Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
(For String Orchestra, Percussion and Narrator). By Andrew H. Dabczynski. Orches...(+)
(For String Orchestra,
Percussion and Narrator).
By Andrew H. Dabczynski.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Orchestra. Patriotic.
Grade 2.5. 140 pages.
Published by Alfred Music
(For String Orchestra, Percussion and Narrator). By Andrew H. Dabczynski. Orches...(+)
(For String Orchestra,
Percussion and Narrator).
By Andrew H. Dabczynski.
Orchestra. Score; String
Orchestra. Highland
String Orchestra.
Patriotic. Grade 2.5. 40
pages. Published by
Alfred Music
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Score. Duration
1:45. The FJH Music
Company Inc #98-ST6487S.
Published by The FJH
Music Company Inc
(FJ.ST6487S).
English.
This
aggressive work for true
beginners portrays those
inherent, and sometimes
raw behaviors that help a
species survive. All
string parts move almost
entirely by stepwise
motion and use just half
and whole notes. Violin 1
uses a full D Major scale
and all other instruments
use D through B. An
optional percussion part
adds considerable
interest to the piece
(and an optional
background track is
available if you do not
have percussionists).
Powerful!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
(Arranged for String Orchestra Score). Composed by Alfred Schnittke (1934-1998...(+)
(Arranged for String
Orchestra
Score). Composed by
Alfred
Schnittke (1934-1998).
Arranged by Jolán
Berta. For
String Orchestra (Score).
Ensemble. Softcover. 36
pages.
Sikorski #SIK1749.
Published
by Sikorski
(HL.50499714)
String Orchestra string
orchestra (88555) with
optional 3rd violin/viola
TC (3) and percussion -
Grade 2.5
SKU:
KN.36315
Composed by
David Bobrowitz. Solo or
Ensemble. Voyager String
Orchestra. Score and
parts. Kendor Music Inc
#36315. Published by
Kendor Music Inc
(KN.36315).
UPC:
822795363159.
It's
winter and the sun has
already set, but a bright
moon allows the whiteness
of the snow covered
ground to show a clear
path. Everyone is excited
in anticipation of a fun
evening gliding through
the snow on a horse
driven sleigh. Then we're
off, and a catchy melody
follows us as we ride
through the winter night.
Evening Sleigh Ride is a
piece that is a perfect
addition to your string
orchestras Winter
Concert. It will leave
both performers and
audience with an upbeat
feeling to the start of
their winter break. Set
includes optional 3rd
Violin/Viola T.C. and
percussion
parts.
Set
includes optional 3rd
Violin/Viola T.C. and
percussion parts.
Spy Vs. Spy Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Matt Turner. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano, ...(+)
By Matt Turner. For
Violin I, Violin II,
Violin III, Viola, Cello,
Bass, Piano, Percussion 1
- Guiro, Percussion 2 -
Conga, Percussion 3 -
Bongos and Triangle. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Score and parts.
Published by Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F).
ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
String orchestra (88555) with optional 3rd violin/viola TC (3), piano and percus...(+)
String orchestra (88555)
with optional 3rd
violin/viola TC (3),
piano and percussion -
Grade 2.5
SKU:
KN.9106
Composed by
Various. Arranged by John
Caponegro. Solo or
Ensemble. Voyager String
Orchestra. Patriotic.
Score and set of parts.
Duration 4 minutes, 10
seconds. Kendor Music Inc
#9106. Published by
Kendor Music Inc
(KN.9106).
UPC:
822795091069.
This
medley of 7 patriotic
tunes contains excellent
material for concert
performances and
celebrations. The
accelerando and ritards
leading to/from tempo
changes demand that
players watch the
conductor carefully. The
piece closes out fast and
strong, and use of the
optional percussion part
for snare and bass drums
will contribute to the
patriotic mood. Duration
4:10. Available in
SmartMusic.
