Listen To Me Orchestre d'harmonie - Intermédiaire RWS Music Company
Grade 3 SKU: CL.RWS-2228-00 (A Heated Debate For Concert Band). Co...(+)
Grade 3
SKU:
CL.RWS-2228-00
(A
Heated Debate For Concert
Band). Composed by
Hoefle. Concert Band.
Score and set of parts.
Composed 2022. RWS Music
Company #RWS-2228-00.
Published by RWS Music
Company (CL.RWS-2228-00).
Looking to try
something new at your
next festival or concert?
Listen to Me is a band
piece that was inspired
by electronic music. The
percussion parts feature
a simple ostinato with a
hemiola that results in a
polyrhythmic feel.
Solos/solis speak out
over the crowd to share
their views. Your
students can bring their
own energy and passion to
make this piece a
statement!
Listen To Me Orchestre d'harmonie - Intermédiaire RWS Music Company
Grade 3 SKU: CL.RWS-2228-01 (A Heated Debate For Concert Band). Co...(+)
Grade 3
SKU:
CL.RWS-2228-01
(A
Heated Debate For Concert
Band). Composed by
Hoefle. Concert Band.
Extra full score.
Composed 2022. RWS Music
Company #RWS-2228-01.
Published by RWS Music
Company (CL.RWS-2228-01).
Looking to try
something new at your
next festival or concert?
Listen to Me is a band
piece that was inspired
by electronic music. The
percussion parts feature
a simple ostinato with a
hemiola that results in a
polyrhythmic feel.
Solos/solis speak out
over the crowd to share
their views. Your
students can bring their
own energy and passion to
make this piece a
statement!
Feelings is a
well-known easy listening
hit that was written
halfway through the
1970s, by the Brazilian
singer-songwriter Morris
Albert. However, the
melody is derived from a
French song (Pour toi)
from 1957, written by
Louis Gaste, who made
this claim successfully.
Over the years, Feelings
has been performed by
famous artists like Ella
Fitzgerald, Frank Sinatra
and Elvis Presley.
Numerous arrangements
have been made for
various instrumentations.
This arrangement by
Roland Kernen does
justice to the
original.
Feeli
ngs is een bekende
easy-listeninghit van
halverwege de jaren
zeventig. Het nummer werd
geschreven door de
Braziliaanse
singer-songwriter Morris
Albert. De
oorspronkelijke melodie
is echter afkomstig van
een Frans lied(Pour
toi) uit 1957, van de
hand van Louis Gaste, die
dit met succes claimde.
In de loop der jaren is
Feelings
uitgevoerd door beroemde
artiesten als Ella
Fitzgerald, Frank Sinatra
en Elvis Presley. Ook
zijn er
talrijkearrangementen
gemaakt voor diverse
bezettingen. Dit
arrangement van Roland
Kernen doet recht aan het
origineel.
Der
gefühlvolle Song
Feelings machte
Morris Albert, einen
gebürtigen
Brasilianer, im Jahre
1975 über Nacht zum
Weltstar. In den
folgenden Jahren sangen
sich auch berühmte
Künstler, wie Ella
Fitzgerald, Nina Simone,
Sarah Vaughan und Johnny
Mathis mit dem
romantischen Liebeslied
in die Hitparaden. Mit
der stimmungsvollen
Blasorchesterbearbeitung
von Roland Kernen bringen
Sie jedes Publikum zum
Schmelzen!
Liberty Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115070-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115070-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115070-010. Published by
De Haske Publications
(BT.DHP-1115070-010).
An Irish Stew Orchestre d'harmonie [Conducteur et Parties séparées] Fentone Music
Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowl...(+)
Flex-It Series for
Variable Instrumentation
Concert Band. Arranged by
Colin Cowles. (Score and
Parts). Fentone Play
Along Books. Published by
Fentone Music.
By Robert W. Smith and Michael Story. Concert Band. This edition: Texas Edition....(+)
By Robert W. Smith and
Michael Story. Concert
Band. This edition: Texas
Edition. Band Method;
Method/Instruction.
Expressions Music
Curriculumâ?¢.
Curriculum Package.
