Piano SKU: M7.ART-42175 16 leicht spielbare, romantisch-moderne Kompos...(+)
Piano
SKU:
M7.ART-42175
16
leicht spielbare,
romantisch-moderne
Kompositionen für
Klavierverliebte.
Composed by Elmar Mihm.
Score with online audio
files. Performance book.
48 pages. MDS (Music
Distribution Services)
#ART 42175. Published by
MDS (Music Distribution
Services) (M7.ART-42175).
ISBN
9783866421752.
'Mod
ern Piano Romance' ist
Deine persönliche
Sammlung 16 emotionaler
und romantischer
Kompositionen für
Klavier. Erlebe die
vielfältigen Facetten
moderner Klaviermusik,
teils verwoben mit
traditionellen Elementen.
Tauche ein in
gefühlvolle Balladen,
moderne Klangerlebnisse,
die bunten Farben von
Musik aus aller Welt und
entdecke Deine Liebe zum
Klavierspiel! Alle
Stücke stehen in
geläufigen Tonarten,
sind leicht spielbar und
vermitteln wichtige
Aspekte des
Klavierunterrichts wie
Klanggestaltung,
Fingerfertigkeit und
Rhythmusgefühl, stets
in Verbindung mit
schönen Melodien,
tollen Harmonien und
kreativen musikalischen
Ideen. 'Modern Piano
Romance' eignet sich als
Ergänzung zu einer
klassischen Klavierschule
und richtet sich an
Schüler ab dem zweiten
Unterrichtsjahr, an
Autodidakten und
Wiedereinsteiger sowie an
alle modernen Romantiker.
Unter
www.artist-ahead-download
.de stehen die
enthaltenen
Klavierstücke als
Audio- und MP3-Dateien
zum Download zur
Verfügung.
He Is Born. Composed by French carol. Arranged by Lynn Bailey Christopher ...(+)
He Is Born. Composed by
French carol. Arranged by
Lynn Bailey Christopher
Pillsbury. Sws. Octavo.
16
pages. Duration 2
minutes.
Carl Fischer Music
#CM9636.
Published by Carl Fischer
Music
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus
SKU:
CF.CM9588
Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin.
Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller.
Composed by Daniel Paget. Edited by Carol Wincenc. LKM Music. Classical, Cont...(+)
Composed by Daniel Paget.
Edited by Carol Wincenc.
LKM
Music. Classical,
Contemporary. Softcover.
28
pages. Lauren Keiser
Music
Publishing #S111011.
Published by Lauren
Keiser
Music Publishing
Piano; Vocal SKU: HL.50499587 Voice and Piano. Composed by Various...(+)
Piano; Vocal
SKU:
HL.50499587
Voice
and Piano. Composed
by Various. Vocal
Collection. Collection,
Folk, Italian. Softcover.
Composed 2014. Ricordi
#MLR908. Published by
Ricordi (HL.50499587).
UPC: 888680630379.
9.0x12.0x0.425
inches.
Contents:
Anema e core *
Arrivederci Roma *
Carmela * Caruso * Casta
diva * Che gelida manina
* Con te partiro * Core
'ngrato * Coro a bocca
chiusa (Madama Butterfly)
* Di quella pira * E
lucevan le stelle *
Fenesta che lucive *
Funiculi funicula *Inno
di Mameli * La donna e
mobile * Libiam ne' lieti
calici * Marechiare *
Mattinata * Mi chiamano
Mimi * Nel blu, dipinto
di blu * Nessun dorma *
Non dimenticar * O mio
babbino caro * Quando,
quando, quando *
Recondita armonia * Resta
cu' mme *Roma nun fa' la
stupida stasera * Santa
Lucia * Santa Lucia
luntana * Tammurriata
nera * Una furtiva
lagrima * Una voce poco
fa * Un bel di vedremo *
Va pensiero sull'ali
dorate * Vierno * Vissi
d'arte, vissi
d'amore.
