(from the Opera Die Zauberflote). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Roger Niese. For Baritone and Concert Band. Grade 3. Full score and set of parts. Duration 3:00

Composed by Johann Sebastian Bach (1685-1750), edited by Friedrich Smend. BWV 232. For SSATB choir and mixed orchestra (3 tr, hn da caccia, 2 fl, 2 ob, 2 ob d'amore, 2 bsn, 2 vln, vla, continuo). Urtext of the New Bach Edition. Format: study score. With introductory text. Baroque. B Minor. Text language Latin. 288 pages. 6.5x9 inches. Published by Baerenreiter-Taschenparti turen (German import).

(Urtext der Neuen Mozart-Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Neumann. For voice, orchestra. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series I, Volume 4. Score, anthology. 241 pages. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. For voice, mixed choir, orchestra. This edition: Clothbound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I, Band 26. Urtext der Neuen Mozart-Ausgabe. Score. Published by Baerenreiter Verlag

Composed by Franz Schubert (1797-1828). Edited by Peter Jost. Partitur-Bibliothek (Score Library). Study score. Published by Breitkopf and Haertel (BR.PB-5315-07).

Composed by Camille Saint-Saens (1835-1921). Arranged by Mollenhauer. For vocal solo with concert band accompaniment. BOVACO Vocal Solo. Score and set of parts. Published by BOVACO Music Publications

(from the Opera Les Pecheurs de Perles). By Georges Bizet (1838-1875). Arranged by Douglas McLain. For Tenor voice solo, Baritone voice solo and concert band. Grade 3. Full score. Duration 5:50

(For Medium Voice and Orchestra). By Carl Davis (1935-). Orchestra. Full Orchestra; Larger Works; Score. Faber Edition. Spiritual. Published by Faber Music

For Voice and Orchestra (Score and Parts). Composed by Kai Normann Andersen. Music Sales America. Softcover. Edition Wilhelm Hansen #WH24682. Published by Edition Wilhelm Hansen

(from the Opera Les Pecheurs de Perles). By Georges Bizet (1838-1875). Arranged by Douglas McLain. For Tenor voice solo, Baritone voice solo and concert band. Grade 3. Full score and set of parts. Duration 5:50

By Duke Ellington (1899-1974). Arranged by John Hoybye / Peder Pedersen. For SATB choir, soprano voice solo, 3 saxophones-4 trumpets-4 trombones-guitar-piano-dr ums-double bass. Score. Language: English. Published by Gehrmans Musikforlag

Opera in tre atti. By George Frideric Handel. Arranged by M!Ller, Karl-Heinz. For Soprano solo (2), CTSolo, Alto solo (3), Bass solo (2), Piano. Piano Reduction/Vocal Score; Urtext Edition (paperbound). HWV 17. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4078 90)

(Chamber Version Set of Instrumental Parts). By James Whitbourn. For Choral, Mixed Ensemble. Music Sales America. Chester Music #CH7332601. Published by Chester Music

(from the Operetta Die Lustige Witwe). By Franz Lehar (1870-1948). Arranged by Jos van de Braak. For Soprano, Tenor and Concert Band. Grade 3. Full score and set of parts. Duration 3:30

(for Voice and Jazz Orchestra). By Kurt Weill (1900-1950). For Orchestra, Voice. Schott. Set of parts. 36 pages. Universal Edition #UE30470. Published by Universal Edition

Orchestra Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Level 5

SKU: CA.4068950

Arrangement for chamber orchestra (Linckelmann). Composed by Ludwig van Beethoven. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Masses, Latin. Full Score. Op. 123. Duration 90 minutes. Carus Verlag #CV 40.689/50. Published by Carus Verlag (CA.4068950).

ISBN 9790007254445. Key: D major. Latin.

Beethoven described his Missa solemnis several times as his greatest work. Coming from the heart, it was intended to touch and move audiences. Beethoven worked long and intensively on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings; for good reason, the premiere took place in a concert hall. With this arrangement for chamber orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani and strings, plus organ ad lib), smaller choirs, as well as choirs with more limited resources of space or finance, can now perform this work too. However, the symphonic character and wide dynamic range of the work remain. The scoring of 7 instead of 18 winds offers an optimal balance between transparency and orchestral sound. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal score and chorus score of that version can be used. Major mass can also be performed by smaller choir Wind and brass parts of the original version reduced to just seven single instruments Vocal scores and choral scores from the original version can be used. carus plus: the work (original version) is available in carus music, the choir app, and in the practice CD series Carus Choir Coach. Score available separately - see item CA.4068900.