Published by Alfred Music
Publishing
Feelings
is een bekende
easy-listeninghit van
halverwege de jaren
zeventig. Het nummer werd
geschreven door de
Braziliaanse
singer-songwriter Morris
Albert. De
oorspronkelijke melodie
is echter afkomstig van
een Frans lied(Pour
toi) uit 1957, van de
hand van Louis Gaste, die
dit met succes claimde.
In de loop der jaren is
Feelings
uitgevoerd door beroemde
artiesten als Ella
Fitzgerald, Frank Sinatra
en Elvis Presley. Ook
zijn er
talrijkearrangementen
gemaakt voor diverse
bezettingen. Dit
arrangement van Roland
Kernen doet recht aan het
origineel.
Der
gefu?hlvolle Song
Feelings machte
Morris Albert, einen
gebu?rtigen Brasilianer,
im Jahre 1975 u?ber Nacht
zum Weltstar. In den
folgenden Jahren sangen
sich auch beru?hmte
Ku?nstler, wie Ella
Fitzgerald, Nina Simone,
Sarah Vaughan und Johnny
Mathis mit dem
romantischen Liebeslied
in die Hitparaden. Mit
der stimmungsvollen
Blasorchesterbearbeitung
von Roland Kernen bringen
Sie jedes Publikum zum
Schmelzen!
Whispering Wind Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053880-140
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Score
Only. Composed 2005. 28
pages. De Haske
Publications #DHP
1053880-140. Published by
De Haske Publications
(BT.DHP-1053880-140).
9x12 inches.
English-German-French-Dut
ch.
“Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore.
Whispering Wind Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053880-010
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-010.
Published by De Haske
Publications
(BT.DHP-1053880-010).
9x12 inches.
English-German-French-Dut
ch.
“Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore.
Sparks of Fire Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175798-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175798-010
As performed by
Christiano and his
Magical Orchestra.
Composed by Jo Hermans
and Wietse Meys. Arranged
by Richard Johnsen.
Applause Series. Concert
Piece. Set (Score &
Parts). Composed 2017. De
Haske Publications #DHP
1175798-010. Published by
De Haske Publications
(BT.DHP-1175798-010).
English-German-French-
Dutch.
If you are
looking for a musical
introduction with
overwhelming energetic
character, lots of
rhythms and a pumping
bass and drum part, this
is the piece you are
looking for. Sparks of
Fire originated from
a piece of music for pop
band andstrings for the
Belgian entertainment
concept ‘Christiano
and his Magical
Orchestra’. Not
many people sit still
when listening to this
energetic piece of music!
It is perfect for opening
or closing your
concert.
Bent u op
zoek naar een muzikale
opening met een
overweldigend energiek
karakter, talrijke
ritmes, een pompende bas
en een drumpartij? Dan
zal dit werk u zeker
aanspreken! Sparks of
Fire is ontstaan
vanuit een stuk muziek
voor popband enstrijkers
dat werd gecreëerd
voor het Belgische
entertainmentconcept
‘Christiano and his
Magical
Orchestra’. Niet
veel mensen kunnen stil
blijven zitten als ze
naar deze levendige
muziek luisteren een
ideaal werk om uw concert
mee te beginnen of afte
sluiten.
Falls Sie
ein schwungvolles und
mitreißendes
musikalisches
Eröffnungsstück
suchen, das rhythmisch
ist und eine pulsierende
Bass- und
Schlagzeugstimme hat,
sind Sie bei diesem
Stück genau richtig.
Sparks of Fire
geht auf ein Stück
für Popbandund
Streicher der belgischen
Unterhaltungsmusikgruppe
Christiano and his
Magical Orchestra“
zurück. Wenn man
dieses energiegeladene
Stück hört, kann
kaum jemand still sitzen
bleiben! Es eignet sich
bestens als
Eröffnungs- oder
Schlussstück
einesKonzertes.
Se
state cercando un brano
di apertura
dall’energia
travolgente, molto
ritmico, un basso
energico e una parte per
batteria, questo è il
pezzo che fa per voi.
Sparks of Fire ha
origine da un pezzo
scritto per banda pop e
archi per
l’ensemble belga
“Christiano and his
Magical Orchestraâ€.
Non sono in molti ad
essere riusciti a
rimanere seduti
ascoltando questo pezzo
così pieno di energia!
Perfetto per aprire o
concludere il vostro
concerto.
