| Time Pieces for Bassoon, Volume 1 Basson, Piano (duo) ABRSM Publishing
By Various. Edited by I. Denley. For Bassoon, Piano. Time Pieces for Bassoon Vol...(+)
By Various. Edited by I.
Denley. For Bassoon,
Piano. Time Pieces for
Bassoon Volume 1 (Music
through the Ages in 2
Volumes). Grades 1-3
$16.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hugo Alfven : Bourree - Spelpartitur 3 Bassons Gehrmans Musikforlag
(for tre fagotter ur sviten Gustav II Adolf). By Hugo Alfven (1872-1960). For 3 ...(+)
(for tre fagotter ur
sviten Gustav II Adolf).
By Hugo Alfven
(1872-1960). For 3
bassoons (2 bassoons,
cello). Bouree for Three
Bassoons from the suite
Gustav II Adolf. Playing
score. Op. 49:5. 4 pages.
Duration 2 minutes.
Published by Gehrmans
Musikforlag
$10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Christmas Hymn-Alongs - Bassoon Basson [Partition] Jackman Music Corporation
Arranged by Brent Jorgensen. Christian, Christmas, Christmas Carols, Contempo...(+)
Arranged by Brent
Jorgensen.
Christian, Christmas,
Christmas Carols,
Contemporary Christian,
Gospel, Holiday,
Inspirational. Score.
Jackman
Music Corporation #01994.
Published by Jackman
Music
Corporation
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| College Songs for School Bands - Bassoon (Marching Band) Partie séparée Hal Leonard
| | |
| Symphony No. 4 for Band (West Point Symphony) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Schirmer
Score and Parts. By Morton Gould. Score and full set of parts. Hal Leonard Conce...(+)
Score and Parts. By
Morton Gould. Score and
full set of parts. Hal
Leonard Concert Band
Series. Grade 4. Size
9x12 inches. Published by
G. Schirmer, Inc.
$110.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dances for Three 2 Clarinettes, Basson [Conducteur et Parties séparées] Theodore Presser Co.
For 2 B-Flat Clarinets and Bassoon. By Peter Schickele. Wind trio. For Clarinet ...(+)
For 2 B-Flat Clarinets
and Bassoon. By Peter
Schickele. Wind trio. For
Clarinet I, Clarinet II,
Bassoon. Premiered
February 6, 1982 at a
concert that was part of
a composer-in-residence
that was part of a
composer-in-residence
weekend at the University
of Western Ontario. Score
and parts. 16 pages.
Duration 14:00. Published
by Theodore Presser
Company.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Movie Trios for All Instrumentation Flexible [Partition] Alfred Publishing
(Trombone, Baritone B.C., Bassoon, Tuba). Arranged by Michael Story and Michael ...(+)
(Trombone, Baritone B.C.,
Bassoon, Tuba). Arranged
by Michael Story and
Michael Story. For
Trombone, Baritone B.C.,
Bassoon, Tuba. Mixed
Instruments - Flexible
Instrumentation; Trio.
Instrumental Ensembles
for All. Movie. Book. 24
pages
(1)$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Beginning Band Collection Orchestre d'harmonie Curnow Music
Trombone/Euphonium B.C./Bassoon Part. Arranged by James Curnow. Curnow Concert B...(+)
Trombone/Euphonium
B.C./Bassoon Part.
Arranged by James Curnow.
Curnow Concert Band Full
Set. 16 pages. Published
by Curnow Music.
$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scherzo Op. 13e Schott
Bassoon; Piano Accompaniment (1 (auch Picc.) * 1 * 3 (3. auch Bassklar.) * 0 - 1...(+)
Bassoon; Piano
Accompaniment (1 (auch
Picc.) * 1 * 3 (3. auch
Bassklar.) * 0 - 1 * 1 *
0 * 0 - P. S. (Xyl. *
Trgl. * Beck. * Gong *
kl. Tr. * gr. Tr. m.
Beck.) (2 Spieler) - Hfe.
