jahren.
Composed by Claus
Freudenstein. German /
English. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2984.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-2984).
ISBN
9790203429845. 9 x 12
inches.
1. Riesen
Spass; 2. Tatu Tata, die
Feuerwehr ist da; 3.
Liebe Mama, schau mal an;
4. Ein alter Drache
grinst; 5. Bruder Jakob;
6. Wer geht mit nach
Rummelskirchen; 7. Drei
Chinesen; 8. In einem
kleinen Apfel; 9.
Bi-Ba-Butzemann; 10.
Summ, summ, summ; 11.
Tuk, tuk, tuk, ihr
Huhnerchen; 12. Hansel
und Gretel; 13. Fuchs, du
hast die Gans gestohlen;
14. Weisst du, wieviel
Sternlein stehen; 15. Auf
der Mauer, auf der Lauer;
16. Wer geht mit nach
Rummelskirchen; 17. Denkt
Euch nur, der Frosch ist
krank; 18. Taler, Taler,
du musst wandern; 19. Wie
geht mein bunter
Minibass; 20.
Geisterstunde; 21. Lieber
Nikolo; 22. Morgen kommt
der Weihnachtsmann; 23.
Ihr Kinderlein kommet;
24. Alle Jahre wieder;
25. Hey! Hey! Los
geht's!; 26. Die
Bassritter.
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
Double Bass Starter Contre Basse [Partition + CD] - Facile De Haske Publications
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles...(+)
Double Bass - easy
SKU:
BT.DHP-1115113-400
22 Pieces in various
styles. Composed by
Ruud van der Meulen. Book
with CD. Composed 2011.
32 pages. De Haske
Publications #DHP
1115113-400. Published by
De Haske Publications
(BT.DHP-1115113-400).
ISBN 9789043139205.
9x12 inches.
English-German-French-Dut
ch.
In Double
Bass Starter you will
find a variety of tunes
for beginner double bass
players - young as well
as old. It is a fantastic
album, with a solid
methodical structure. A
range of styles is
featured, from classical
to jazz and pop. The
tunes can be picked or
bowed. The CD features
demo tracks together with
play-along tracks for
each piece.
In
Double Bass
Starter zijn
verschillende stukken
voor beginners op de
contrabas verzameld. Het
is zowel een geweldig
speelboek als een goed
doordachte aanvulling op
het gebruikelijke
lesmateriaal. Allerlei
stijlen passerende revue
- van klassiek tot pop.
Alle stukken kunnen zowel
pizzicato als con arco
worden
gespeeld.
In
Double Bass
Starter sind
vielfältige Stu?cke
fu?r Anfänger auf dem
Kontrabass versammelt. Es
ist zugleich ein
fantastisches Spielbuch
und sehr lehrreiches
Zusatzmaterial fu?r den
Unterricht mit einem
durchdachten methodischen
Aufbau. Allerlei Stile
kommen darin an die Reihe
- von Klassik u?ber Jazz
bis hin zu Pop. Alle
Stu?cke können sowohl
gezupft als auch
gestrichen werden.Die CD
bietet sowohl Demo- als
auch Play-Along Tracks
an.
In
Double Bass
Starter troverete una
variet di pezzi per
avviare i principianti
allo studio del
contrabbasso. Oltre al
materiale pedagogico
utile a supportare
l'insegnamento, vengono
anche trattati tutti i
generi musicali dalla
classica al jazz al
pop.
Methode Complete et Progressive en Trois Cahiers. Composed by Francois Rabbat...(+)
Methode Complete et
Progressive en Trois
Cahiers. Composed by
Francois Rabbath. Leduc.
Instruction. Softcover.
54
pages. Alphonse Leduc
#AL25806. Published by
Alphonse Leduc
Methode Complete et Progressive en Trois Cahiers. Composed by Francois Rabbat...(+)
Methode Complete et
Progressive en Trois
Cahiers. Composed by
Francois Rabbath. Leduc.
Instruction. Softcover.
152
pages. Alphonse Leduc
#AL26328. Published by
Alphonse Leduc
Methode Complete et Progressive en Trois Cahiers. Composed by Francois Rabbath...(+)
Methode Complete et
Progressive en Trois
Cahiers.
Composed by Francois
Rabbath.
Leduc. Instruction.
Softcover
with CD. 40 pages.
Alphonse
Leduc #AL25437. Published
by
Alphonse Leduc
Double bass SKU: BA.BA09057-85 Overture. Composed by Felix Barthol...(+)
Double bass
SKU:
BA.BA09057-85
Overture. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christopher Hogwood. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part.
Composed 1828/1834. Opus
27. 11 pages. Duration 10
minutes. Baerenreiter
Verlag #BA09057_85.
Published by Baerenreiter
Verlag (BA.BA09057-85).
ISBN 9790006523337.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
Suzuki. Suzuki Bass
School. 20 pages.
Published by Alfred Music
Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Double Bass SKU: HL.51483307 For String Orchestra Double Bass Part...(+)
Double Bass
SKU:
HL.51483307
For
String Orchestra Double
Bass Part. Composed
by Antonin Dvorá,
Antonin Dvorak, and k.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 12
pages. G. Henle #HN3307.
Published by G. Henle
(HL.51483307).
UPC:
196288206828.
9.25x12.0x0.062
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most
beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
Composed by George Vance. Instructional book and accompaniment CD for String bas...(+)
Composed by George Vance.
Instructional book and
accompaniment CD for
String bass (Double
Bass). With bowings and
fingerings. Published by
Carl Fischer.