Sparks of Fire Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175798-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175798-140
As performed by
Christiano and his
Magical Orchestra.
Composed by Jo Hermans
and Wietse Meys. Arranged
by Richard Johnsen.
Applause Series. Original
Light Music. Score Only.
Composed 2017. De Haske
Publications #DHP
1175798-140. Published by
De Haske Publications
(BT.DHP-1175798-140).
English-German-French-
Dutch.
If you are
looking for a musical
introduction with
overwhelming energetic
character, lots of
rhythms and a pumping
bass and drum part, this
is the piece you are
looking for. Sparks of
Fire originated from
a piece of music for pop
band andstrings for the
Belgian entertainment
concept ‘Christiano
and his Magical
Orchestra’. Not
many people sit still
when listening to this
energetic piece of music!
It is perfect for opening
or closing your
concert.
Bent u op
zoek naar een muzikale
opening met een
overweldigend energiek
karakter, talrijke
ritmes, een pompende bas
en een drumpartij? Dan
zal dit werk u zeker
aanspreken! Sparks of
Fire is ontstaan
vanuit een stuk muziek
voor popband enstrijkers
dat werd gecreëerd
voor het Belgische
entertainmentconcept
‘Christiano and his
Magical
Orchestra’. Niet
veel mensen kunnen stil
blijven zitten als ze
naar deze levendige
muziek luisteren een
ideaal werk om uw concert
mee te beginnen of afte
sluiten.
Falls Sie
ein schwungvolles und
mitreißendes
musikalisches
Eröffnungsstück
suchen, das rhythmisch
ist und eine pulsierende
Bass- und
Schlagzeugstimme hat,
sind Sie bei diesem
Stück genau richtig.
Sparks of Fire
geht auf ein Stück
für Popbandund
Streicher der belgischen
Unterhaltungsmusikgruppe
Christiano and his
Magical Orchestra“
zurück. Wenn man
dieses energiegeladene
Stück hört, kann
kaum jemand still sitzen
bleiben! Es eignet sich
bestens als
Eröffnungs- oder
Schlussstück
einesKonzertes.
Se
state cercando un brano
di apertura
dall’energia
travolgente, molto
ritmico, un basso
energico e una parte per
batteria, questo è il
pezzo che fa per voi.
Sparks of Fire ha
origine da un pezzo
scritto per banda pop e
archi per
l’ensemble belga
“Christiano and his
Magical Orchestraâ€.
Non sono in molti ad
essere riusciti a
rimanere seduti
ascoltando questo pezzo
così pieno di energia!
Perfetto per aprire o
concludere il vostro
concerto.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Tre Sentimenti Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie and Bass Clarinet Solo - Grade 6 SKU: BT.DHP-1053797-14...(+)
Concert Band/Harmonie and
Bass Clarinet Solo -
Grade 6
SKU:
BT.DHP-1053797-140
Three Moods for Bass
Clarinet and Symphonic
Band. Composed by Jan
Van der Roost. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 102 pages.
De Haske Publications
#DHP 1053797-140.
Published by De Haske
Publications
(BT.DHP-1053797-140).
340 X 250 inches.
English-German-French-Dut
ch.
At last the
bass clarinet can shine
in this major new solo
work for bass clarinet
and concert band. This
composition begins with a
rather mysterious opening
passage with atmospheric
sounds and effects. The
soloist plays-preferably
backstage- a number of
fragments and melodic
patterns, without
actually starting the
piece. After this
somewhat hesitant
introduction, a lively,
cheerful allegro entitled
Con Giocondita (with joy)
bursts out. It isswarming
with irregular meters,
changing tempos, and
polyrhythm, through which
the listeners (and
sometimes also the
musicians) constantly get
the feeling that they are
being tossed around. The
second movement brings
rest andpeace making
careful use of sound
colours. The upbeat
finale, titled Con
Allegria (with
cheerfulness), is the
most significant movement
for the soloist. This is
a challenging piece of
music that demands great
virtuosity, but withthe
correct performer it will
be a real highpoint in
any concert..
In
een mysterieuze
openingspassage zijn
atmosferische klanken te
horen. Dan barst er een
vrolijk allegro los:
Con Giocondita
(met vreugde). Een
intiemer tweede deel,
Con Tristezza (met
droefheid), brengt rust.