(For String Orchestra, Harp, Timpani, And Percussion). By Arvo Part (1935-). For...(+)
(For String Orchestra,
Harp, Timpani, And
Percussion). By Arvo Part
(1935-). For String
Orchestra, Harp, Timpani,
Percussion. Study score.
58 pages. Duration 34
minutes. Published by
Universal Edition
(Bayan, Percussion, and String Orchestra). By Sofia Gubaidulina (1931-). For Per...(+)
(Bayan, Percussion, and
String Orchestra). By
Sofia Gubaidulina
(1931-). For Percussion,
String Orchestra, Bayan
(Study Score). Ensemble.
Softcover. 94 pages.
Sikorski #SIK8691.
Published by Sikorski
Smallfoot Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: This Is My Life / Wonderful Life / Perfection. Composed by Various....(+)
Featuring: This Is My
Life /
Wonderful Life /
Perfection.
Composed by Various.
Arranged
by Andrew H. Dabczynski.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Pop Concert
String
Orchestra. Movie; Pop.
Score
and Parts. 156 pages.
Alfred
Music #00-47445.
Published by
Alfred Music
Short Cuts 2 Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Featuring: 25 or 6 to 4 / It Don't Mean a Thing (If It Ain't Got That Swing) ...(+)
Featuring: 25 or 6 to
4 / It Don't Mean a Thing
(If It Ain't Got That
Swing) / Theme from
Ice Castles
(Through the Eyes of
Love) / Any Way You Want
It. Arranged by
Michael Story.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Pop. Part(s);
Score. 152 pages.
Duration 4:45. Alfred
Music #00-41193.
Published by Alfred Music
(AP.41193).
Drawings No.8 Orchestre à Cordes [Conducteur et Parties séparées] Theodore Presser Co.
For Young String Orchestra with Optional Percussion. By Sydney F. Hodkinson. Str...(+)
For Young String
Orchestra with Optional
Percussion. By Sydney F.
Hodkinson. String
ensemble. For Violin I,
Violin II, Viola, Cello,
Double Bass, Percussion.
Classical. Score and
parts. 14 pages. Duration
4:00. Published by
Theodore Presser Company.
By Soon Hee Newbold.
Beginning String
Orchestra. FJH Beginning
Strings. Score for this
title: ST6109S. Extra
part for this title:
ST6109P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Bio Rhythms Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orches...(+)
By Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra.
Novelty. Level: 2 (grade
2). Conductor Score and
Parts. 62 pages.
Published by Alfred
Publishing.
The Quest Begins.
Composed by Chris Thomas.
Series; String Orchestra.
FJH String Orchestra.
Score. The FJH Music
Company Inc #98-ST6510S.
Published by The FJH
Music Company Inc
(FJ.ST6510S).
English.
In a
world of sorcerers,
magic, elven warriors,
and fantastical
creatures, anything is
possible. This musical
adventure continues the
story from Thomas's
popular Land of Dragons.
In this chapter, a lively
band of warriors join the
quest. The music includes
fierce rhythmic
interplay, syncopation,
and soaring melodies. A
solo ocarina (optional
violin or flute) and a
lively percussion section
add to the cinema-style
orchestration. An
entrancing addition to
your concert program!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
The Quest Begins.
Composed by Chris Thomas.
MakeMusic Cloud; String
Orchestra. FJH String
Orchestra. Programmatic.
Score and Part(s). The
FJH Music Company Inc
#98-ST6510. Published by
The FJH Music Company Inc
(FJ.ST6510).
UPC:
241444418024.
English.
In a world
of sorcerers, magic,
elven warriors, and
fantastical creatures,
anything is possible.
This musical adventure
continues the story from
Thomas's popular Land of
Dragons. In this chapter,
a lively band of warriors
join the quest. The music
includes fierce rhythmic
interplay, syncopation,
and soaring melodies. A
solo ocarina (optional
violin or flute) and a
lively percussion section
add to the cinema-style
orchestration. An
entrancing addition to
your concert program!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up