Offertorium in festo
Sti Benedicti.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Scande Coeli
Limina Rev.2003. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
circa 1766/76. KV 34.
Duration 4 minutes. Carus
Verlag #CV 40.042/19.
Published by Carus Verlag
(CA.4004219).
ISBN
9790007217228. Key: C
major. Language:
Latin.
Since the
autograph of the
offertory Scande coeli
limina KV 34 has not
survived, the discovery
of the oldest existing
copy of the parts in 1998
in the archives of the
Holy Chapel in Altotting
were a significant
contribution to the
preservation of this
work. Robert Munster
discovered the parts, the
new source upon which the
present critical edition
is based. Score and parts
available separately -
see item CA.4004200.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. German title: Missa
in D. Sacred vocal music,
Masses, Latin. Choral
Score. Composed 1794. 24
pages. Duration 30
minutes. Carus Verlag #CV
40.672/05. Published by
Carus Verlag
(CA.4067205).
ISBN
9790007219918. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score available
separately - see item
CA.4067200.
(Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bi...(+)
(Choralkantate). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For Bass
Solo, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018600.
Genres: Cantatas;
Stuttgart Urtext
Editions; Use / Occasion:
Eucharist; Use during
church year: Lent and
Passiontide, Holy Week.
Level 3. Part:
Violoncello 1. Language:
German/English. Composed
1830. 8 pages. Duration
12 min. Published by
Carus Verlag
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. German title: Missa
in D. Sacred vocal music,
Masses, Latin. Single
Part, Viola. Composed
1794. 12 pages. Duration
30 minutes. Carus Verlag
#CV 40.672/13. Published
by Carus Verlag
(CA.4067213).
ISBN
9790007219956. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and part available
separately - see item
CA.4067200.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. German title: Missa
in D. Sacred vocal music,
Masses, Latin. Single
Part, Violin. Composed
1794. 12 pages. Duration
30 minutes. Carus Verlag
#CV 40.672/11. Published
by Carus Verlag
(CA.4067211).
ISBN
9790007219932. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and part available
separately - see item
CA.4067200.
Composed by Robert Schumann. Edited by Christian Rudolf Riedel. For violin solo,...(+)
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
For violin solo, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, strings.
Partitur-Bibliothek
(Score Library). Study
score. 64 pages.
Published by Breitkopf
and Haertel
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. Violin 1.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin 1.
Op. 72. 16 pages.
Duration 17 minutes.
Carus Verlag #CV
27.069/11. Published by
Carus Verlag
(CA.2706911).
ISBN
9790007199906. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of Christmas.
Score and part available
separately - see item
CA.2706900.
Motetto Pastorale.
Composed by Giovanni
Paisiello. Edited by Otto
Biba. Pastorali Jam
Concentu 1221A01. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Carus Verlag #CV
91.068/19. Published by
Carus Verlag
(CA.9106819).
ISBN
9790007231903. Key: B
flat major. Language:
Latin.
Score and
parts available
separately - see item
CA.9106800.
Composed
by Gabriel Faure. Edited
by Marc Rigaudiere.
French Sacred Music. With
attachement. Sacred vocal
music, Requiem. Vocal
score. Composed 1901. 40
pages. Duration 35
minutes. Carus Verlag #CV
27.311/02. Published by
Carus Verlag
(CA.2731102).
ISBN
9790007246778. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Oratorio fragament.
Part I: The Birth of
Christ; Part II: The
Passion of Christ.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Christus-Oratorium
(Fragment). Innovative
practice aids, Sacred
vocal music, Oratorios,
Lent and Passiontide,
Holy Week, Christmas.
Single Part, Viola.
Composed 1847. Op. 97,
MWV A 26. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
40.169/13. Published by
Carus Verlag
(CA.4016913).
ISBN
9790007063559. Language:
German/English.
Men
delssohns unfinished 3rd
oratorio in its first
critical edition. The
parts Die Geburt Christi
and Das Leiden Christi
are presented with full
orchestration. In 1852,
five years after
Mendelsohn's death, two
independently-performable
fragments of an
unfinished oratorio were
published under the title
Christus. The second
fragment, The Suffering
of Jesus, comes from the
middle of the Passion
story: the scene Jesus
before Pilot is presented
with rapid, dramatic
alternation between the
recitatives of the
evangelist (tenor) and
choruses of the people. A
contemplative choral
movement closes the
fragment.
(Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bi...(+)
(Choralkantate). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For Bass
Solo, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018600.
