SATB choir and organ (opt.) (SATB) - Very Easy to Easy

SKU: OU.9780193953932

Composed by William Turner. Edited by Geoffrey Webber. Sacred choral - mixed voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 3'. Oxford University Press #9780193953932. Published by Oxford University Press (OU.9780193953932).

ISBN 9780193953932. 10 x 7 inches.

For SATB and organ (optional) William Turner was one of the most important composers writing at the time of the Restoration of the monarchy. This sprightly anthem, first performed at the coronation of Queen Anne, is well within the grasp of competent choirs and will be highly suitable to celebrate the Diamond Jubilee of the present Queen.

SSAATB choir and organ (SATB) - easy

SKU: OU.9780193950177

Composed by William Turner. Edited by Geoffrey Webber. Services and Canticles. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 20 pages. Duration 7'. Oxford University Press #9780193950177. Published by Oxford University Press (OU.9780193950177).

ISBN 9780193950177. 10 x 7 inches.

For SSAATB and organ. The first in a new series of Restoration Canticles from the editors of the acclaimed The Restoration Anthem volumes, Turner's Evening Service in A (here transposed to B flat) uses rich six-part harmony and displays inventiveness and variety in the verses.

By Bronislau Kaper; Charlie Parker; Henry Creamer; J. Turner Layton; Lee Morgan; Richard Rogers; Tad Dameron; Vernon Duke; Victor Young. Arranged by Dizzy Gillespie; Freddie Hubbard; Louis Armstrong; Miles Davis. Text: Ira Gershwin; Lorenz Hart; Ned Washington; William H. Harris. For Trumpet. All that Jazz. Solo part. 54 pages. Published by Carl Fischer.

Voice and piano

SKU: HL.49029398

Song Cycle. Composed by Matyas Seiber. This edition: Saddle stitching. Sheet music. Edition Schott. Composed 1953. 24 pages. Duration 15'. Schott Music #ED 10329. Published by Schott Music (HL.49029398).

ISBN 9790220124495. 9.0x12.0x0.084 inches. English.

This substantial cycle was written for the tenor Peter Pears, and first performed by him in 1953 at the Royal Festival Hall, London, with the distinguished pianist Noel Mewton-Wood. It follws the example of Britten's Serenade in setting a variety of poets, and the set is framed by settings of the same words by Goethe in translation by Louis MacNeice, the unifying factor being presumably the quality of the poetry. The angry setting of Timor Mortis, using the well-known Dies Irae tune is the emotional hear of the cycle.John Turner 2010.

Book B. 10 Piano Solos Inspired by Great Works of Art. Composed by Catherine Rollin. Graded Standard Repertoire; Piano Collection; Piano Supplemental. Museum Masterpieces. Book. Alfred Music #00-48635. Published by Alfred Music

Composition

SKU: FP.FTJ06

Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06).

ISBN 9780951479537.

Comp osing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.

Orchestra - Grade 2.5

SKU: AP.45835

Composed by William J. Kirkpatrick. Arranged by Jeffrey E. Turner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Sacred; Winter. Score and Part(s). 72 pages. Duration 3:00. Belwin Music #00-45835. Published by Belwin Music (AP.45835).

UPC: 038081524368. English.

This is the other version of Away in a Manger, the beloved Christmas carol, written by William J. Kirkpatrick. Arranged by Jeffrey E. Turner, it features a string quartet within the orchestra and its haunting beauty is mesmerizing. This is sure to become one of your holiday favorites. (3:00).

Orchestra - Grade 2.5

SKU: AP.45835S

Composed by William J. Kirkpatrick. Arranged by Jeffrey E. Turner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Sacred; Winter. Score. 8 pages. Duration 3:00. Belwin Music #00-45835S. Published by Belwin Music (AP.45835S).

UPC: 038081524375. English.

This is the other version of Away in a Manger, the beloved Christmas carol, written by William J. Kirkpatrick. Arranged by Jeffrey E. Turner, it features a string quartet within the orchestra and its haunting beauty is mesmerizing. This is sure to become one of your holiday favorites. (3:00).

SKU: GI.G-10580

Philosopher and Practitioner in Dialogue. Composed by William Perrine. Music Education. 430 pages. GIA Publications #10580. Published by GIA Publications (GI.G-10580).

ISBN 9781622776375.

Cont ributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Diese Ausgabe enthalt 99 traditionelle englische Geigenmelodien. Der Band ist versehen mit Akkorden und Hinweisen zur Bogenfuhrung. Ausserdem ist ihm eine CD von Pete Cooper beigelegt. Folk, Classical, English. Edition/Softcover with CD. 12758. 68 pages. Schott Music #ED12758. Published by Schott Music

Performed by Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. Size 9x12 inches. 136 pages. Published by Word Music.

Level 1 Piano - Elementary

SKU: HL.645110

Level 1 Elementary Level. Composed by Various. Edited by Wesley Schaum. Educational Piano. Softcover. 12 pages. Schaum Publications, Inc. #1701. Published by Schaum Publications, Inc. (HL.645110).

ISBN 9781495080807. UPC: 008148017010. 9.0x12.0x0.051 inches. Edited by Wesley Schaum Elementary Level.

An entertaining group of original solos selected for their proven success and popularity with students. The appealing choide of musical styles in each level is ideal for repertoire building. Excellent for student motivation and perfect for recitals. Includes 6 solos: Alien Yard Sale (Larry Rapshaw) * Dad's Dune Buggy (Myra Brooks Turner) * In the Hall of the Mountain King (Grieg) * Mom's Pick-up Truck (Al Rita) * Song of Joy (Beethoven) * William Tell March (Rossini).

Recorder and Piano - Advanced

SKU: FP.FHP05

Composed by Peter Hope. Sheet Music and Books. A perfect recital piece for intermediate to advanced recorder players, opening with an introspective and romantic Fantasia, which gives way to a melodious Threnody, and finally a technically challenging Moto Perpetuo influenced by jazz and folk rhythms. Classical. Score and part. Forsyths Publications #FHP05. Published by Forsyths Publications (FP.FHP05).

ISBN 9790570504039.

Pete r Hope's Recorder Sonata is the most substantial piece in his growing body of work for the recorder, published by Forsyth. Hope has written and arranged for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other composers including John Williams and James Horner. His original compositions include the Suite: Ring of Kerry (which won an Ivor Novello Award in 1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, and a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble. His Bramall Hall Dances, for recorder and guitar/piano are published by Forsyth has become a standard repertoire work for the recorder.

For Easy Guitar Tablature. Performed by Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). With notes and tablature. Size 9x12 inches. 240 pages. Published by Word Music.