Limehouse Blues Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Philip Braham. Arranged by Les Hooper. Jazz Ensemble. Jazz Ensemble; Part(s);...(+)
By Philip Braham.
Arranged by Les Hooper.
Jazz Ensemble. Jazz
Ensemble; Part(s); Score.
Premier Jazz Series.
Jazz; Swing. Grade 4. 84
pages. Published by
Alfred Music Publishing
Composed by David von Kampen. Jo-Michael Scheibe Choral Series. Music Education....(+)
Composed by David von
Kampen. Jo-Michael
Scheibe Choral Series.
Music Education. Octavo.
12 pages. Walton Music
#WJMS1152. Published by
Walton Music
(GI.WJMS1152).
Piano - intermediate to advanced SKU: HL.49007779 Izdeguas zemes ainav...(+)
Piano - intermediate to
advanced
SKU:
HL.49007779
Izdeguas zemes ainavas
/ Landscapes of the
Burnt-out Earth.
Composed by Peteris
Vasks. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1992.
20 pages. Duration 17'.
Schott Music #ED 8102.
Published by Schott Music
(HL.49007779).
ISBN
9790001083256. UPC:
073999991819.
9.0x12.0x0.081
inches.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.
Technical Exercises for the Guitar to Be Done Each Day Before Practicing. By Dal...(+)
Technical Exercises for
the Guitar to Be Done
Each Day Before
Practicing. By Dale
Turner. Willis. Softcover
with CD. 32 pages.
Published by Willis
Music.
Choir and various instruments - Intermediate SKU: MN.50-6522A Composed by...(+)
Choir and various
instruments -
Intermediate
SKU:
MN.50-6522A
Composed
by John Ferguson.
Instrument parts.
MorningStar Music
Publishers #50-6522A.
Published by MorningStar
Music Publishers
(MN.50-6522A).
This anthem
combines tunes In
Babilone and Sine Nomine
with a new text by
Milburn Price and the
traditional text Ã’For
All the Saints.Ó
Suited especially for
times when we remember
the saints and challenge
ourselves to lives of
service. Appropriate for
All Saints, dedications,
ordinations,
anniversaries, and
stewardship themes.
Unisono Violon, Clarinette, Piano (trio) [Conducteur et Parties séparées] Subito Music
Clarinet, Violin, & Piano SKU: SU.28060040 For Clarinet, Violin, & Pia...(+)
Clarinet, Violin, & Piano
SKU: SU.28060040
For Clarinet, Violin,
& Piano. Composed by
Jesse Jones. Chamber
Music, Piano Trio,
Woodwinds, Clarinet.
Score & Parts. Subito
Music Corporation
#28060040. Published by
Subito Music Corporation
(SU.28060040).
A virtuoso
barn-burner for clarinet,
violin & pianoClarinet,
Violin, & Piano Duration:
10' Composed: 2011
Published by: Distributed
Composer.
Souvenir d'Amerique Orchestre à Cordes [Conducteur et Parties séparées] Alfred Publishing
(Variations on Yankee Doodle). By Henri Vieuxtemps (1820-1881). Arranged by Rick...(+)
(Variations on Yankee
Doodle). By Henri
Vieuxtemps (1820-1881).
Arranged by Rick England.
Orchestra. String
Orchestra. Highland
String Orchestra. Light
Concert; Novelty;
Patriotic; Romantic.
Conductor Score and
Parts. 124 pages
Suite for Woodwind Quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] Theodore Presser Co.
Flute, Oboe, BB Clarinet, F Horn, Bassoon. By Robert Washburn. Wind quintet. For...(+)
Flute, Oboe, BB Clarinet,
F Horn, Bassoon. By
Robert Washburn. Wind
quintet. For Flute, Oboe,
Clarinet, French Horn,
Bassoon. Classical. Score
and parts. 12 pages.
Published by Theodore
Presser Company.
Level 2 Treble, Teacher. By Michael O'hern, Janice Killian, Linda Rann. (Treble...(+)
Level 2 Treble, Teacher.
By Michael O'hern, Janice
Killian, Linda Rann.
(Treble/Teacher Edition).
Essential Elements Choir.
Size 8.5x11 inches. 200
pages. Published by Hal
Leonard.
Piano SKU: SU.80604130 For Piano. Composed by Norman Dello Joio. K...(+)
Piano
SKU:
SU.80604130
For
Piano. Composed by
Norman Dello Joio.
Keyboard,
Piano/Harpsichord. Score.
Edward B. Marks Music
#80604130. Published by
Edward B. Marks Music
(SU.80604130).
Commissioned
for the Van Cliburn
CompetitionPiano
Composed: 1969 Published
by: E.B. Marks.
Flashpoint Orchestre d'harmonie - Facile Excelcia Music Publishing
Concert Band Concert Band - Grade 2 SKU: XC.ICB2202 Composed by Tyler Arc...(+)
Concert Band Concert Band
- Grade 2
SKU:
XC.ICB2202
Composed
by Tyler Arcari.
Festival. Intermezzo
Grade 2-2.5. Festival.
Set of parts. Excelcia
Music Publishing
#ICB2202. Published by
Excelcia Music Publishing
(XC.ICB2202).
12 x 9
inches.
