With Basso continuo Part, realized by S. Gerlach. By Bohemian Violin Sonatas. Ed...(+)
With Basso continuo Part,
realized by S. Gerlach.
By Bohemian Violin
Sonatas. Edited by Zdenka
Pilkova. Figured bass by
Sonja Gerlach. Violin.
Pages: Score = IX and 45
* Vl Part = 23 * BC Part
= 16. Urtext
edition-paper bound.
Published by G. Henle.
Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hau...(+)
Urtext. Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Peter Hauschild.
Symphony.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Classical. Viola part.
Breitkopf and Haertel #OB
5237-19. Published by
Breitkopf and Haertel
(BR.OB-5237-19).
0.49
Books and Journals SKU: UT.QC-4 Edited by Roberto Illiano and Rohan H. St...(+)
Books and Journals
SKU: UT.QC-4
Edited by Roberto Illiano
and Rohan H.
Stewart-MacDonald.
Paperback (Soft Cover).
Quaderni Clementiani.
Essays by Jean-Pierre
Bartoli, Alan Davison,
Therese Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanova, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDo. Classical.
Books and Journals. 568
pages. Ut Orpheus #QC 4.
Published by Ut Orpheus
(UT.QC-4).
ISBN
9788881094783. 6.5 x 9.5
inches.
Saggi di
Jean-Pierre Bartoli, Alan
Davison, Therese
Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanová, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDonald, Marie
Sumner
Lott
The
career of Jan Ladislav
Dussek (1760-1812) was
notable for its
peripateticism. Starting
out in his native Bohemia
Dussek spent periods of
time in Germany and the
Netherlands, settling in
London for about ten
years in the 1790s,
progressing to Hamburg
and ending his days in
Paris. Although his
activities centred on the
piano, like so many
musicians of his day
Dussek branched out from
performing and composing
to encompass teaching,
publishing and instrument
retail, with varying
success. A plethora of
reviews and biographical
accounts attest to
Dussek’s renown
throughout Europe as a
pianist and composer,
particularly when it came
to sensitive and
cantabile playing; and he
interacted with some of
the most eminent
musicians, artists and
political figures of his
time. Dussek’s
reputation declined
sharply in the nineteenth
century, however, and
with the exception of
isolated revivals of his
work, for instance in
London in the
mid-nineteenth century,
he has remained on the
verge of obscurity in the
minds of many musicians
and music-lovers until
the present day: even his
well-known innovation of
placing the piano
sideways-on to the
audience to display his
striking profile is often
mistakenly attributed to
Franz Liszt. Although
Dussek has provided the
subject of a number of
student dissertations
over the years, in the
published literature he
has largely been
restricted to cameo
appearances or brief
entries in historical
surveys. The
bicentennial anniversary
of Dussek’s death
provides a fitting
occasion for bringing
together scholars from
all parts of the world to
produce the first
multi-author,
multi-lingual study of
the composer. Several
chapters deal with
aspects of
Dussek’s biography
and iconography that
receive only sparse
treatment elsewhere;
others survey the
different branches of his
output, including the
piano sonatas, the piano
concertos, the chamber
music with and without
harp and the three String
Quartets, Op. 60, which
are currently enjoying a
revival via recordings
and a new edition.
This book has two
fundamental aims. One is
to stimulate renewed
interest in, and debate
about, a less than
celebrated – one
might say unjustly
neglected –
figure. The other aim is
to approach
Dussek’s
multi-facetted,
geographically diverse
career as an interface
between ourselves and the
music business at the
beginning of the
nineteenth century, whose
complexity and
vicissitudes emanated
from the sociological
dynamics and political
events with which Dussek
was, to an almost unique
degree, inextricably
associated. The highs and
lows of Dussek’s
career, the surviving
contemporary accounts of
Dussek the performer and
composer, and the letters
he exchanged with
colleagues in several
nations vividly portray
the struggles of a
worldly, ambitious,
versatile and extremely
perspicacious musician
striving to carve out a
place of eminence and
material security for
himself. This meant
negotiating the complex
progression, underway at
this point in history,
from the patronage system
to the emergence of the
artist as a socially and
financially autonomous
entity.