* Cel. - Str. (4 * 4 * 3
* 2 * 1)) - difficult
SKU: HL.49019614
Bassoon with Piano
Reduction. Composed
by Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Woodwind. Ein Stuck fur
Fagott und
Kammerorchester.
Classical. Softcover.
Composed 1957. Op. 13e.
16 pages. Duration 4'.
Schott Music #FAG35.
Published by Schott Music
(HL.49019614). ISBN
9790001192286. UPC:
888680014087.
9.0x12.0x0.071
inches. Although
Bertold Hummel composed
this Scherzo for bassoon
and chamber orchestra
more than fifty years
ago, the piece still
captivates every listener
with its youthful,
carefree liveliness.
Virtuoso and witty, it
does justice to its title
in every respect. It was
created in 1957 upon
commission of the Kleines
Unterhaltungsorchester
Sudwestfunk Baden-Baden.
The solo part of the
four-minute concert piece
with the tempo indication
'allegro molto' was
tailor-made by Hummel for
the orchestra's principal
bassoonist Helmut
Boker.In addition to the
hire material, a piano
score with solo part is
now available on
sale. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Woodland Serenade and Rondo Saxophone et Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé C. Alan Publications
(Alto Saxophone Feature). Composed by Catherine McMichael. For Soloist(s) with C...(+)
(Alto Saxophone Feature).
Composed by Catherine
McMichael. For Soloist(s)
with Concert Band
(Piccolo, Flute 1/2, Oboe
1/2, Bb Clarinet 1, Bb
Clarinet 2/3, Bb Bass
Clarinet, Bassoon 1/2,
Alto Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2/3, Horn in F
1/2, Horn in F 3/4,
Trombone 1/2, Bass
Trombone, Euphonium,
Tuba,). Grade 4. Score
and parts. Duration 6:00.
Published by C. Alan
Publications
$120.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Double Play Violon Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more. SKU:
PR.416411770 For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770). UPC:
680160091508. I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting. $26.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zion Orchestre d'harmonie Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3 and more.
SKU: PR.16500092L
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L). UPC:
680160039531. 11 x 17
inches. Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe, Percussion,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.44641192L
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L). UPC:
680160610860. 11 x 14
inches. One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heritage Orchestre d'harmonie Peters
Concert Band SKU: PE.EP68748 Score. Composed by Shawn E. Okpebholo...(+)
Concert Band SKU:
PE.EP68748
Score. Composed by
Shawn E. Okpebholo.
Edition Peters.
Contemporary. Score. 36
pages. Edition Peters
#98-EP68748. Published by
Edition Peters
(PE.EP68748). ISBN
9790300762289. S
hawn Okpebholo's
Heritage, in the
Edition Peters Concert
Band Series, evokes
moods, events and sounds
(including West African
drumming and indigenous
melodies) from an
ethnomusicological
research visit the
composer undertook to
Nigeria. One of the
primary musical themes of
the work is an adaptation
of a song that comes from
the Esan people, a small
ethnic group in the
southern part of Nigeria
and the tribe to which
the composer has deep
historical and family
ties. The Esan
language is poetic in
nature and, at various
moments in the work, the
musicians chant the text
from an Esan
song: Ekine leleyea
do obhimen la doeki
nalo.
