Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(Movements I and II Arranged for Clarinet in Bb and Piano). Composed by Igor Fyo...(+)
(Movements I and II
Arranged for Clarinet in
Bb and Piano). Composed
by Igor Fyodorovich
Stravinsky. Arranged by
David Dutkanicz. For Bb
clarinet, piano. 8 2
pages. Duration 7
minutes. Published by
Carl Fischer
Composed by Geraldine Green. For bass clarinet and piano. Classical; 21st centur...(+)
Composed by Geraldine
Green. For bass clarinet
and piano. Classical;
21st century. Solo part
and piano reduction.
Composed 1992. Duration
23 minutes. Published by
Alea Publishing
Choral SATB Choir and Piano SKU: CF.CM8776 SATB Voices and Alto Solo w...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM8776
SATB
Voices and Alto Solo with
Keyboard. Composed by
Gary Hallquist. Choral.
Piano reduction/vocal
score. With Standard
notation. Carl Fischer
Music #CM8776. Published
by Carl Fischer Music
(CF.CM8776).
ISBN
9780825850158. UPC:
798408050153. 6.875 X
10.5 inches. Key: C
major.
A striking
setting of an original
text, beautifully written
for Alto solo with mixed
choir by one of the best
new church choral writers
of the day, this choral
anthem is perfect for
anniversary Sundays, All
Saints Day, or
mission-emphasis worship.
The words state very
clearly, the vision and
purpose of the Christian
Church, while calling
believers to
accountability for
responding to the
challenge of life today.
Musically, the piece is
dynamic, lush and
powerful, and
incorporates the familiar
hymn Lead On, O King
Eternal, that fits well
with the spirit and
message. An accompaniment
track offers full
instrumental support for
choirs and soloist.
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
2 Pianos, 4 Hands. Composed by Camille Saint-Saens (1835- 1921). Edited by Pe...(+)
2 Pianos, 4 Hands.
Composed
by Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Henle Music Folios.
Classical. Solo part and
piano reduction. 84
pages. G.
Henle #HN1359. Published
by
G. Henle
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
More Than Just A Man Chorale SATB SATB, Piano [Vocal Score] Lillenas Publishing Co.
(A Dramatic Easter Musical) Created by Chris Machen, Kim Messer, arranged by Ric...(+)
(A Dramatic Easter
Musical) Created by Chris
Machen, Kim Messer,
arranged by Richard
Kingsmore. Vocal score
for SATB choir and piano
accompaniment. With piano
reduction, narrative
text, production notes
and vocal score notation.
134 pages. Published by
Lillenas Publishing Co.
2 Pianos, 4 Hand Reduction Piano Duet (2-Pianos) SKU: HL.51481383 2 Pi...(+)
2 Pianos, 4 Hand
Reduction Piano Duet
(2-Pianos)
SKU:
HL.51481383
2
Pianos, 4 Hand Reduction
2 copies needed to
perform. Composed by
Johann Sebastian Bach.
Edited by Maren Minuth,
Norbert Mü, and
llemann. Henle Music
Folios. Classical.
Softcover. 35 pages. G.
Henle #HN1383. Published
by G. Henle
(HL.51481383).
UPC:
196288308102.
9.25x12.25x0.123
inches.
Bach's
harpsichord concertos
have proven extremely
popular, though several
were originally written
as concertos for another
solo instrument â
either violin or a
woodwind instrument. But
we know nothing about any
such preliminary versions
in the case of the
A-major Concerto BWV
1055. Its enchantingly
songlike middle movement
inevitably makes one
think of the oboe
d�amore, though
there is in fact no
reason to suppose that
its idiomatic, spirited
harpsichord writing was
conceived from the outset
for anything but a
keyboard instrument.
Ultimately, this music is
so fresh and irresistible
that all such speculation
is irrelevant. For this
Henle Urtext edition of
the A-major Concerto, we
consulted the autograph
score and especially the
original orchestral parts
that presumably contain
the musical text of the
concerto as Bach himself
performed it. You
can�t get more
authentic than this! The
piano reduction contains
the solo part with
carefully chosen
fingerings by Michael
Schneidt, plus a piano
accompaniment that
Johannes Umbreit has
arranged so as to be
practical and easily
playable.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Chamber Music Piano, alto Saxophone SKU: CF.W2657 100th Anniversary(+)
Chamber Music Piano, alto
Saxophone
SKU:
CF.W2657
100th
Anniversary. Composed
by Igor Stravinsky.
Arranged by David
Dutkanicz. SWS. Set of
Score and Parts. With
Standard notation. 20+8
pages. Duration 7
minutes. Carl Fischer
Music #W2657. Published
by Carl Fischer Music
(CF.W2657).
ISBN
9780825891120. UPC:
798408091125. 9 x 12
inches.
Chamber Music Tuba, Piano SKU: CF.W2693 The World's Oldest Tuba Solo(+)
Chamber Music Tuba, Piano
SKU: CF.W2693
The World's Oldest
Tuba Solo. Composed
by William Pettee. Edited
by Curtis Peacock. Sws.
Set of Score and Parts.
8+2 pages. Carl Fischer
Music #W2693. Published
by Carl Fischer Music
(CF.W2693).
ISBN
9781491158586. UPC:
680160917198. 9 x 12
inches.
While
unknown today, composer
William Pettee
(1839a1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880a1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (atuba soloa
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwellas Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Petteeas
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839-1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880-1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (tuba solo
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell's Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Pettee's
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839–1891) was
clearly a remarkable
musician and composer
evidenced by the fact
that he wrote funeral
music for Abraham Lincoln
and General Ulysses S.