Violin and Piano. By Various. Edited by Zdenka Pilkova. This edition: HN335. Vio...(+)
Violin and Piano. By
Various. Edited by Zdenka
Pilkova. This edition:
HN335. Violin. Henle
Music Folios. Pages:
Score = VII and 82 * Vl
Part = 23. Urtext
edition-paper bound. 112
pages. Published by G.
Henle.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Symphony; Classical.
Part. 20 pages. Duration
40'. Breitkopf and
Haertel #OB 5237-16.
Published by Breitkopf
and Haertel
(BR.OB-5237-16).
ISBN
9790004331583. 10 x 12.5
inches.
Ludwig van
Beethoven conceived his
Seventh Symphony in the
summer of 1811 in the
Bohemian spa of Teplitz.
The fair copy of the
score autograph was made
the following year. The
work was heard for the
first time on 8 December
1813 in the auditorium of
the Vienna University,
when the Seventh was
given its first,
enthusiastically
applauded audition -
together with the
programmatic symphony
Wellington's Victory or
the Battle of Victoria
op. 91.The present Urtext
edition is the first to
be based on the
evaluation of all the
sources transmitted for
the work.The score
contains the complete
Critical Report.
Observations deemed
particularly important,
as well as divergences
from established
editions, are clearly
marked within it.Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006)
This
is the first new edition
of the 7th Symphony for
which all surviving
sources have been
examined. The examination
brought up a number of
text-critical problems
with respect to divergent
readings. (Peter
Hauschild).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Symphony; Classical.
Part. 16 pages. Duration
40'. Breitkopf and
Haertel #OB 5237-27.
Published by Breitkopf
and Haertel
(BR.OB-5237-27).
ISBN
9790004331613. 10 x 12.5
inches.
Ludwig van
Beethoven conceived his
Seventh Symphony in the
summer of 1811 in the
Bohemian spa of Teplitz.
The fair copy of the
score autograph was made
the following year. The
work was heard for the
first time on 8 December
1813 in the auditorium of
the Vienna University,
when the Seventh was
given its first,
enthusiastically
applauded audition -
together with the
programmatic symphony
Wellington's Victory or
the Battle of Victoria
op. 91.The present Urtext
edition is the first to
be based on the
evaluation of all the
sources transmitted for
the work.The score
contains the complete
Critical Report.
Observations deemed
particularly important,
as well as divergences
from established
editions, are clearly
marked within it.Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006)
This
is the first new edition
of the 7th Symphony for
which all surviving
sources have been
examined. The examination
brought up a number of
text-critical problems
with respect to divergent
readings. (Peter
Hauschild).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Symphony; Classical.
Part. 16 pages. Duration
40'. Breitkopf and
Haertel #OB 5237-15.
Published by Breitkopf
and Haertel
(BR.OB-5237-15).
ISBN
9790004331576. 10 x 12.5
inches.
Ludwig van
Beethoven conceived his
Seventh Symphony in the
summer of 1811 in the
Bohemian spa of Teplitz.
The fair copy of the
score autograph was made
the following year. The
work was heard for the
first time on 8 December
1813 in the auditorium of
the Vienna University,
when the Seventh was
given its first,
enthusiastically
applauded audition -
together with the
programmatic symphony
Wellington's Victory or
the Battle of Victoria
op. 91.The present Urtext
edition is the first to
be based on the
evaluation of all the
sources transmitted for
the work.The score
contains the complete
Critical Report.
Observations deemed
particularly important,
as well as divergences
from established
editions, are clearly
marked within it.Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006)
This
is the first new edition
of the 7th Symphony for
which all surviving
sources have been
examined. The examination
brought up a number of
text-critical problems
with respect to divergent
readings. (Peter
Hauschild).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Folder.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Symphony; Classical. Set
of parts. 174 pages.
Duration 40'. Breitkopf
and Haertel #OB 5237-30.
Published by Breitkopf
and Haertel
(BR.OB-5237-30).
ISBN
9790004331620. 10 x 12.5
inches.
Ludwig van
Beethoven conceived his
Seventh Symphony in the
summer of 1811 in the
Bohemian spa of Teplitz.
The fair copy of the
score autograph was made
the following year. The
work was heard for the
first time on 8 December
1813 in the auditorium of
the Vienna University,
when the Seventh was
given its first,
enthusiastically
applauded audition -
together with the
programmatic symphony
Wellington's Victory or
the Battle of Victoria
op. 91.The present Urtext
edition is the first to
be based on the
evaluation of all the
sources transmitted for
the work.The score
contains the complete
Critical Report.