Inhalt:
Anema e core *
Arrivederci Roma *
Carmela * Caruso * Casta
diva * Che gelida manina
* Con te partiro * Core
'ngrato * Coro a bocca
chiusa (Madama Butterfly)
* Di quella pira * E
lucevan le stelle *
Fenesta che lucive *
Funiculi funicula *Inno
di Mameli * La donna e
mobile * Libiam ne' lieti
calici * Marechiare *
Mattinata * Mi chiamano
Mimi * Nel blu, dipinto
di blu * Nessun dorma *
Non dimenticar * O mio
babbino caro * Quando,
quando, quando *
Recondita armonia * Resta
cu' mme *Roma nun fa' la
stupida stasera * Santa
Lucia * Santa Lucia
luntana * Tammurriata
nera * Una furtiva
lagrima * Una voce poco
fa * Un bel di vedremo *
Va pensiero sull'ali
dorate * Vierno * Vissi
d'arte, vissi
d'amore.
Contents:
Anema e core *
Arrivederci Roma *
Carmela * Caruso * Casta
diva * Che gelida manina
* Con te partiro * Core
'ngrato * Coro a bocca
chiusa (Madama Butterfly)
* Di quella pira * E
lucevan le stelle *
Fenesta che lucive *
Funiculi funicula * Inno
di Mameli * La donna e
mobile * Libiam ne' lieti
calici * Marechiare *
Mattinata * Mi chiamano
Mimi * Nel blu, dipinto
di blu * Nessun dorma *
Non dimenticar * O mio
babbino caro * Quando,
quando, quando *
Recondita armonia * Resta
cu' mme * Roma nun fa' la
stupida stasera * Santa
Lucia * Santa Lucia
luntana * Tammurriata
nera * Una furtiva
lagrima * Una voce poco
fa * Un bel di vedremo *
Va pensiero sull'ali
dorate * Vierno *Vissi
d'arte, vissi
d'amore.
Horn in F Solo with Piano Accompaniment and Downloadable MP3's - 3-4 SKU: KN....(+)
Horn in F Solo with Piano
Accompaniment and
Downloadable MP3's - 3-4
SKU: KN.KEN10356
Composed by Various. Solo
Collection. Solo
Collection. Kendor Music
Inc #KEN10356. Published
by Kendor Music Inc
(KN.KEN10356).
UPC:
822795103564.
This
exciting new collection
contains 8 grade 3-4
pieces for instrumental
solo with piano
accompaniment. Free MP3
downloads of the piano
accompaniment are
available at
kendormusic.com. Many of
the titles have been
published as single
pieces and are listed on
several state contest
lists.
Contents:Andante And March
(Jacome); Romance For
Horn (Saint-Saens); Caro
Mio Ben (Giordani);
Proclamation (Halferty);
Greensleeves; Arm, Arm Ye
Brave! (Handel); Habanera
(Bizet); Honor And Arms
(Handel).
Choral Piano, Violin, Voice 1, Voice 2, Voice 3 SKU: CF.CM9641 He Is B...(+)
Choral Piano, Violin,
Voice 1, Voice 2, Voice 3
SKU: CF.CM9641
He Is Born.
Composed by French carol.
Arranged by Lynn Shaw
Bailey Christopher
Pillsbury. Sws.
Performance Score. 16
pages. Duration 0:02:32.
Carl Fischer Music
#CM9641. Published by
Carl Fischer Music
(CF.CM9641).
ISBN
9781491157138. UPC:
680160915699. 6.875 x
10.5 inches. Key: G
major. English, English.
Traditional 18th Century
French
Carol.
Delightfully
fresh and fun, this
Celtic-style arrangement
of the beloved French
carol He Is Born, is a
lively Christmas anthem.