Het orkestspeelt hier een
belangrijke rol en laat
allerlei klankkleuren
horen in de dialoog met
de solist. De onstuimige
finale getiteld Con
Allegria (met
vrolijkheid) vraagt grote
virtuositeit van de
solist, het orkest doet
opnieuwmeer dan alleen
begeleiden. Na een korte
cadens worden de drie
voorafgaande
thema’s in
omgekeerde volgorde
herhaald en een spannend
slot beëindigt dit
contrastrijke
werk.
Freude,
Traurigkeit und
Fröhlichkeit sind die
drei Stimmungen, die Jan
Van der Roost in diesem
Werk für
Bassklarinette und
Blasorchester in ebenso
vielen Sätzen
vertonte. Während die
Freude in einem
rhythmischen,
energiereichen und
lebhaften Allegro zum
Ausdruck kommt, setzt der
zweite, langsamere Satz
lyrische und melodische
Akzente. Das schnelle
Finale ist eine große
Herausforderung an den
Solisten. Auch das
Blasorchester spielt in
diesem musikalisch
erfinderischen Werk eine
weit mehr als begleitende
Rolle.
Tre Sentimenti Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie and Bass Clarinet Solo - Grade 6 SKU: BT.DHP-1053797-01...(+)
Concert Band/Harmonie and
Bass Clarinet Solo -
Grade 6
SKU:
BT.DHP-1053797-010
Three Moods for Bass
Clarinet and Symphonic
Band. Composed by Jan
Van der Roost. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053797-010. Published by
De Haske Publications
(BT.DHP-1053797-010).
9x12 inches.
English-German-French-Dut
ch.
At last the
bass clarinet can shine
in this major new solo
work for bass clarinet
and concert band. This
composition begins with a
rather mysterious opening
passage with atmospheric
sounds and effects. The
soloist plays -
preferably backstage - a
number of fragments and
melodic patterns, without
actually
“startingâ€
the piece. After this
somewhat hesitant
introduction, a lively,
cheerful allegro entitled
Con Giocondita (with joy)
bursts out. It is
swarming with irregular
meters, changing tempos,
and polyrhythm, through
which the listeners (and
sometimes also the
musicians) constantly get
the feeling that they are
being tossed around. The
second movement brings
rest andpeace making
careful use of sound
colours. The upbeat
finale, titled Con
Allegria (with
cheerfulness), is the
most significant movement
for the soloist. This is
a challenging piece of
music that demands great
virtuosity, but with the
correct performer it will
be a real highpoint in
any concert..
In
een mysterieuze
openingspassage zijn
atmosferische klanken te
horen. Dan barst er een
vrolijk allegro los:
Con Giocondita
(met vreugde). Een
intiemer tweede deel,
Con Tristezza (met
droefheid), brengt rust.
Het orkestspeelt hier een
belangrijke rol en laat
allerlei klankkleuren
horen in de dialoog met
de solist. De onstuimige
finale getiteld Con
Allegria (met
vrolijkheid) vraagt grote
virtuositeit van de
solist, het orkest doet
opnieuwmeer dan alleen
begeleiden. Na een korte
cadens worden de drie
voorafgaande
thema’s in
omgekeerde volgorde
herhaald en een spannend
slot beëindigt dit
contrastrijke
werk.
Freude,
Traurigkeit und
Fröhlichkeit sind die
drei Stimmungen, die Jan
Van der Roost in diesem
Werk für
Bassklarinette und
Blasorchester in ebenso
vielen Sätzen
vertonte. Während die
Freude in einem
rhythmischen,
energiereichen und
lebhaften Allegro zum
Ausdruck kommt, setzt der
zweite, langsamere Satz
lyrische und melodische
Akzente. Das schnelle
Finale ist eine große
Herausforderung an den
Solisten. Auch das
Blasorchester spielt in
diesem musikalisch
erfinderischen Werk eine
weit mehr als begleitende
Rolle.
Concert band - Grade 3 SKU: CL.012-4496-01 Concert Band. Concert Band Ser...(+)
Concert band - Grade 3
SKU:
CL.012-4496-01
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 27
seconds. Opus III Wind
Orchestra Publications
#012-4496-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4496-01).
