Tum Balalaika Chorale [Octavo] - Facile Santa Barbara Music Publishing
By Traditional Russian Yiddish Song. Arranged by Jay Broeker. For Unison or SA I...(+)
By Traditional Russian
Yiddish Song. Arranged by
Jay Broeker. For Unison
or SA Instrumental
accompaniment sold
separately. Choral music.
Level: Easy. Published by
Santa Barbara Music
Publishing. (SBMP 228)
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445).
ISBN
9790014135041. 297 x 420
mm inches.
German.
ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss.
Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte).
Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung!
Bernd
Franke. Leipzig,
11.10.2019
W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano.
14
songs for solo
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006
AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything:
Every
flame, every fire, every
light, every warmth is
AGNI.
AGNI is
omnipresent, establishing
everything and ending
everything.
AGNI is
often depicted with seven
tongues which represent
different aspects of his
being.
These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming.
Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet.
This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies.
The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer.
W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work.
Score and
horn
part.
Contempo
rary work for Horn in F
and
piano
Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010.
Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music.
Contemp
orary piece for solo
cello
Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006
to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006
Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual.
This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788
A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'.
Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano.
14
songs for solo high
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of sacred and
secular Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298
for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony.
W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind.
I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation.
The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world.
The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello.
The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020.
Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Christian,
Saddle-stitched.
Woodwinds. Book. 36
pages. Mel Bay
Publications, Inc #30856.
Published by Mel Bay
Publications, Inc
(MB.30856).
ISBN
9781513470795. 8.75x11.75
inches.
With this
collection of 26 folk
hymns, author Peter
Irvine brings shape-note
music into the home, and
provides adaptable music
for a variety of
instrumental ensembles.
This format allows for
instruments such as the
mountain dulcimer, Native
American or transverse
flute, penny whistle,
fiddle, mandolin, guitar,
and so forth. Anyone can
play shape-note music,
even when Sacred Harp
gatherings or
â??singingsâ? are not
easily
accessible. Â Th
e hymns in this
collection are drawn from
various classic
shape-note sources like
Southern Harmony
(1835) and The Sacred
Harp (1844).
Presented in lead-sheet
format (melody, chords,
and lyrics), and written
in keys accessible to all
C instruments and several
D instruments such as the
penny whistle and
mountain dulcimer, the
material offers plenty of
arrangements. Hymns can
be sung by a soloist, in
unison by a small group
with chordal
accompaniment, or a mixed
ensemble.
3 equal voices and
instruments (CHP) -
intermediate
SKU:
HL.49032094
Folklore fremder
Lander. Composed by
Cammin. Edited by Heinz
Cammin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Choral Score. 16 pages.
Schott Music #ED 6393-01.
Published by Schott Music
(HL.49032094).
By Brid Cranitch (Editor). For All Instruments. Irish, Traditional, Folk, Celtic...(+)
By Brid Cranitch
(Editor). For All
Instruments. Irish,
Traditional, Folk,
Celtic. Sheet Music and
Audio CD. 48 pages.
Published by Ossian
Publications.
15 Favorites Flexibly
Scored for Band
Instruments. Composed
by Bruce Pearson and Ryan
Nowlin. Band method.
Tradition of Excellence:
Excellence in Chamber
Music. Method Book. 32
pages. Neil A. Kjos Music
Company #W40EBS.
Published by Neil A. Kjos
Music Company
(KJ.W40EBS).
Introïtus Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0840020-015 L...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0840020-015
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Sacred. Set
(Score & Parts). Composed
1984. De Haske
Publications #DHP
0840020-015. Published by
De Haske Publications
(BT.DHP-0840020-015).
The Latin word
Introitus means
‘entry’.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haan’s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
‘Introitus’
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug.
Ursprünglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder Puer
natus est nobis und
Lobt Gott, Ihr
Christen alle gleich
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgeführt
werden.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con l’ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali.
Introïtus Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0840020-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-0840020-216
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 1984. De Haske
Publications #DHP
0840020-216. Published by
De Haske Publications
(BT.DHP-0840020-216).
The Latin word
Introitus means
â??entryâ??.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haanâ??s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
â??Introitusâ??
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug. Urspru?nglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder und
Lobt Gott, Ihr
Christen alle gleich
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgefu?hrt
werden.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con lâ??ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali.
Introïtus Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-0840020-030 Lobt Gott, Ihr Christen a...(+)
Brass Band - Grade 2
SKU:
BT.DHP-0840020-030
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Sacred. Set
(Score and Parts).
Composed 1984. De Haske
Publications #DHP
0840020-030. Published by
De Haske Publications
(BT.DHP-0840020-030).
The Latin word
Introitus means
â??entryâ??.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haanâ??s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
â??Introitusâ??
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug. Urspru?nglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder Puer
natus est nobis und
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgefu?hrt
werden.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con lâ??ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis>I e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali.
(Volume 1 for Descants, Treble and Tenor Recorders). For Recorder. Fentone Instr...(+)
(Volume 1 for Descants,
Treble and Tenor
Recorders). For Recorder.
Fentone Instrumental
Books. 16 pages. Fentone
Music #F856-070.
Published by Fentone
Music .