Featuring a driving piano
accompaniment and
optional Celtic fiddle,
it is the perfect piece
for any occasion where
spirited holiday music is
desired. An optional
string ensemble
accompaniment is also
available on demand
(CM9503IN). Also
available for SATB Voices
(CM9503), TBB Voices
(CM9636), and SSA Voices
(CM9528). A Celtic
French Carol (He is Born)
is a spirited English
arrangement of the
traditional French Carol
Il est ne', le divin
Enfant. One of the most
famous songs of the
French repertoire, the
melody is derived from an
Eighteenth-Century Air de
Chasse (or hunting tune),
entitled La Tete Bizarde
(The Bizard Head). The
oldest known publication
of the tune is an organ
arrangement by Romary
Grosjean (1815-1888),
musicologist and organist
of the Cathedral of
Saint-Die'-des-Vosges, in
an 1862 collection of
carols entitled Airs des
Noels Lorrains. The
French text for the carol
was first published in
Dom Georges Legeay's
collection of ancient
carols, Noels anciens
(1875-1876). Il est ne',
le divin Enfant has been
translated into many
languages throughout the
world. One of the best
English translations
appeared in Walter Ehret
and George K. Evans'
collection The
International Book of
Christmas Carols
(1963). A Celtic
French Carol (He is Born)
is a spirited English
arrangement of the
traditional French Carol
Il est ne´, le divin
Enfant. One of the most
famous songs of the
French repertoire, the
melody is derived from an
Eighteenth-Century Air de
Chasse (or hunting tune),
entitled La Tete Bizarde
(The Bizard Head). The
oldest known publication
of the tune is an organ
arrangement by Romary
Grosjean (1815-1888),
musicologist and organist
of the Cathedral of
Saint-Die´-des-Vosges,
in an 1862 collection of
carols entitled Airs des
Noels Lorrains.The French
text for the carol was
first published in Dom
Georges Legeay's
collection of ancient
carols, Noels anciens
(1875-1876). Il est
ne´, le divin Enfant
has been translated into
many languages throughout
the world. One of the
best English translations
appeared in Walter Ehret
and George K. Evans'
collection The
International Book of
Christmas Carols
(1963).
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Piano - easy to intermediate SKU: M7.ART-42201 20 leicht bis mittelsch...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42201
20
leicht bis mittelschwer
spielbare
Klavierstücke für
feierliche
Anlässe!. Composed
by Elmar Mihm. Score with
online audio files. 40
pages. Artist Ahead
Musikverlag #ART 42201.
Published by Artist Ahead
Musikverlag
(M7.ART-42201).
ISBN
9783866422018.
Das
Album 'Festliche
Klaviermusik' enthält
leicht bis mittelschwer
spielbare Bearbeitungen
der schönsten und
berühmtesten Klassiker
unter den Festmusiken.
Für alle feierlichen
Anlässe wie
Hochzeiten,
Festgottesdienste,
Geburtstage, Ehrungen,
Jubiläen, Konzerte und
Feiertage sind
weltbekannte
stimmungsvolle Werke der
klassischen Musik sowie
moderne Stücke und
Eigenkompositionen zu
finden. Neben den
bekannten
Hochzeitsmärschen von
Wagner und Mendelssohn,
Bachs 'Ave Maria',
Pachelbels 'Canon' und
anderen erlesenen
romantischen Melodien,
gehören auch Walzer,
Bossa Nova, Tango und
Balladen für den
geselligen Tanzabend oder
das festliche Dinner zum
Repertoire. Auch die
obligatorischen
Festhymnen 'Hoch soll er
leben' und 'Happy
Birthday' dürfen
natürlich nicht
fehlen. Alle Werke sind
mit Fingersätzen sowie
Spielanweisungen versehen
und somit leicht und
schnell erlernbar. Einen
feierlichen Auftritt und
viel Applaus wünscht -
Elmar Mihm.
By Michael Barker. For Flute and Organ. Christian: Worship, Seasonal: Christmas....(+)
By Michael Barker. For
Flute and Organ.
Christian: Worship,
Seasonal: Christmas.
Level: Moderately Easy.
Score and Reproducible
Flute Part. 15 pages.
Published by MorningStar
Music Publishers.
Vocal and Piano - Grade 3 SKU: HL.14008602 Composed by C.E.F. Weyse and F...(+)
Vocal and Piano - Grade 3
SKU: HL.14008602
Composed by C.E.F. Weyse
and Friedrich Kuhlau.
Music Sales America.
Classical. Book
[Softcover]. Composed
2005. 38 pages. Edition
Wilhelm Hansen #WH28789.
Published by Edition
Wilhelm Hansen
(HL.14008602).
ISBN
9788759888421.
Den
Danske Romance i Den
Tidlige Romantik - Danish
lieder from the early
Romantic period by C.E.F.