It Came Upon a
Midnight Clear and the
ever popular Away In A
Manger will serve to
satisfy your musical
appetite for listening to
the sounds of traditional
carols. Glorious music
basking in lush
harmonies, while
featuring several solo
instruments, make this
the perfect choice for
that seasonal concert.
Your audience will be
pleased when your
students give the gift of
music. Season's
Greetings!
Concert band - Grade 3 SKU: CL.012-4496-75 Concert Band. Concert Band Ser...(+)
Concert band - Grade 3
SKU:
CL.012-4496-75
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 27 seconds. Opus
III Wind Orchestra
Publications
#012-4496-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4496-75).
It Came Upon a
Midnight Clear and the
ever popular Away In A
Manger will serve to
satisfy your musical
appetite for listening to
the sounds of traditional
carols. Glorious music
basking in lush
harmonies, while
featuring several solo
instruments, make this
the perfect choice for
that seasonal concert.
Your audience will be
pleased when your
students give the gift of
music. Season's
Greetings!
Monterey Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-4816-00 March. Composed by King. Concert Band....(+)
Grade 2
SKU:
CL.012-4816-00
March. Composed by
King. Concert Band.
Heritage of the March
Series. Score and set of
parts. Composed 2020.
Duration 2 minutes, 10
seconds. Opus III Wind
Orchestra Publications
#012-4816-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4816-00).
When looking
for a great march, one
only needs to begin their
search with the King
library to find the
perfect choice. Monterey
March is an American
classic in every sense of
the word. Singable
themes, exciting
counter-melodies, and
traditional harmonies
combine to make for a
highly enjoyable playing
and listening experience.
Sit back, relax, and
enjoy the wonderful joy
of King’s magical
writing abilities. A real
crowd pleaser!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert band - Grade 3 SKU: CL.012-4496-00 Concert Band. Concert Band Ser...(+)
Concert band - Grade 3
SKU:
CL.012-4496-00
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Score and set
of parts. Composed 2016.
Duration 3 minutes, 27
seconds. Opus III Wind
Orchestra Publications
#012-4496-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4496-00).
It Came Upon a
Midnight Clear and the
ever popular Away In A
Manger will serve to
satisfy your musical
appetite for listening to
the sounds of traditional
carols. Glorious music
basking in lush
harmonies, while
featuring several solo
instruments, make this
the perfect choice for
that seasonal concert.
Your audience will be
pleased when your
students give the gift of
music. Season's
Greetings!
Monterey Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-4816-01 March. Composed by King. Arranged by J...(+)
Grade 2
SKU:
CL.012-4816-01
March. Composed by
King. Arranged by James
Swearingen. Concert Band.
Extra full score.
Composed 2020. Opus III
Wind Orchestra
Publications
#012-4816-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4816-01).
When looking
for a great march, one
only needs to begin their
search with the King
library to find the
perfect choice. Monterey
March is an American
classic in every sense of
the word. Singable
themes, exciting
counter-melodies, and
traditional harmonies
combine to make for a
highly enjoyable playing
and listening experience.
Sit back, relax, and
enjoy the wonderful joy
of King’s magical
writing abilities. A real
crowd pleaser!
Whispering Wind Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. ...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053880-040
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-040.
Published by De Haske
Publications
(BT.DHP-1053880-040).
9x12 inches.
English-German-French-Dut
ch.
“Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore.
Sparks Of Fire Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Score Only Concert Band (Score) - Grade 4 SKU: HL.44013219 Composed by Jo...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.44013219
Composed
by Jo Hermans and Wietse
Meys. Arranged by Richard
Johnsen. De Haske Concert
Band. Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #1175798140.
Published by De Haske
Publications
(HL.44013219).
UPC:
888680793685.
If
you are looking for a
musical introduction with
overwhelming energetic
character, lots of
rhythms and a pumping
bass and drum part, this
is the piece you are
looking for. Sparks of
Fire originated from a
piece of music for pop
band and strings for the
Belgian entertainment
concept Christiano and
his Magical Orchestra.
Not many people sit still
when listening to this
energetic piece of music!
It is perfect for opening
or closing your concert.
(Grade 4) Dur: 3:35 (De
Haske).
