By Various. Edited by Frans Hanssen. For Flute and piano. Educational. Instrumental Collection. Classical. Level: Intermediate. Book and Solo Part. 40+20 pages. Duration 32 minutes. Published by Digital Music Print (Belgian import).

Flute and piano

SKU: VD.ED12607

Composed by Ferdinand Ries. Edited by Guido Johannes Joerg. Classical. Score, solo part. 46 S. Part. + 8 S. Stimme pages. Verlag Dohr #ED12607. Published by Verlag Dohr (VD.ED12607).

ISBN 9790202026076. 12 x 9 inches.

Flute and piano

SKU: VD.ED12604

Composed by Ferdinand Ries. Edited by Guido Johannes Joerg. Classical. Score, solo part. 54 S. Part. + 8 S. Stimme pages. Verlag Dohr #ED12604. Published by Verlag Dohr (VD.ED12604).

ISBN 9790202026045. 12 x 9 inches.

(Music from Cult Films). Arranged by Richard Harris. For Flute and Piano. Book; Woodwind - Flute Method or Collection. Faber Edition. Intermediate. Published by Faber Music

Flute and piano

SKU: VD.ED20081

Composed by Lothar Graap. Classical. Score, solo part. 13 S. Part. + 4 S. Stimmen pages. Verlag Dohr #ED20081. Published by Verlag Dohr (VD.ED20081).

ISBN 9790202040812. 12 x 9 inches.

Flute, Piano - Grade 3

SKU: FL.FX071388

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071388. Published by FLEX Editions (FL.FX071388).

During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !

Flute and Piano. By Various. Arranged by Louis Moyse. (Flute). Woodwind Solo. Size 9x12 inches. 48 pages. Published by G. Schirmer, Inc.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Santorella Singles for Flute and Piano composed by Various. Arranged by Jonathon Robbins. For flute solo and piano accompaniment. This edition: Paperback. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 48 pages. Published by Santorella Publications

36 Repertoire Pieces With Piano Accompaniment. Compiled and Edited By Donald Peck.. Edited by Donald Peck. Repertoire Classics. Book and CD. 48 pages. Carl Fischer #WF0110. Published by Carl Fischer

(9 Classic Favorites for Flute and Piano). Composed by Various. Edited by Barbara Siesel, Keith Torgan. Arranged by Bruce Lazarus. For flute, piano. Classical. Solo part with piano reduction. 28 pages. Duration 0:21:45. Published by Theodore Presser Company

By Andy Hampton. For flute and piano. Book; Method/Instruction; Woodwind - Clarinet Method or Collection. Faber Edition. Play Along. Grade 3-4. Book and CD. Published by Faber Music

Flute and piano

SKU: DM.DMP-109087

Composed by Various. Digital Music Print #DMP 109087. Published by Digital Music Print (DM.DMP-109087).

ISBN 9790365312054.

A lot of very easy pieces for beginners. You can play them even from the first weeks after learning an instrument. With a very easy piano accompaniment.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 4

SKU: FL.FX072513

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX072513. Published by FLEX Editions (FL.FX072513).

I wrote a Medley of some major musical pages of this brilliant composer that was Johann Sebastian Bach. The performers will enjoy playing these themes suited to their instrument. - Jerome NAULAIS ;

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4; Duration: 6 mn 55 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS;.

By David Barton. For flute and piano. Grade 3. Duration "6'00""". Published by BRS Music

Flute, piano

SKU: FG.55011-613-9

Composed by Kai Nieminen. Fennica Gehrman #55011-613-9. Published by Fennica Gehrman (FG.55011-613-9).

ISBN 9790550116139.

The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.

10 Famous Pieces for Flute and Piano. Composed by Various. Edited by Gefion Landgraf. Woodwind Solo. Softcover. 190 pages. Schott Music #ED22059. Published by Schott Music

Flute and piano

SKU: FG.55011-239-1

Composed by Harri Wessman. Published by Fennica Gehrman (FG.55011-239-1).

ISBN 9790550112391.

Thes e two pieces were composed in 1980 and 1993. Wessman linked them together as a homage to two important musicians Olli Pohjola and Tapio Jalas, but the pieces can also be performed separately.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

Flute and Piano

SKU: IS.FP7396EM

Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7396EM. Published by Metropolis Music Publishers (IS.FP7396EM).

ISBN 9790365073962.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.