Arranged by Joel Raney. For SATB choir with optional handbells (3-5 octaves). Th...(+)
Arranged by Joel Raney.
For SATB choir with
optional handbells (3-5
octaves). The Joel Raney
Choral Series. Call To
Worship, Christmas,
Sacred. Octavo. 8 pages.
Published by Hope
Publishing Company
Limehouse Blues Ensemble Jazz [Conducteur] - Facile Alfred Publishing
Jazz Ensemble - Grade 2 SKU: AP.46159S Composed by Phillip Braham. Arrang...(+)
Jazz Ensemble - Grade 2
SKU: AP.46159S
Composed by Phillip
Braham. Arranged by Rich
Sigler. Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Blues; Jazz. Score. 24
pages. Duration 3:50.
Alfred Music #00-46159S.
Published by Alfred Music
(AP.46159S).
UPC:
038081528953.
English.
A jazz
standard scored to swing
at around 185 BPM, this
clever chart delivers
from beginning to end.
Interludes, great
development, and a
variety of nuances
sustain interest
throughout the
arrangement. Add the
well-written sample solos
for tenor, a sweet shout
chorus along with all the
optional parts to include
vibes---and you have a
great chart! (3:50).
Arranged by H. Dean
Wagner. General Worship,
Sacred. Handbell score.
12 pages. Hope Publishing
Company #2781. Published
by Hope Publishing
Company (HP.2781).
UPC: 763628127817.
Stuart K.
Hine.
Immensely
popular hymn One of the
most influential hymns of
the twentieth century is
given a powerful
treatment in this
awe-inspiring setting for
3-5 octave handbells and
handchimes. Depicting the
majesty and greatness of
God, this hymn reflection
builds from beginning to
end using artful
compositional technics -
useful for any worship
service on the theme of
God and creation.
By Jerry Silverman. By Jerry Silverman. For Guitar (Fingerpicking). Methods. Arc...(+)
By Jerry Silverman. By
Jerry Silverman. For
Guitar (Fingerpicking).
Methods. Archive Edition.
Folk. Level: Beginning.
Book. 95 pages. Published
by Mel Bay Publications,
Inc.
Concert Band - Grade 0.5 SKU: AP.24695S Arranged by Victor Lopez. Concert...(+)
Concert Band - Grade 0.5
SKU: AP.24695S
Arranged by Victor Lopez.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Christmas; Novelty;
Winter. Score. 16 pages.
Duration 2:30. Belwin
Music #00-24695S.
Published by Belwin Music
(AP.24695S).
UPC:
038081269238.
English.
An
unforgettable rendition
of Good King Wenceslas,
Victor López has added
his unique flair in Who
Let the Elves Out?
Careful attention to the
marked articulations will
bring out the best in
your performers. A
charming first year
holiday treat. This title
is available in MakeMusic
Cloud.
The Gladiator Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Composed by John Philip Sousa (1854-1932). Arranged by Michael Story. Concert Ba...(+)
Composed by John Philip
Sousa (1854-1932).
Arranged by Michael
Story. Concert Band;
Part(s); Score. Belwin
Beginning Band. Form:
March. 130 pages.
Published by Belwin Music
(AP.43080).
Then Come the Heroes Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Composed by Douglas E. Wagner. Concert Band. Belwin Beginning Band. Conductor Sc...(+)
Composed by Douglas E.
Wagner. Concert Band.
Belwin Beginning Band.
Conductor Score and
Parts. 122 pages.
Duration 2:15. Published
by Belwin Music
(AP.BD9902).
SATB choir, organ accompaniment - Beginning SKU: GI.G-3116 Composed by Ha...(+)
SATB choir, organ
accompaniment - Beginning
SKU: GI.G-3116
Composed by Hal H.
Hopson. Easter 4 C,
Ordinary Time 11 A.
Choral. Sacred. Octavo.
12 pages. GIA
Publications #3116.
Published by GIA
Publications (GI.G-3116).
Composed by George Sweet.
Primer String Orchestra
(PAS). Full score. With
Standard notation. 8
pages. Carl Fischer Music
#PAS23F. Published by
Carl Fischer Music
(CF.PAS23F).
ISBN
9781491151587. UPC:
680160909087. 9 x 12
inches.