Talk about
starting out with a bang!
Flashpoint is a true
barnburner for young
bands with lots of
aggressive playing in
this rock-infused tour de
force. Pure fun and joy
for your players from
start to finish.
(Technical Exercises for the Piano to be done each day before practicing) Writte...(+)
(Technical Exercises for
the Piano to be done each
day before practicing)
Written by Edna-Mae
Burnam. Instructional
book for piano. With
introductory text,
illustrations, standard
notation and fingerings.
31 pages. Published by
The Willis Music Company.
SATB choir, piano reduction - Beginning SKU: GI.G-6381 Composed by Bob Bu...(+)
SATB choir, piano
reduction - Beginning
SKU: GI.G-6381
Composed by Bob
Burroughs. Advent 1 B,
Advent 1 C. Choral.
Sacred. Octavo. 4 pages.
GIA Publications #6381.
Published by GIA
Publications (GI.G-6381).
UPC: 785147638100.
English. Text by Milburn
Price.
An a
cappella piece with some
unexpected twists and
turns. First half is
somewhat slow and
expressive, second half
progresses to a more
joyous, hopeful
character. The character
of the text is immediate
and makes the piece good
for the last weeks of the
church year.
Choir Secular Double Choir and Violoncello SKU: PE.EP73479 Composed by Fr...(+)
Choir Secular Double
Choir and Violoncello
SKU: PE.EP73479
Composed by Francis Pott.
Choral Works (inc.
Oratorios). Edition
Peters. Living Composer.
Vocal Score. 164 pages.
Edition Peters
#98-EP73479. Published by
Edition Peters
(PE.EP73479).
ISBN
9790577019888. 297 x
210mm inches.
English.
At
First Light was
commissioned by Eric
Bruskin, a resident of
Philadelphia, USA, in
memory of his mother.
Eric had a longstanding
enthusiasm for my work,
and I was touched to be
the person he approached
for a task which is both
a privilege and a
daunting responsibility.
In a sense, no music can
ever measure up to the
weight of love or the
hope of consolation
vested in it under such
circumstances - but in
memory I carry the deaths
of both my own parents,
and I was able to draw
upon that. Eric's
fondness for my Cello
Sonata (itself written in
memoriam) led him to ask
that I include a solo
'cello part in the new
work - but his attachment
also to my polyphonic
sacred choral writing
meant that he wanted a
centrepiece which would
be both a showcase of
that approach and the
celebration of a life
well lived. Therefore,
the seven movements of At
First Light arrange
themselves as a series of
slow meditations
surrounding an exuberant
9-minute motet in which
the lamenting cello falls
temporarily
silent.
Eric's
Jewish faith meant that
approaching an agnostic
humanist brought up
within the Anglican
tradition was hardly free
of problems! Gradually,
though, I was able to win
his approval for a
collated mosaic of texts.
This embraces some
liturgical Latin
(necessary for the motet)
as the shared preserve of
broad western culture in
general, but balances it
with a secular approach
to loss, celebration,
remembrance and the many
shades of our mourning
those whom we see no
longer. Eric was adamant
that he did not want the
title Requiem; but what
has emerged is still a
form of semi-secular
Requiem in all but name,
taking its title instead
from a phrase in the poem
by Thomas Blackburn set
as the third movement.
This seemed to suggest
succinctly how the loss
of one very close to us
is an awakening into an
unfamiliar world where
everything is changed.
Following the exuberant
central movement, the
texts by the
Lebanese-born Kahlil
Gibran and the US,
Kentuckian poet Wendell
Berry first address the
departed loved one
directly, then place us
within an imaginary
funeral cortege, where
the perennial and
universal in human
experience become
personal without
subscribing explicitly to
any particular faith (or
lack of it). The final
text of all is a
translation of a Hebraic
prayer, requested and
provided by Eric Bruskin,
which serves to mirror
its Latin counterpart
heard at the
outset.
Throughout
, the lamenting cello
represents a commentary
on the experience
articulated in the text.
It evokes and, in a
sense, tries to embrace
and sanctify the
individual existential
journeys of the bereft,
as they in turn seek to
make their own sense of
what the short-lived
Second World War poet
Alun Lewis called 'the
unbearable beauty of the
dead' (movement
5).
In a modern
world hostage to ever
greater menace,
displacement, bloodshed
and anguish, I hope
fervently that this music
not only brings a measure
of solace to the person
who commissioned it, but
also makes its own small
contribution to bailing
out the sinking ship of
humanity.
Concert Band - Grade 2.5 SKU: AP.30779 Arranged by Nicholas Baratta. Conc...(+)
Concert Band - Grade 2.5
SKU: AP.30779
Arranged by Nicholas
Baratta. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Light
Concert. Score and
Part(s). 260 pages.
Belwin Music #00-30779.
Published by Belwin Music
(AP.30779).
UPC:
038081351469.
English.
The
masters go to the circus.
In this ingenious Nick
Baratta arrangement,
you'll hear the elephants
and laugh at the clowns
but all through the
themes provided by
Dvorak, Liszt and others.
A musical tribute to
these classic
master-composers and all
so very familiar from the
rings of the circus. A
real barn-burner, this
one will have your
students on the edge of
their seats! This title
is available in MakeMusic
Cloud.