Grant. This funeral music
survives to this day in a
piano reduction format
and is the basis of some
of my most current
arranging projects. This
new edition of Olosabut
was the culmination of
years of research into
the era commonly called
The Golden Age of Bands,
a period spanning
1880–1920. This
project initially began
when I played the solo
part for Olosabut with a
reading band when I was a
guest artist at the
Northwest Brass Festival
in Seattle in 2010. For
this new edition, I
created a score with
modern transpositions.
Prior to this, there has
been no score for this
music. There is often no
score for American band
music from this era. I
also adjusted the
dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and
orchestra.Olosabut
(“tuba soloâ€
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell’s
Quickstep (Fun for
Basses) from 1881. This
is described as a novelty
march for tuba section,
however. A notable
omission from the Tuba
Source Book, though, is
William Pettee’s
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889.
Flute and Piano SKU: IS.FP7297EM Composed by Peter Benoit. Woodwinds - Fl...(+)
Flute and Piano
SKU:
IS.FP7297EM
Composed
by Peter Benoit.
Woodwinds - Flute.
Metropolis Music
Publishers #FP7297EM.
Published by Metropolis
Music Publishers
(IS.FP7297EM).
ISBN
9790365072972.
Pete
r Benoit, one of the
great Flemish Romantic
composers and often
considered the origin of
the Flemish School, was
better known for his
piano and choral music
than for his wind music.
Nevertheless, his one
entry into the flute
repertoire - the Concerto
- is an exemplary piece
of high Romanticism that
combines symphonic
writing with idiomatic,
virtuosic flute
technique. Composed as
part of a
‘legendary
triptych’ - the
Stories and Ballads for
Piano, the Symphonic Tale
for Piano and orchestra,
and the Flute Concerto -
the three movements show
the Concerto for the tone
poem it is at heart. The
first Preludium
(Will-o’-the-Wisps
) begins with a fiery
orchestral fanfare, with
an equally grand entrance
by the soloist that
introduces the first
theme and launches the
movement into the
formidable back-and-forth
between soloist and
orchestral forces. The
second, Melancholia,
somewhat resembles the
Molique Andante in its
construction - a clear,
wistful theme is
embellished and carefully
expanded into a full
musical showpiece for
flute. The Finale (Dance
of the Wisps) then
immediately launches into
a display of the
flutist’s agility,
moving through various
permutations of the theme
before coming to an
exuberant, grateful
landing.
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
For SATB Voices A Cappella. Composed by Anonymous. Arranged by Dean Rishe...(+)
For SATB Voices A
Cappella. Composed by
Anonymous. Arranged by
Dean Rishel. Choral.
Piano reduction/vocal
score. With Standard
notation. 12 pages. Carl
Fischer #CM08814.
Published by Carl Fischer
(CF.CM8814).
Solo Part and Piano Reduction. Composed by Kenneth Fuchs. LKM Music. Classica...(+)
Solo Part and Piano
Reduction. Composed by
Kenneth Fuchs. LKM Music.
Classical. Softcover.
Lauren
Keiser Music Publishing
#EBM288185. Published by
Lauren Keiser Music
Publishing
Arranged by Matthew Harris. For SATB a cappella w/divisi. Mixed Chorus a cappell...(+)
Arranged by Matthew
Harris. For SATB a
cappella w/divisi. Mixed
Chorus a cappella with
divisi and solos --
Sitting in an outdoor
cafe in Mexico a few
years ago, I was
intrigued when a
strolling mariachi band
played something str
strange yet familiar.
Here was 'La Bamba' the
'right way'!, I thought.
But a little. Modern.
Octavo. 22 pages.
Duration circa 6 minutes
By Wolfgang Amadeus Mozart (1756-1791). Edited by H Kling / Trio Di Clarone. For...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by H Kling / Trio
Di Clarone. For Clarinet
(in A) and Piano.
Paperback. Edition
Breitkopf. Piano
reduction. 56 pages
Revised and Edited by Robert Orledge. Composed by Erik Satie (1866-1925)....(+)
Revised and Edited by
Robert Orledge.
Composed by Erik Satie
(1866-1925). Piano.
Softcover. 240 pages.
Editions Salabert
#SLB5960. Published by
Editions Salabert
(HL.50600628).
Solo and Piano Reduction. Composed by Jaromir Weinberger (1886-1967). Arra...(+)
Solo and Piano Reduction.
Composed by Jaromir
Weinberger (1886-1967).
Arranged by Tristan
Willems.
Southern Music.
Classical,
Concert. Softcover. 24
pages. Southern Music
Company #SU821. Published
by
Southern Music Company
Mass in A-Flat Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Alfred Publishing
By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Canta...(+)
By Franz Schubert. For
Orch. (SATB divisi with
SATB Soli). Choral
Worship Cantata. Kalmus
Edition. Masterwork;
Sacred. Book. 108 pages.
Published by Alfred
Publishing.
(For Three-Part Mixed Voices with Keyboard). By Anonymous. Arranged by Earlene R...(+)
(For Three-Part Mixed
Voices with Keyboard). By
Anonymous. Arranged by
Earlene Rentz. Mixed
chorus. For SAB,
Keyboard. Carl Fischer
Performance Series for
Chorus. Choral. Piano
reduction/vocal score.
Standard notation. 8
pages. Published by Carl
Fischer