Genres: Cantatas;
Stuttgart Urtext
Editions; Use / Occasion:
Eucharist; Use during
church year: Lent and
Passiontide, Holy Week.
Level 3. Part:
Violoncello 2. Language:
German/English. Composed
1830. 8 pages. Duration
12 min. Published by
Carus Verlag
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. Violin 2.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin 2.
Op. 72. 16 pages.
Duration 17 minutes.
Carus Verlag #CV
27.069/12. Published by
Carus Verlag
(CA.2706912).
ISBN
9790007199913. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of Christmas.
Score and part available
separately - see item
CA.2706900.
By Karl Ditters Von Dittersdorf (1739-1799). Edited by Johannes Kirner. For Soli...(+)
By Karl Ditters Von
Dittersdorf (1739-1799).
Edited by Johannes
Kirner. For Soli SATB,
SATB Choir, 2 Oboes, 2
Clarinets, 2 Trombones,
Timpani, Violin solo, 2
Violins, Basso continuo.
This edition: paperbound.
KreD 326. Full score
available separately -
see item CA.2703500.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1769 (?). 80
pages. Duration 42 min.
Published by Carus Verlag
Concert
Band, Grade 4 9:30
Score. Composed by
Hermann Pallhuber.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 570
seconds. Hal Leonard
#SDP267-24-01. Published
by Hal Leonard
(HL.4008968).
UPC:
196288282174.
“Ri
sing into a New Era”
was commissioned by the
city of Landeck in 2023
to commemorate its 100th
anniversary since being
declared a city. The
composition serves as the
introductory part of a
trilogy, encapsulating
the years from 1923 to
1956, depicting Landeck's
transformation from a
market town to a city.
The outset of the piece
is characterized by a
reserved and hushed
atmosphere, reflecting
the initial uncertainty
during a period of
economic challenges. The
optimistic anticipation
of a new beginning is
only echoed by the sound
of the city's new bells.
The central motif,
threading throughout the
entire composition, is
derived from the name of
the city: LAnDECk
(A-D-E-C). This motif
unfolds at the onset
within the resonance of
the city's bells,
gradually evolving into
the main theme through
the gentle tones of the
clarinets. Following the
initial years of the
burgeoning city, where a
positive societal shift
and newfound security are
symbolized by a second
musical theme, the sudden
eruption of the Second
World War disrupts this
progress. A mournful
melody, borrowed from the
cheerful second theme of
the piece, speaks of
sorrow, nostalgia, yet
also solace and hope for
peace and freedom. A
“Vivace furioso”
captures the
uncertainties and intense
turbulence of the war.
These tumultuous emotions
gradually settle,
culminating after a
delicate oboe and
saxophone solo into the
now powerful main theme
presented in the form of
a majestic chorale. A
“Vivace con bravura”
brings the composition to
a radiant conclusion,
signifying a strengthened
future for the city of
Landeck.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Missa Sti Henrici. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1696.
Carus Verlag #CV
40.676/19. Published by
Carus Verlag
(CA.4067619).
ISBN
9790007220150. Language:
Latin.
The Missa
Sancti Henrici is a work
of Biber's later years.
It is one of his largest
and most mature pieces of
church music. With the
skillful alternation of
the stile antico and the
stile moderno, as well as
the contrast between Solo
and Tutti, Biber attained
a structure within the
individual movements rich
in variety. In its
original architectural
conception, Salzburg
Cathedral had four
galleries, each with its
own organ, on the piers
supporting the dome at
the crossing. This
conception created the
spatial prerequisite for
double- and polychoral
performance tradition on
the Venetian model.
Biber's magnificent
sacred music brought this
tradition to a point of
culmination in a
,,colossal style that was
unique in transalpine
Europe. Score and parts
available separately -
see item CA.4067600.
Choir SKU: BR.SON-442 Complete Works. Composed by Felix Bartholdy ...(+)
Choir
SKU:
BR.SON-442
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clemens
Harasim. Linen. Complete
Works. Romantic period.
Complete Works. 188
pages. Breitkopf and
Haertel #SON 442.
Published by Breitkopf
and Haertel (BR.SON-442).
ISBN 9790004803509. 10
x 12.5 inches.
This
volume contains three
reworkings and
orchestrations of
religious works by Felix
Mendelssohn Bartholdy
which were originally set
for smaller ensembles
(solo voices, four-part
chorus and organ). They
were composed at
different times and for
different occasions, two
of them as commissions.
The anthem ,,Why, o Lord,
delay forever MWV A 19
was originally the sacred
vocal piece MWV B 33,
published in England in
1841 with the additional
title ,,[…] The
Thirteenth Psalm, and in
Germany in the same year
as ,,Lass, o Herr, mich
Hilfe finden with the
title ,,Drei geistliche
Lieder which was composed
at the suggestion of the
English literature and
music lover Charles B.
Broadley who also
provided the paraphrase
of the psalm text. After
Mendelssohn had refused
an initial request by
Broadley to furnish the
anthem post festum with
an organ prelude, the
composer did not want to
turn down a second
request to orchestrate
the work and he even
expanded the existing
material with a lengthy
closing fugue involving
additional trumpets and
timpani. The ,,Ave Maria
MWV B 19 was written in
connection with
Mendelssohn's appointment
as municipal music
director, a position
which at the same time
included the
responsibility for the
musical organization of
church services. The
instrumentation of the
work with an
accompaniment of two
clarinets and two
bassoons as well as low
strings was due to the
fact that the organ in
Dusseldorf's principal
church St. Lambertus was
out of order for an
extended period of time,
and Mendelssohn
considered this solution
explicitly only as a
surrogate for the organ
should there be none. A
further psalm paraphrase
in English, this time by
William Bartholomew, of
the hymn ,,Hear my prayer
MWV B 49 was set to music
in early 1844; the
orchestration of the
organ part commissioned
by the distinguished
Dublin musician Joseph
Robinson was not
completed until 1847 so
that the premiere finally
only took place after
Mendelssohn's death. In
the further course of the
century ,,Hear my prayer
would, particularly in
the version with organ
accompaniment, come to
enjoy great popularity in
Great Britain and
Ireland.
Vocal Solo (Key of F) SKU: HP.9120 Composed by William Runyan. Arranged b...(+)
Vocal Solo (Key of F)
SKU: HP.9120
Composed by William
Runyan. Arranged by Mary
McDonald. Piano
Accompaniment with
Optional Orchestra. Vocal
Score. 8 pages. Hope
Publishing Company #9120.
Published by Hope
Publishing Company
(HP.9120).
UPC:
763628191207. Thomas O.
Chisholm.
Classic
hymn tune Fully
expressing God's
unchangeable faithfulness
in any circumstance, this
epic choral setting
displays the power and
grandeur of this
cherished hymn. The
orchestration by Michael
Lawrence magnifies the
dramatic sweep of this
ebullient, raise the
rooftops setting.
Orchestration:
Conductor's Score, 2
Flutes, Oboe, 2
Clarinets, Bassoon, 3
Trumpets, 2 Horns, 2
Trombones, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola, Cello
and String Bass.
Oratorio fragament.
Part I: The Birth of
Christ; Part II: The
Passion of Christ.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Christus-Oratorium
(Fragment). Innovative
practice aids, Sacred
vocal music, Oratorios,
Lent and Passiontide,
Holy Week, Christmas.
Single Part, Cello.
Composed 1847. Op. 97,
MWV A 26. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
40.170/14. Published by
Carus Verlag
(CA.4017014).
ISBN
9790007063658. Language:
German/English.
Men
delssohns unfinished 3rd
oratorio in its first
critical edition. The
parts Die Geburt Christi
and Das Leiden Christi
are presented with full
orchestration. In 1852,
five years after
Mendelsohn's death, two
independently-performable
fragments of an
unfinished oratorio were
published under the title
Christus. The second
fragment, The Suffering
of Jesus, comes from the
middle of the Passion
story: the scene Jesus
before Pilot is presented
with rapid, dramatic
alternation between the
recitatives of the
evangelist (tenor) and
choruses of the people. A
contemplative choral
movement closes the
fragment.
Orchestra Orchestra, soprano voice SKU: PR.41641389L For Soprano and O...(+)
Orchestra Orchestra,
soprano voice
SKU:
PR.41641389L
For
Soprano and
Orchestra. Composed
by Lowell Liebermann.
Poems by Nelly Sachs.
Premiered by Korliss
Uecker, soprano and The
Juilliard Symphony,
Lowell Liebermann,
conductor at Alice Tully
Hall, Lincoln Center, New
York City. Contemporary.
Large Score. With
Standard notation.
Composed 1986. Opus 18.
96 pages. Duration 25
minutes. Theodore Presser
Company #416-41389L.
Published by Theodore
Presser Company
(PR.41641389L).
UPC:
680160607907. German.
Poems by Nelly Sachs.
Poems by Nelly
Sachs.
2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
2 Trumpets in C, Harp,
Piano/Celesta, Timpani,
Percussion (1 player),
Strings, Soprano
Solo.