SKU: CA.5401200

ISBN 9790007166397. Text language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets.

SKU: CA.5401219

ISBN 9790007182076. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score and parts available separately - see item CA.5401200.

SKU: CA.5401211

ISBN 9790007225834. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score and part available separately - see item CA.5401200.

SKU: CA.5401205

ISBN 9790007166403. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score available separately - see item CA.5401200.

SKU: CA.5401212

ISBN 9790007225841. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score and part available separately - see item CA.5401200.

SKU: CA.5401249

ISBN 9790007225858. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score and part available separately - see item CA.5401200.

SKU: CA.211400

ISBN 9790007091934.

With great success Carus-Verlag published the Choral collections Mozart * Haydn Vol. I-III for the Mozart year 2006, with sacred works by the father and son Mozart and the brothers Joseph and Michael Haydn. For the fourth volume, secular choral works for mixed choir a cappella and with accompaniment of a keyboard instrument have been prepared. Original pieces, among them several choral songs by Michael Haydn published here for the first time, are joined by arrangements. Musically and literarily this collection contain a broad and varied repertoire: easily performable music for home or for social occasions, in which cheerful and erotic as well as meditative and pensive themes appear.

SKU: HL.51482354

SKU: CA.2705305

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SKU: CA.2705314

ISBN 9790007199593. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SKU: CA.2705319

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SKU: CA.2705349

ISBN 9790007199616. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SKU: CA.2705309

ISBN 9790007199555. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SKU: CA.2705313

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SKU: CA.2705315

ISBN 9790007199609. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.