(My
investment in you is paid
off. Because of your hard
work, your future is
bright)
Heritage<
/em> is a revised version
of a work previously
entitled This is
Africa, which was
commissioned by Professor
Marcellus Brown and the
Boise State University
Symphonic Winds for the
2011 National CBDNA
Convention and is
dedicated to the memory
of Dr Harry
Begian. Orchestrati
on: 1 Piccolo, 2
Flute 1, 2 Flute 2, 1
Oboe 1, 1 Oboe 2, 1
Clarinet in E-flat, 3
Clarinet 1 in B-flat, 3
Clarinet 2 in B-flat, 3
Clarinet 3 in B-flat, 2
Bass Clarinet 1 and 2, 1
Bassoon 1, 1 Bassoon 2, 1
Alto Saxophone 1, 1 Alto
Saxophone 2, 1 Tenor
Saxophone, 1 Baritone
Saxophone, 1 Trumpet 1 in
B-flat, 1 Trumpet 2 in
B-flat, 1 Trumpet 3 in
B-flat, 1 Trumpet 4 in
B-flat, 1 Horn 1 in F, 1
Horn 2 in F, 1 Horn 3 in
F, 1 Horn 4 in F, 1
Trombone 1, 1 Trombone 2,
1 Bass Trombone, 1
Euphonium 1, 1 Euphonium
2, 2 Tuba 1 and 2, 1
String Bass, 1 Percussion
1, 1 Percussion 2, 1 Drum
Kit, 1 Bongos, 1 Congas,
1 Horn 1 in E-flat, 1
Horn 2 in E-flat, 1 Horn
3 in E-flat, 1 Horn 4 in
E-flat, 1 Trombone 1
(B-flat treble clef), 1
Trombone 2 (B-flat treble
clef), 1 Bass Trombone
(B-flat treble clef), 1
Euphonium 1 (B-flat
treble clef), 1 Euphonium
2 (B-flat treble clef), 2
Tuba 1 and 2 (B-flat
treble clef), 2 Tuba 1
and 2 (E-flat treb. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adventure Express Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum,
Tambourine, Timpani,
Trombone 1 and more. -
Grade 3 SKU:
CF.CPS214 Composed by
John Pasternak. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+4+2+4+
4+24+4 pages. Duration 4
minutes, 4 seconds. Carl
Fischer Music #CPS214.
Published by Carl Fischer
Music (CF.CPS214).
ISBN 9781491152409.
UPC:
680160909902. Adven
ture Express is about
a train heading out to
the old west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
country sides,
breathtaking vistas and
the hard work of building
a new land. It is a
contest style piece by
budding composer John
Pasternak. It is tuneful
and well-scored. Perfect
for your next
contest/festival
performance. Adventure
Express is about a train
heading out to the old
west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
countrysides,
breathtaking vistas and
the hard work of building
a new land.The beginning
of the piece should have
a very marcato feel.
Measure 18 should have a
lighter feel than the
beginning, with the snare
drum playing the part of
the rail cars going over
the tracks. Be sure to
pay attention to the
accents in the trumpet,
xylophone and snare drum
lining up with the
accents played by the
rest of the
ensemble. At m. 55,
the xylophone should ring
out and should be played
with intention. At m. 71,
the piece returns to a
marcato style, and
remains until the end of
the piece. There are a
few sudden dynamic
changes that are crucial
for effect, so pay close
attention to those
changes. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adventure Express Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum,
Tambourine, Timpani,
Trombone 1 and more. -
Grade 3 SKU:
CF.CPS214F Composed
by John Pasternak.
Concert Band (CPS). Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS214F.
Published by Carl Fischer
Music (CF.CPS214F).
ISBN 9781491153086.
UPC:
680160910588. Adven
ture Express is about
a train heading out to
the old west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
country sides,
breathtaking vistas and
the hard work of building
a new land. It is a
contest style piece by
budding composer John
Pasternak. It is tuneful
and well-scored. Perfect
for your next
contest/festival
performance. Adventure
Express is about a train
heading out to the old
west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
countrysides,
breathtaking vistas and
the hard work of building
a new land.The beginning
of the piece should have
a very marcato feel.
Measure 18 should have a
lighter feel than the
beginning, with the snare
drum playing the part of
the rail cars going over
the tracks. Be sure to
pay attention to the
accents in the trumpet,
xylophone and snare drum
lining up with the
accents played by the
rest of the
ensemble. At m. 55,
the xylophone should ring
out and should be played
with intention. At m. 71,
the piece returns to a
marcato style, and
remains until the end of
the piece. There are a
few sudden dynamic
changes that are crucial
for effect, so pay close
attention to those
changes. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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