Le Petit Negre Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor Leduc, Alphonse
Woodwind Quintet SKU: HL.48181113 For Wind Quintet. Composed by Cl...(+)
Woodwind Quintet
SKU:
HL.48181113
For
Wind Quintet.
Composed by Claude
Debussy. Leduc.
Classical. Alphonse Leduc
#AL20263. Published by
Alphonse Leduc
(HL.48181113).
UPC:
888680862053. 9x12
inches.
The
Little Negro was
originally composed by
Claude Debussy
(1862-1918) for piano in
1909. The purpose was to
write a great work that
could also played by
children. Eugène
Bozza made the piece even
more accessible in 1984
by arranging it for wind
quintet. The Little
Negro is marked
Allegro and begins with a
theme modelled on ragtime
music, a style which was
very popular at the time
of composition. Jazz
influences, the C major
key signature, 2/4 meter
and upbeat features make
for an exciting and
accessible piece for all
the ensemble. Bozza's
arrangement of Debussy's
The Little Negro
for a wind quintet made
up of flute, clarinet,
oboe, bassoon and horn is
a thrilling addition to
the repertoire.
Woodwind Quintet SKU: HL.49004915 Set of Parts. By Franz Kullak. B...(+)
Woodwind Quintet
SKU:
HL.49004915
Set of
Parts. By Franz
Kullak. By Hans Werner
Henze. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Set of Parts.
Composed 1952. 32 pages.
Duration 14'. Schott
Music #ED4480. Published
by Schott Music
(HL.49004915).
ISBN
9781617741241. UPC:
073999868876.
9.0x12.0x0.1
inches.
For the
first time, all five of
Beethoven's piano
concertos are brought
together in one
inexpensive and
convenient publication.
Includes Kullak's
original prefaces,
several alternate
cadenzas, and performance
suggestions.For the first
time, all five of
Beethoven's piano
concertos are brought
together in one
inexpensive and
convenient publication.
Includes Kullak's
original prefaces,
several alternate
cadenzas, and performance
suggestions.
For
the first time, all five
of Beethoven's piano
concertos are brought
together in one
inexpensive and
convenient publication.
Includes Kullak's
original prefaces,
several alternate
cadenzas, and performance
suggestions.