(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
Andante From Symphony No. 4 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Robert Frost. For string...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Arranged by Robert Frost.
For string orchestra
(88555). Standard string
orchestra (88555).
Concert String Orchestra
Series. Grade 4. Score
and parts. Duration 5:10.
Published by Kendor Music
Inc
By Felix Mendelssohn. Arranged by Harry Alshin. Music by Felix Mendelssohn / arr...(+)
By Felix Mendelssohn.
Arranged by Harry Alshin.
Music by Felix
Mendelssohn / arr. Harry
Alshin. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
By Felix Mendelssohn. Arranged by Harry Alshin. Music by Felix Mendelssohn / arr...(+)
By Felix Mendelssohn.
Arranged by Harry Alshin.
Music by Felix
Mendelssohn / arr. Harry
Alshin. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
It Takes Four to Tango Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets
and Bass Clarinet
(Quartet or Ensemble). By
Daniel Dorff. Wind
quartet. For Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet. Score
and parts. 4 pages.
Duration 2:30. Published
by Theodore Presser
Company.
String Orchestra - Grade 4 SKU: KN.09956S Composed by Felix Bartholdy Men...(+)
String Orchestra - Grade
4
SKU: KN.09956S
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Robert S.
Frost. Solo or Ensemble.
Apex String Orchestra.
Kendor Music Inc #09956S.
Published by Kendor Music
Inc (KN.09956S).
UPC:
822795099560.
The
music of Mendelssohn is
delightful to hear, but
often challenging to
perform. This selection,
however, is accessible
for developing string
orchestras. The cellos
and basses will find it
particularly rewarding as
they are featured with a
walking bass line. In all
respects this arrangement
follows the original
closely, with the
necessary wind parts
carried by upper strings.
Duration 5:10. Available
in SmartMusic.
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Bass Clarinet in Bb.
Trios. Intermediate Music
for Three. Classical.
Intermediate. Partbook -
Part 3. Published by Last
Resort Music Publishing
Symphony No. 41 Orchestre à Cordes - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Todd Parrish. For String Orchestra. Stri...(+)
By Wolfgang Amadeus
Mozart. Arranged by Todd
Parrish. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Level:
4 (grade 4). Conductor
Score and Parts. 248
pages. Published by
Alfred Publishing.
Composed by Various.
Arranged by Mike Forbes.
Ensemble. Trombone
Quartet. Kendor Music Inc
#17695. Published by
Kendor Music Inc
(KN.17695).
UPC:
822795176957.
This
collection of 16
well-known works from the
classical repertoire for
trombone quartet are
persented here for grade
3-5 groups. This
collection was
specifically arranged to
allow for flexible low
brass instrumentation.
The 4th part may be
played on bass trombone
or tuba, and the upper
three trombone parts can
easily be exchanged for
baritones (b.c.) to the
extent that these could
be played solely by a
baritone-tuba
quartet.
Contents:
Swing Low, Sweet
Chariot; Londonderry Air;
Drink To Me Only With
Thine Eyes; Rule,
Britannia (Arne);
Greensleeves; All Through
The Night; New World
Symphony (Dvorak); Minuet
(Bach); Arioso (Bach);
Deep River; Lo, How A
Rose E'er Blooming; Air
On The G String (Bach);
Eine Kleine Nachtmusik
(Mozart); Sheep May
Safely Graze (Bach);
Hornpipe (Handel); and
Tango (Albeniz).
Symphony No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
(First Movement). Composed by Ludwig van Beethoven (1770-1827). Arranged by Robe...(+)
(First Movement).
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Robert
Sieving. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 4. 124
pages. Published by
Highland/Etling
Score Orchestra SKU: HL.14028658 Composed by Aulis Sallinen. Music Sales ...(+)
Score Orchestra
SKU:
HL.14028658
Composed
by Aulis Sallinen. Music
Sales America. 20th
Century. Book
[Softcover]. 112 pages.
Edition Wilhelm Hansen
#NOV890195. Published by
Edition Wilhelm Hansen
(HL.14028658).
ISBN
9780853609292.
8.25x11.75x0.333
inches.
Aulis
Sallinen's Symphony No.7
is related to J.R.R.
Tolkien's great novel The
Lord of the Rings. The
symphony does not
actually depict the
events in the novel;
rather it is a musical
expression of the
literary atmosphere and
poetry. The symphony was
commissioned by the
Gothenburg Symphony
Orchestra and composed in
1995-6. Orchestration: 3
Flutes, 3 Oboes, 3
Clarinets in B flat, 3
Bassoons, 4 Horns in F, 4
Trumpets in B flat, 3
Trombones, Tuba, Timpani,
Percussion, Celesta,
Harp, Strings. The
duration of the work is
25 minutes, full score
and orchestral material
is available for
hire.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 12
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-27. Published by
Breitkopf and Haertel
(BR.OB-14614-27).
ISBN
9790004343593. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute, Oboe (2), Clarin...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute, Oboe (2),
Clarinet (b flat) (2),
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings. Score; Urtext
Edition (paperbound). Op.
60. Duration 34'.
Published by
Baerenreiter-Ausgaben
(German import).
Composed by Franz Joseph
Haydn. Arranged by Todd
Parrish. String
Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 20 pages.
Highland/Etling
#00-31595S. Published by
Highland/Etling
(AP.31595S).