Your
beginning string
orchestra is bound to
sparkle with this
delightful new
composition from composer
George Sweet. The piece
uses very simple rhythmic
figure that will make
that very first concert
for these budding new
musicians a success. The
harmonies are lush and
refreshing for a piece at
this level. The parents
will not believe their
ears!. Sparkle City,
along with
“Hub-City,â€
is one of the nicknames
of Spartanburg, South
Carolina. The piece was
commissioned by the
Spartanburg District 7
5th Grade Honor Orchestra
and is a reflection of
their vibrant city.The
piece begins with a bold,
accented introduction.
The main theme is
presented by the first
Violins at m. 9. Be sure
to observe the staccato
markings in the
accompaniment as they
help to propel the piece
forward. Â A crescendo
pushes into the B-section
at m. 25 which is
reminiscent of the
introduction. Be sure to
observe the change in
dynamics as they
highlight the contrast
from section to section.
The second Violins and
Violas restate the main
theme at m. 35, this time
with a countermelody in
the first Violins. The
B-section returns again
at m. 49, this time up an
octave, and is
“echoed†at a
piano dynamic at m. 57.
Once again, be sure to
utilize as much dynamic
contrast as possible in
this section. Â The
introductory material
returns at m. 65 and
pushes the piece to a
dramatic conclusion.
A Sequenced Guide to American Fiddling (Violin). Composed by Crystal Plohman ...(+)
A Sequenced Guide to
American Fiddling
(Violin).
Composed by Crystal
Plohman
Wiegman, Renata Bratt,
and
Bob Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
Composed by Philip J.
Bradshaw. Arranged by
Dolores Hruby. Christmas.
Tune Name: Default.
Sacred. Octavo. GIA
Publications #005745.
Published by GIA
Publications
(GI.G-005745).
UPC:
641151057453.
English.
Your
children‚ choir
will love the simple
words and lyrical melody
of this sweet Christmas
anthem.
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano
SKU:
PR.701185010
Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010).
UPC:
888680101275.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Pathway March - Score Orchestre d'harmonie [Conducteur] - Débutant Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.WB424F Composed by Gary Gazlay. Kjo...(+)
Band concert band - Grade
1.5
SKU: KJ.WB424F
Composed by Gary Gazlay.
Kjos Beginning Concert
BandWorks. Score only.
Duration 1 minute, 45
seconds. Neil A. Kjos
Music Company #WB424F.
Published by Neil A. Kjos
Music Company
(KJ.WB424F).
UPC:
084027039816.
Pathw
ay March uses the notes
of the Bb scale plus Ab.
Young students will
really enjoy playing this
melodic selection. Solid
scoring and ample
doublings will ensure a
successful
performance.
By John Baxter. For mandolin. Chord book. Encyclopedia. All Styles. Level: Begin...(+)
By John Baxter. For
mandolin. Chord book.
Encyclopedia. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 72
pages. Published by Mel
Bay Publications, Inc.
Concert Band - Grade 1 SKU: AP.44891S Composed by Roland Barrett. Concert...(+)
Concert Band - Grade 1
SKU: AP.44891S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Overture. Score. 16
pages. Duration 1:45.
Belwin Music #00-44891S.
Published by Belwin Music
(AP.44891S).
UPC:
038081516103.
English.
As the
title implies, this
stunning overture opens
with an ominous initial
statement and erupts to a
driving musical force to
the end. Inspired by an
Antarctic mountain, the
story is based on the
Norse mythology story
about a monstrous wolf.
Engaging and charismatic,
this composition sounds
more difficult than it
plays and will serve
equally well on concerts
or contest programs.
(1:45).
(Music Reading Activities that Make Learning Even Easier!) Written by Lindsey C....(+)
(Music Reading Activities
that Make Learning Even
Easier!) Written by
Lindsey C. Harnsberger,
Ron Manus. Instructional
book for beginning
guitar. With
instructional text. 40
pages. Published by
Alfred Publishing.
Attack of the Cyclops Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Accent...(+)
By Mark Williams. Music
by Mark Williams. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Grade
1. Conductor Score &
Parts. 1 pages. Published
by Alfred Publishing.
Trumpet SKU: GI.G-J301 The Instrumental Series. Composed by Christ...(+)
Trumpet
SKU:
GI.G-J301
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 48
pages. GIA Publications
#J301. Published by GIA
Publications (GI.G-J301).
ISBN 9781579994326.
English.
A revision
of this beginning band
series makes Jump Right
In easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation.