For 2 Pianos, 4 Hands. By Claude Debussy. Editions Durand. 32 pages. Published by Editions Durand.

Images, Book 1 By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork Edition. Impressionistic; Masterwork. Advanced. 36 pages. Published by Alfred Music Publishing

with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: V and 14. Urtext edition-paper bound. Published by G. Henle.

Piano Solo - Critical Edition. By Claude Debussy. Arranged by Roy Howat. Editions Durand. Size 9x12 inches. 36 pages. Published by Durand.

By Claude Debussy (1862-1918). Edited by Maurice Hinson. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork Edition. Impressionistic; Masterwork. Advanced. 32 pages. Published by Alfred Music Publishing

(Piano). By Claude Debussy (1862-1918). Edited by Christophe Grabowski. Editions Durand. Softcover. 12 pages. Editions Durand #DD1597200. Published by Editions Durand

Piano SKU: HU.HN387 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Estampes. Classical, Romantic. Softcover Book. 36 pages. G. Henle #HN387. Published by G. Henle (HU.HN387). ISBN 9780101434904. 12.2 x 9.3 x 0.1 inches.

For Piano. By Claude Debussy. This edition: DD1586900. Editions Durand. Book only. 20 pages. Published by Editions Durand.

By Claude Debussy (1862-1918). Edited by Ulrich KrÌ_mer and Ulrich Kr. For String Quartet (Parts). Henle Music Folios. G. Henle #HN999. Published by G. Henle

with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: VII and 12. Urtext edition-paper bound. Published by G. Henle.

By Claude Debussy. Arranged by Alexander Cole. For Piano. Published by Santorella Publications.

Debussy, Claude (1862 - 1918), transcr. Caplet. For Piano. Piano Duet (One Piano, Four Hands). Masterwork. 80 pages. Published by Alfred Publishing.

Piano SKU: HU.HN380 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Two Arabesques. Classical, Romantic. Softcover Book. 16 pages. G. Henle #HN380. Published by G. Henle

Composed by Claude Debussy (1862-1918), edited by E. G. Heinemann. Single piece and set of parts for Violin and piano. With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 56 pages. Published by G. Henle.

Piano Solo. Composed by Claude Debussy (1862-1918). Edited by Edmond Lemaître. MGB. Softcover. 40 pages. Editions Durand #DD16230. Published by Editions Durand

(Including NAXOS CD). By Claude Debussy (1862-1918). For solo piano. Book; CD; Masterworks; Piano Collection. Faber Edition: Chill With. Impressionistic; Masterwork. Advanced; Early Advanced; Intermediate; Late Intermediate. Book and CD. Published by Faber Music

By Claude Debussy. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwork. Level: Early Advanced (grade 6 ). 8 pages. Published by Alfred Publishing.

Composed by Claude Debussy (1862-1918), edited by Ernst-Gunter Heinemann. For flute (unaccompanied). Urtext. Format: flute solo single. With introductory text. Impressionistic. 5 pages. 9x12 inches. Published by G. Henle.

(Piano). By Claude Debussy (1862-1918). For Piano. Editions Durand. Softcover. 8 pages. Editions Durand #DD16038. Published by Editions Durand

By Claude Debussy. Arranged by Roy Howat. Editions Durand. Size 9x12 inches. 8 pages. Published by Durand.

For Flute and Piano (originally for Violin and Piano). Composed by Claude Debussy (1862-1918). Arranged by Denis Bouriakov. Sws. Score-and-parts. Duration 13 minutes. Theodore Presser Company #114-41856. Published by Theodore Presser Company

(LN)

SKU: HL.49020783

Composed by Strobel. This edition: Hardback/Hard Cover. Book. Edition Schott. 260 pages. Schott Music #ATL 6062. Published by Schott Music (HL.49020783).

ISBN 9783254000620. German.

Heinrich Strobel hat mit dieser Biographie einen wichtigen Beitrag zum tieferen Verstandnis Debussys und seiner Musik geleistet. Sein Buch ist weder ein Schlachtfeld entwicklungsgeschichtlich er Dialektik noch ein Friedhof gesicherter Erkenntnisse. Aus genauester Kenntnis der Fakten wird vielmehr jede Situation bildhaft heraufgerufen, das Hier und Jetzt in dem der Mensch und Kunstler Debussy lebte und wirkte. Menschen und Dinge, Gedanken und Handlungen erstehen so vor dem Leser mit der sprechenden Unmittelbarkeit lebendiger Gegenwart. Die Kunst der Andeutung, der Nuance, jene Grazie und phantasievolle Eleganz, die Debussy liebte und die aus jedem seiner Werke spricht, sie findet sich gespiegelt in diesem Buch. In Bericht und Deutung gewinnt es auf diese Weise eine uberzeugende Authentizitat. Die Leidensjahre am Conservatoire, die in Debussy den Hass gegen alles Hergebrachte wachsen liessen, das italienische Exil des Rompreistragers, die intensive, fortschreitend kritische, schliesslich antipodische Beziehung zum Werk Richard Wagners, die Literatur des Symbolismus und ihre Dichter, die Musik des Fernen Ostens, die Werke der alten Meister, die kuhle Formkunst und der rhythmische Elan des Ballets Russes: Richtpunkte und Stationen, in deren Spannungsfeld sich, allen Widerstanden zum Trotz, ein Oeuvre ausformte, dem die Musik unseres Jahrhunderts starkste Impulse verdankte.

Piano SKU: HU.HN402 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Six Epigraphes antiques. Classical, Romantic. Softcover Book. 27 pages. G. Henle #HN402. Published by G. Henle (HU.HN402).

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For easy piano. Late Beginner - Early Intermediate. Book and accompaniment CD

Flute and Piano. By Claude Debussy. Schott. Size 9x12 inches. 54 pages. Published by Schott.

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Clarient solo and piano accompaniment. Set of parts

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trumpet solo and piano accompaniment. Set of parts

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Alto Saxophone solo and piano accompaniment. Set of parts