Antithigram Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Jack Stamp. Concert band. Suitable for high school, community, and college ba...(+)
By Jack Stamp. Concert
band. Suitable for high
school, community, and
college bands. Grade 4.
Conductor full score.
Duration 4:45. Published
by Manhattan Beach Music
Hava Nagila Ensemble de cuivres [Conducteur et Parties séparées] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-030 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-030
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
396-030. Published by
Anglo Music Press
(BT.AMP-396-030).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava Nagila Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-130 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-130
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Score Only.
Composed 2013. 24 pages.
Anglo Music Press #AMP
396-130. Published by
Anglo Music Press
(BT.AMP-396-130).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Piano - easy SKU: BT.BOE8011 20 Romantic Pop-Hits für KlavieranfÃ...(+)
Piano - easy
SKU:
BT.BOE8011
20
Romantic Pop-Hits für
Klavieranfänger/innen<
/i>. Arranged by Hans
Gunter Heumann. Start Up
Piano. Pop & Rock. Book
Only. Composed 2021. 72
pages. Bosworth & Co.
#BOE8011. Published by
Bosworth & Co.
(BT.BOE8011).
Dieser Spielband
aus der Serie Start
Up Piano mit 20
Romantic Pop-Hits, die
jeder gerne spielen
möchte, richtet sich
an
Klavieranfänger/innen
im 1. und 2.
Unterrichtsjahr, ebenso
an Autodidakten/innen.
Akkorde wurden hier
strikt gemieden, schwer
zu spielende Rhythmen
vereinfacht, aber dennoch
dem Original
nachempfunden. Die
Spielstücke stehen in
einfachen Tonarten bis zu
einem Vorzeichen. Alles
ist pädagogisch
aufbereitet und mit
Tempoangaben,
Fingersätzen, Dynamik,
Akkordsymbolen sowie dem
Text versehen. Start Up
Piano ist ein einfaches,
unkompliziertes
Spielvergnügen für
Unterricht und Freizeit.
Der ideale Begleiter mit
einem breitgefächerten
Repertoire für die
Anfangszeit am
Klavier.
Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
Mixed Choir (SATB) and Accompaniment (SATB) SKU: ZB.ZE-4008 Jazz Mass ...(+)
Mixed Choir (SATB) and
Accompaniment (SATB)
SKU: ZB.ZE-4008
Jazz Mass for Mixed
Choir (SATB) and
Accompaniment.
Composed by Christoph
Schoepsdau. Jazz Mass for
Mixed Choir (SATB) and
Accompaniment. Vocal
Jazz. Instrumental Pak.
Zebe Publishing #ZE 4008.
Published by Zebe
Publishing (ZB.ZE-4008).
ISBN
9783940745798.
Swin
ging Jazz passages and
flowing Latin American
rhythms with gripping
Funk and Gospel elements
to form a homogeneous
whole. This
English-language Jazz
Mass for Mixed Voices
(SATB) is an excellent
challenge for
Jazz-ambitious choirs!
This set contains the
entire instrumental
part.
This piece
isn't Jazz-inspired,
that's Jazz! The search
for a larger work that
combines the traditional
ecclesiastical form of
the mass with really
authentic jazz is over
with the New York Mass
... An ambitious amateur
choir, which offbeat
phrasing and almost
continuous four part
chords will encourage
rather than frighten
being able to do justice
to the work - and have
fun doing it. (Musik and
Kirche).
Mixed Choir (SATB) with Children's Choir, with Soloists ad libitum, Speakers, Or...(+)
Mixed Choir (SATB) with
Children's Choir, with
Soloists ad libitum,
Speakers, Organ or Wind-
and String Instruments
and other instruments
(Carillonse, Percussion)
(Score) - intermediate
SKU: HL.49006584
Das Ottowinder
Christspiel. Composed
by Franz Mö and ckl.
Sheet music. Edition
Schott. Classical. Score.
52 pages. Schott Music
#ED 6724. Published by
Schott Music
(HL.49006584).
ISBN
9790001071338.
Eine
ganze Gemeinde die Geburt
Christi feiern zu lassen
und dabei die
unterschiedlichen
Fahigkeiten musikalischer
und gestalterischer Art
von Kindern, Jugendlichen
und Erwachsenen
zusammenzufassen und zur
Geltung zu bringen, wurde
dieses Stuck geschrieben
und in den Jahren von
1946 bis 1954 jeweils am
Heiligen Abend in der
Kirche zu Ottowind bei
Coburg aufgefuhrt. Die
von Kindern getragene
Spielhandlung, die
eigentlich nur darin
besteht, ein lebendes
Krippenspiel aufzubauen,
greift die Tradition der
Christgeburtsspiele auf;
die Besucher werden
einbezogen durch den
gemeinsamen Gesang von
Weihnachtschoralen; die
liturgische Bindung ist
durch Schriftlesungen und
Vertonungen von
Bibeltexten gewahrt. []
Die vorliegende Ausgabe
ist zugleich auch als ein
weihnachtliches Sing- und
Spielbuch gedacht, das im
hauslichen Kreise ebenso
wie in Schule oder Verein
gute Dienste leisten
wird.' (Franz Mockl) Fur
Kinder ab 6 Jahren
geeignet; der gemischte
Chor und die Solo-Partien
konnen mit Jugendlichen
besetzt werden.