UPC:
038081343105.
English.
Celebrate
Haydn's 200th anniversary
with this outstanding
symphony! This exciting
and energetic work is a
rare example of Haydn's
use of the minor tonality
in symphonic writing,
which is aptly subtitled
Trauer, translated
Mourning. The string
parts are very close to
the original with changes
made only to accommodate
the important lines of
the original oboe and
horn parts. Students will
thoroughly enjoy the
contrapuntal style
allowing simultaneous
independent melodies.
Some shifting is required
through third position
for violins and fourth
position for cellos and
basses. This title is
available in MakeMusic
Cloud.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 12 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-27.
Published by Breitkopf
and Haertel
(BR.OB-5198-27).
ISBN
9790004330517. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
Composed by Various.
Arranged by Mike Forbes.
Ensemble. Trombone
Quartet. Kendor Music Inc
#17691. Published by
Kendor Music Inc
(KN.17691).
UPC:
822795176919.
This
collection of 16
well-known works from the
classical repertoire for
trombone quartet are
presented here for grade
3-5 groups. This
collection was
specifically arranged to
allow for flexible low
brass instrumentation.
The 4th part may be
played on bass trombone
or tuba, and the upper
three trombone parts can
easily be exchanged for
baritones (b.c.) to the
extent that these could
be played solely by a
baritone-tuba
quartet.
Contents:
Swing Low, Sweet
Chariot; Londonderry Air;
Drink To Me Only With
Thine Eyes; Rule,
Britannia (Arne);
Greensleeves; All Through
The Night; New World
Symphony (Dvorak); Minuet
(Bach); Arioso (Bach);
Deep River; Lo, How A
Rose E'er Blooming; Air
On The G String (Bach);
Eine Kleine Nachtmusik
(Mozart); Sheep May
Safely Graze (Bach);
Hornpipe (Handel); and
Tango (Albeniz).
Composed by Various.
Arranged by Mike Forbes.
Ensemble. Trombone
Quartet. Kendor Music Inc
#17694. Published by
Kendor Music Inc
(KN.17694).
UPC:
822795176940.
This
collection of 16
well-known works from the
classical repertoire for
trombone quartet are
persented here for grade
3-5 groups. This
collection was
specifically arranged to
allow for flexible low
brass instrumentation.
The 4th part may be
played on bass trombone
or tuba, and the upper
three trombone parts can
easily be exchanged for
baritones (b.c.) to the
extent that these could
be played solely by a
baritone-tuba
quartet.
Contents:
Swing Low, Sweet
Chariot; Londonderry Air;
Drink To Me Only With
Thine Eyes; Rule,
Britannia (Arne);
Greensleeves; All Through
The Night; New World
Symphony (Dvorak); Minuet
(Bach); Arioso (Bach);
Deep River; Lo, How A
Rose E'er Blooming; Air
On The G String (Bach);
Eine Kleine Nachtmusik
(Mozart); Sheep May
Safely Graze (Bach);
Hornpipe (Handel); and
Tango (Albeniz).
Composed by Various.
Arranged by Mike Forbes.
Ensemble. Trombone
Quartet. Kendor Music Inc
#17692. Published by
Kendor Music Inc
(KN.17692).
UPC:
822795176926.
This
collection of 16
well-known works from the
classical repertoire for
trombone quartet are
persented here for grade
3-5 groups. This
collection was
specifically arranged to
allow for flexible low
brass instrumentation.
The 4th part may be
played on bass trombone
or tuba, and the upper
three trombone parts can
easily be exchanged for
baritones (b.c.) to the
extent that these could
be played solely by a
baritone-tuba
quartet.
Contents:
Swing Low, Sweet
Chariot; Londonderry Air;
Drink To Me Only With
Thine Eyes; Rule,
Britannia (Arne);
Greensleeves; All Through
The Night; New World
Symphony (Dvorak); Minuet
(Bach); Arioso (Bach);
Deep River; Lo, How A
Rose E'er Blooming; Air
On The G String (Bach);
Eine Kleine Nachtmusik
(Mozart); Sheep May
Safely Graze (Bach);
Hornpipe (Handel); and
Tango (Albeniz).
Composed by Various.
Arranged by Mike Forbes.
Ensemble. Trombone
Quartet. Kendor Music Inc
#17693. Published by
Kendor Music Inc
(KN.17693).
UPC:
822795176933.
This
collection of 16
well-known works from the
classical repertoire for
trombone quartet are
persented here for grade
3-5 groups. This
collection was
specifically arranged to
allow for flexible low
brass instrumentation.
The 4th part may be
played on bass trombone
or tuba, and the upper
three trombone parts can
easily be exchanged for
baritones (b.c.) to the
extent that these could
be played solely by a
baritone-tuba
quartet.
Contents:
Swing Low, Sweet
Chariot; Londonderry Air;
Drink To Me Only With
Thine Eyes; Rule,
Britannia (Arne);
Greensleeves; All Through
The Night; New World
Symphony (Dvorak); Minuet
(Bach); Arioso (Bach);
Deep River; Lo, How A
Rose E'er Blooming; Air
On The G String (Bach);
Eine Kleine Nachtmusik
(Mozart); Sheep May
Safely Graze (Bach);
Hornpipe (Handel); and
Tango (Albeniz).
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.