The Big Apple (A New York Symphony)(Symphony No. 2) (Part II Gotham - Parts Only...(+)
The Big Apple (A New York
Symphony)(Symphony No. 2)
(Part II Gotham - Parts
Only). By Johan De Meij.
For Concert Band. Amstel
Music. Grade 5-6. Amstel
Music #AM17. Published by
Amstel Music
Band concert band - Grade 1 SKU: CF.BPS112F March. Composed by Jos...(+)
Band concert band - Grade
1
SKU: CF.BPS112F
March. Composed by
Joseph Compello.
Beginning Band (BPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS112F.
Published by Carl Fischer
Music (CF.BPS112F).
ISBN 9781491152669.
UPC:
680160910168.
Josep
h Compello's Best Friends
Forever derives its
title from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. This is a strong and
tuneful march in standard
form for beginning bands.
The composer draws on his
many years of teaching to
provide a well-written
march that will make
students sound
great!. Best Friends
Forever derives its title
from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. As it pertains to
this piece, Best Friends
Forever refers to the two
melodies first heard
simultaneously at m. 5
after the repeat. Notice
that Flutes, Clarinets
and Bells play only the
second time through at m.
5. Stylistically the
entire piece should have
the feel of a little
march with an easy gait.
In addition to gaining
experience in independent
part playing, young
players will also learn
the importance of balance
by listening to what
other sections of the
band are playing.
The Big Apple (A New York Symphony)(Symphony No. 2) (Complete Edition - Parts On...(+)
The Big Apple (A New York
Symphony)(Symphony No. 2)
(Complete Edition - Parts
Only). By Johan De Meij.
For Concert Band. Amstel
Music. Grade 5-6. Amstel
Music #AM19. Published by
Amstel Music
Swingin U.S.A. Style Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Fentone Music
Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowl...(+)
Flex-It Series for
Variable Instrumentation
Concert Band. Arranged by
Colin Cowles. (Score and
Parts). Fentone Play
Along Books. Published by
Fentone Music.
By Travis Weller. For young concert band. Rising Band Series. Grade 2. Score and...(+)
By Travis Weller. For
young concert band.
Rising Band Series. Grade
2. Score and set of
parts. Duration 1 minute,
57 seconds. Published by
C.L. Barnhouse
Band concert band - Grade 1 SKU: CF.BPS112 March. Composed by Jose...(+)
Band concert band - Grade
1
SKU: CF.BPS112
March. Composed by
Joseph Compello.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+1+12+2 pages. Duration
2 minutes, 6 seconds.
Carl Fischer Music
#BPS112. Published by
Carl Fischer Music
(CF.BPS112).
ISBN
9781491151983. UPC:
680160909483.
Josep
h Compello's Best Friends
Forever derives its
title from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. This is a strong and
tuneful march in standard
form for beginning bands.
The composer draws on his
many years of teaching to
provide a well-written
march that will make
students sound
great!. Best Friends
Forever derives its title
from the phrase
popularized in social
media and frequently
texted with the acronym
BFF. As it pertains to
this piece, Best Friends
Forever refers to the two
melodies first heard
simultaneously at m. 5
after the repeat. Notice
that Flutes, Clarinets
and Bells play only the
second time through at m.
5. Stylistically the
entire piece should have
the feel of a little
march with an easy gait.
In addition to gaining
experience in independent
part playing, young
players will also learn
the importance of balance
by listening to what
other sections of the
band are playing.
Grade 2 - Score
Only. Composed by
Antonio Vivaldi. Arranged
by Philip Sparke. Anglo
Music Concert Band.
Baroque. Score Only.
Composed 2004. 16 pages.
Anglo Music Press
#AMP107. Published by
Anglo Music Press
(HL.44004971).
UPC:
073999221190.
9.0x12.0x0.06
inches.
Antonio
Vivaldi stands, with
Handel and J.S. Bach, as
one of the titanic
figures of late Baroque
composition. Not only was
he lauded as a composer
of vocal and instrumental
works both sacred and
secular, he was the most
prolific composer of his
age - in addition to
hundreds of vocal works
(including forty-nine
operas), he composed five
hundred concerti. The
Four Seasons are by far
the best known, with the
second movement, Largo,
portraying time spent by
a roaring fire listening
to the rain pounding
against the window. This
new arrangement for
concert band retains all
the warmth of the
original.