Weyse og D.F.R. Kuhlau .
C. E. F. Weyse: Hederosen
Jeg mindes dig Romance af
»,Festen pa
Kenilworth<,<, Liden
Kirsten Romance af
»,Sovedrikken«,
Borgvaegterens sang af
»,Macbeth«,
Romance af >,Axel og
Valborg«, Barcarole
Arie af
»,Faruk«, D. F.
R. Kuhlau: Triolet
Laengsel efter regn
Digtervise Kaerligheds
sorg Nattesang.
Flute, violin and cello SKU: M7.KECF-151 5 Musical Pearls. Arrange...(+)
Flute, violin and cello
SKU: M7.KECF-151
5 Musical Pearls.
Arranged by Peter Bernard
Smith. This edition:
Saddle-wire stitching.
Sheet music. Score and
parts. 44 pages. MDS
(Music Distribution
Services) #KECF 151.
Published by MDS (Music
Distribution Services)
(M7.KECF-151).
ISBN
9790502361518. German
English.
This
Edition contains five
classical Slavonic
pieces.
Easy Pop Duets 1 Piano, 4 mains [Partition + Accès audio] - Facile Willis Music
(Later Elementary to Early Intermediate Level). Composed by Various. Arranged by...(+)
(Later Elementary to
Early Intermediate
Level). Composed by
Various. Arranged by
Carolyn Miller, Eric
Baumgartner, and Glenda
Austin. For
Piano/Keyboard. Willis.
Late Elementary to Early
Inter. Softcover Audio
Online. 32 pages.
Published by Willis Music
Composed by Amy Marcy Beach (1867-1944). Arranged by Carolyn Brown. With Standar...(+)
Composed by Amy Marcy
Beach (1867-1944).
Arranged by Carolyn
Brown. With Standard
notation. Falls House
Press #FP-CB2. Published
by Falls House Press
(PR.FH0231).
Romance of the Angels Chorale SATB SATB, Orgue - Facile MorningStar Music Publishers
SATB choir and organ - Early Intermediate SKU: MN.56-0037 Composed by How...(+)
SATB choir and organ -
Early Intermediate
SKU: MN.56-0037
Composed by Howard
Goodall. Christmas,
Lessons and Carols, 21st
Century. Instrumental
part. MorningStar Music
Publishers #56-0037.
Published by MorningStar
Music Publishers
(MN.56-0037).
UPC:
688670220425.
English.
Commission
ed for the BBC Singers
for “Carols for a
New Millennium,†a
CD released in November
2000, this piece was
first performed by the
choir of Christ Church
Cathedral, Oxford under
the direction of Stephen
Darlington. The text is
included in an English
translation by the
composer and the original
15th century Spanish
underneath. The text
begins “Let there
be joy on earth and
heaven,†and the
music certainly
couldn’t reflect
this any better. The
music is playful and
happy, with an
unforgettable organ part
that dances without
ceasing. Your choir will
find this fresh and
fun.
Piano, Vocal and Guitar SKU: HL.14014431 Composed by Alison Hedger. Music...(+)
Piano, Vocal and Guitar
SKU: HL.14014431
Composed by Alison
Hedger. Music Sales
America. Musical
Education. Book
[Softcover]. Composed
2017. 24 pages. Music
Sales #GA10191. Published
by Music Sales
(HL.14014431).
ISBN
9781870997188.
English.
An
excellent set of carols
for young children which
work well individually or
as a basis for a Nativity
presentation, with all
the traditional
characters. Biblical
texts are given. Suitable
for children up to 8
years and for Sunday
Schools. Arranged for
piano, voice and simple
percussion, with Guitar
chords given. The
percussion parts can be
given to older children
or to adults, but with
patient help, the
youngest of children with
aptitude will enjoy
mastering these parts.
Duration: 25 mins .
Script available in
student book. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
by Meg Peterson and Dan Fox. For autoharp/chromaharp. Christmas, strum/sing. Lev...(+)
by Meg Peterson and Dan
Fox. For
autoharp/chromaharp.
Christmas, strum/sing.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 32 pages.
Published by Mel Bay
Pub., Inc.