Credo In D A8 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Hinshaw Music Inc.
By Giacomo Puccini, Sr. Edited by Martin Banner. Arranged by Giacomo Puccini, Sr...(+)
By Giacomo Puccini, Sr.
Edited by Martin Banner.
Arranged by Giacomo
Puccini, Sr. Text:
Ancient Liturgical Text.
For SATB/SATB double
choir. (Accompaniment:
Keyboard). Martin Banner
Series. Sacred, Concert.
Level: Medium Advanced
Jr. High/High School or
Medium Adult. 76 pages.
Duration 11 min.
Published by Hinshaw
Music Inc.
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Mass in C minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D...(+)
(Completed and edited by
Robert D. Levin). By
Wolfgang Amadeus Mozart /
Robert D. Levin. Edited
by Robert D. Levin. For
Soli SSTB, SATB/SATB
Choir Flute, 2 Oboes, 2
Bassoons, 2 Horns, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. This edition:
Paperbound. C-Moll (C
minor). Stuttgart Urtext
Edition. German title:
Missa in c (arr. Levin).
Masses, Latin. Full
score. Language: Latin.
KV 427. 304 pages.
Duration 80 minutes.
Published by Carus Verlag
Rhapsody Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb SKU: CA.1...(+)
Solo A, Coro TTBB, 2 Fl,
2 Ob, 2 Clt, 2 Fg, 2 Cor,
2 Vl, Va, Vc, Cb
SKU:
CA.1039700
(Alto
Rhapsody). Composed
by Johannes Brahms.
Edited by Rainer Boss.
Secular choral music.
Full score. Op. 53. 32
pages. Duration 14
minutes. Carus Verlag #CV
10.397/00. Published by
Carus Verlag
(CA.1039700).
ISBN
9790007187590. Language:
German.
Johannes
Brahms's Alto Rhapsody is
published here in a new
Urtext edition,
modernised for
present-day performance
practice. It is based on
the 2nd impression of the
first printed edition, as
this is regarded as the
authentic musical text
following the last
revisions made by the
composer. The musical
setting of Goethe's poem
Harzreise im Winter opens
with a somber beginning,
then by turning to divine
powers, it arrives at a
hopeful new level. The
work - which was composed
in connection with the
marriage of Julie, the
daughter of Brahms's
revered Clara Schumann,
in 1869 - impresses above
all with its personal
touch as well as its
pioneering progressive
harmonies and enormous
compositional power,
which still entice
listeners into the
concert hall.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Azione teatrale.
Composed by Wolfgang
Amadeus Mozart. Edited by
Josef-Horst Lederer. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series II, Volume 5,
No. 6. Singspiele,
Musiktheater (Choral,
Concert Music). Complete
edition, Score. KV 126.
Duration 2 hours.
Baerenreiter Verlag
#BA04577_01. Published by
Baerenreiter Verlag
(BA.BA04577-01).
ISBN
9790006451036. 33.2 x 26
cm inches. Text Language:
Italian. Pietro
Metastasio.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Feel the Spirit Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Oxford University Press
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voic...(+)
(A cycle of spirituals).
Composed by John Rutter
(1945-). For
mezzo-soprano voice solo,
SATB choir, large
orchestra/chamber
orchestra. Mixed Voices.
Vocal score. Duration 30
minutes. Published by
Oxford University Press
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-h...(+)
By David Conte (1955-).
For Tenor and Baritone
Vocal Soli, TTBB choir,
Piano 4-hands, opt.
Percussion and Timpani.
Choral, general,
christmas. Moderately
Difficult. Piano/vocal
score. Composed 2010. 20
pages. Duration c. 7
minutes. Published by
E.C. Schirmer Publishing
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext. 1x
31.042/21 oboe 1, 1x
31.042/22 oboe 2, 1x
31.042/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Easter
and Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 42. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/09. Published by
Carus Verlag
(CA.3104209).
ISBN
9790007205836. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and parts available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 42. 12
pages. Duration 28
minutes. Carus Verlag #CV
31.042/14. Published by
Carus Verlag
(CA.3104214).
ISBN
9790007205874. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Single Part, Viola.
Composed 1725. BWV 42. 4
pages. Duration 28
minutes. Carus Verlag #CV
31.042/13. Published by
Carus Verlag
(CA.3104213).
ISBN
9790007205867. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Easter
and Eastertide. Study
score. Composed 1725. BWV
42. 48 pages. Duration 28
minutes. Carus Verlag #CV
31.042/07. Published by
Carus Verlag
(CA.3104207).
ISBN
9790007142711. Text
language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Set of Orchestra Parts.
Composed 1725. BWV 42.
Duration 28 minutes.
Carus Verlag #CV
31.042/19. Published by
Carus Verlag
(CA.3104219).
ISBN
9790007140175. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and parts available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Violin 1. Composed 1725.
BWV 42. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/11. Published by
Carus Verlag
(CA.3104211).
ISBN
9790007205843. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Easter
and Eastertide. Full
score. Composed 1725. BWV
42. 48 pages. Duration 28
minutes. Carus Verlag #CV
31.042/00. Published by
Carus Verlag
(CA.3104200).
ISBN
9790007134617. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Violin 2. Composed 1725.
BWV 42. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/12. Published by
Carus Verlag
(CA.3104212).
ISBN
9790007205850. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.