Observations deemed
particularly important,
as well as divergences
from established
editions, are clearly
marked within it.Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006)
This
is the first new edition
of the 7th Symphony for
which all surviving
sources have been
examined. The examination
brought up a number of
text-critical problems
with respect to divergent
readings. (Peter
Hauschild).
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Composed by Jan Dismas Zelenka (1679-1745). Edited by Vaclav Luks. Arranged by P...(+)
Composed by Jan Dismas
Zelenka (1679-1745).
Edited by Vaclav Luks.
Arranged by Pablo
Kornfeld. This edition:
urtext edition.
Paperback. Vocal score.
ZWV 12. Published by
Baerenreiter Verlag
(BA.BA9594-90).
34 Viola Solos Alto, Piano [Partition] Alfred Publishing
Arranged by Adam P. Lesinsky. For viola solo and piano accompaniment. Format: vi...(+)
Arranged by Adam P.
Lesinsky. For viola solo
and piano accompaniment.
Format: viola solo
songbook. With solo part
(includes a separate,
pull-out viola part) and
piano accompaniment.
Romantic period and
instructional. 96 pages.
9x12 inches.
(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda...(+)
(With Marked and Unmarked
String Parts). Composed
by Johann Baptist Georg
Neruda. Edited by Sonja
Gerlach and Zdenka
Pilková. For Piano,
Violin, Basso Continuo.
Henle Music Folios.
Softcover. G. Henle
#HN1049. Published by G.
Henle
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.1. -
0.0.0.0. - str - bc)
SKU: BR.EB-8051
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Andreas (KlA)
(KA) Kohs. Choir;
Softbound. Edition
Breitkopf.
The Missa
Dei Patris is the first
of three transmitted
Missae ultimae. The piano
vocal score is based on
the score published by
Reinhold Kubik in volume
93 of the series Das Erbe
deutscher Musik, now
available as PB 5556.
Mass; Baroque.
Piano/Vocal Score. 128
pages. Duration 70'.
Breitkopf and Haertel #EB
8051. Published by
Breitkopf and Haertel
(BR.EB-8051).
ISBN
9790004185070. 7.5 x 10.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae. The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik . The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt)
The
Missa Dei Patris is the
first of three
transmitted Missae
ultimae.
For Recorder (soprano). Includes a high-quality printed music score and a compac...(+)
For Recorder (soprano).
Includes a high-quality
printed music score and a
compact disc containing
the accompaniments for
each piece. Published by
Music Minus One.
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Choral Score.
20 pages. Duration 37
minutes. Carus Verlag #CV
40.678/05. Published by
Carus Verlag
(CA.4067805).
ISBN
9790007106263. Language:
Czech/German.
The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score available
separately - see item
CA.4067800.
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 344 pages.
Published by Hal Leonard.
(100210).
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Cello/Double Bass. 16
pages. Duration 37
minutes. Carus Verlag #CV
40.678/14. Published by
Carus Verlag
(CA.4067814).
ISBN
9790007076528. Language:
Czech/German.
The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 16 pages. Duration
40'. Breitkopf and
Haertel #OB 14617-15.
Published by Breitkopf
and Haertel
(BR.OB-14617-15).
ISBN
9790004344538. 10 x 12.5
inches.
During his
Bohemian spa trip in
September 1811, Beethoven
notated the first
sketches for the Seventh
Symphony, a work that
occupied him until May
1812 - parallel at times
with its disparate sister
work, the Eighth Symphony
in F major. After a
non-public rehearsal on
21 April 1813 in Archduke
Rudolph's palace, the
Seventh was officially
premiered on 8 December,
together with the
programmatic symphony
Wellington's Victory or
the Battle of Vitoria op.
91. The concert given
before 5,000 enthusiastic
listeners became
Beethoven's greatest
success, probably mainly
because of the second
mentioned work.The
present edition from the
new Beethoven Complete
Edition re-evaluates the
complicated source
situation, using as the
main sources only the
autograph and the parts
from the premiere.
Revealed could be a
number of writing errors
and misunderstandings in
the copying of the parts,
leading to changes from
previous editions,
particularly concerning
numerous markings of
dynamics and
articulation.