Piano - Early Intermediate SKU: FJ.FJH2351 Composed by Christopher Oill. ...(+)
Piano - Early
Intermediate
SKU:
FJ.FJH2351
Composed
by Christopher Oill.
Piano Collection; Piano
Supplemental. FJH
Originals Series.
Christmas. Book. The FJH
Music Company Inc
#98-FJH2351. Published by
The FJH Music Company Inc
(FJ.FJH2351).
ISBN
9781619283084. UPC:
241444424582.
English.
Spice up
your holiday recital with
these humorous Christmas
tunes! Witty and offbeat
pieces that allude to
traditional carols are
sure to entertain both
children and adults.
Titles include Elves
Falling Off Shelves,
Santa Got Pulled Over for
Speeding, and One Cookie
Left Behind, plus nine
more. All the giggling
will surely put you and
your audience into a
joyous holiday
spirit!
Performed by Irving Berlin. E-Z Play Today (Easy big-note right-hand-only arrang...(+)
Performed by Irving
Berlin. E-Z Play Today
(Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 176 pages.
Published by Hal Leonard.
Toboggan Ensemble de Percussions [Partition + CD-ROM] - Facile Tapspace Publications
(for percussion ensemble). Composed by John Herndon. For percussion ensemble (10...(+)
(for percussion
ensemble). Composed by
John Herndon. For
percussion ensemble (10
players). Easy. Score and
parts on CD-Rom. 14
pages. Duration 2
minutes. Published by
Tapspace Publications
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1478S Score Only. C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1478S
Score
Only. Composed by
Tyler S. Grant. Concert
Band. FJH Developing
Band. Score. Duration
2:30. The FJH Music
Company Inc #98-B1478S.
Published by The FJH
Music Company Inc
(FJ.B1478S).
English.
This
dramatic work is sure to
be a big hit with
students, especially when
they realize it was
written by one of their
peers! A mysterious chant
gives way to an energetic
theme as the music moves
into the powerful ritual
characterized by intense
percussion. The haunting
nightfall returns to the
contemplative sounds of
the opening before the
final section slowly
builds into a powerful
statement signifying the
Last Rite. Intense!
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
49 Timeless Love Classics (Piano/Vocal/Guitar). Composed by various compo...(+)
49 Timeless Love
Classics
(Piano/Vocal/Guitar).
Composed by various
composers and arrangers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Best
Songs. Love; Pop;
Pop/Rock; Standard. 248
pages. Published by
Alfred Music (AP.44681).
Violin and Piano SKU: HL.14030977 Composed by Bent Sorensen. Music Sales ...(+)
Violin and Piano
SKU:
HL.14030977
Composed
by Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00906. Published
by Music Sales
(HL.14030977).
ISBN
9788759862148.
Work
for Violin and Piano
dating from 1999. The
composer writes: 'Sieben
Sehnsuchte was written in
1999 for David Alberman
and Rolf Hind. As the
title suggests, it is in
seven movements - each
more insanely difficult
and bothersome than the
other. All sorts of
possible and impossible
playing techniques have
been used, and the
performers have to both
whistle and sing.
However, it is not the
intention that the
slightly more unusual
sound should be heard as
effects. Everything is
supposed to fuse together
into something that is in
itself a little opera - a
'chamber piece'. It was
written in a period when
I was waiting impatiently
for the libretto for
Under the Sky, and I see
it as a meeting (or seven
meetings) between two
people - two instruments
- longing for each other;
longing to merge
together. The piece is a
kind of sister work to
Roses are Falling.'.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Christmas Time is
Here. Composed by
Finnish Carol. Arranged
by Daniel Miner. 12
pages. Duration 3
minutes, 20 seconds. Carl
Fischer Music #CM9720.
Published by Carl Fischer
Music (CF.CM9720).
ISBN 9781491160992.
UPC: 680160919598. Key: E
minor. Finnish, English.
Finnish Carol with
additional words by Dan
Miner.
Accompanied
by piano and oboe, this
traditional carol offers
treble choirs an
opportunity to explore
the beauty of traditional
Finnish music. This
arrangement offers each
voice part the
opportunity to lead as
well as harmonize the
melody throughout the
verses. Care should be
taken to ensure the
melody is properly
balanced through the
harmonization in each
verse. Tenutos are marked
throughout to help choirs
discover the simplistic
beauty of this carol.
Marked pitches should be
stressed, but not
accented. To further aid
in the flow of the
melodic line, I suggest a
slight crescendo in each
measure from beat 4 over
the bar-line into beat 1
(as in m. 16-17) unless
otherwise marked. An
English paraphrase is
offered in addition to
the original Finnish text
to make this song
accessible to choirs of
all abilities. It is my
sincere hope that through
this arrangement, choirs
and audiences will fall
in love with this
simplistically beautiful
carol! Finnish
Pronunciation Guide
Finnish is written
phonetically with every
letter sounding. This
includes both vowels in a
diphthong. Consonants
sound as English
consonants. Phonetic
Vowel/IPA Pronunciations
a = ah / [a] e = ey / [e]
i = eeh / [i] o = oh /
[o] u = ooh / [u] j is
pronounced as an English
y y is pronounced as a
German u a is pronounced
as in the English word
that with a mix of eh
sound There is a
recording of the Finnish
pronunciation by the
arranger which can be
found at
www.carlfischer.com/cm972
0 About the arranger
Dan Miner is an
Assistant Choir Director
at Atascocita High School
in the metropolitan area
of Houston, TX and has
taught choral music at
both the junior high and
high school levels in
both Arizona and Texas.
He holds degrees in music
education and piano
performance from Michigan
State University. In
addition to composing,
outside of the classroom
Dan is an active
accompanist for
community, school,
sacred, and TMEA Region
choirs. He also serves as
Organist/Music Associate
at Clear Lake United
Methodist
Church. Accompanied by
piano and oboe, this
traditional carol offers
treble choirs an
opportunity to explore
the beauty of traditional
Finnish music. This
arrangement offers each
voice part the
opportunity to lead as
well as harmonize the
melody throughout the
verses. Care should be
taken to ensure the
melody is properly
balanced through the
harmonization in each
verse.Tenutos are marked
throughout to help choirs
discover the simplistic
beauty of this carol.
Marked pitches should be
stressed, but not
accented. To further aid
in the flow of the
melodic line, I suggest a
slight crescendo in each
measure from beat 4 over
the bar-line into beat 1
(as in m. 16-17) unless
otherwise marked.An
English paraphrase is
offered in addition to
the original Finnish text
to make this song
accessible to choirs of
all abilities.It is my
sincere hope that through
this arrangement, choirs
and audiences will fall
in love with this
simplistically beautiful
carol!Finnish
Pronunciation
GuideFinnish is written
phonetically with every
letter sounding. This
includes both vowels in a
diphthong. Consonants
sound as English
consonants.Phonetic
Vowel/IPA Pronunciationsa
= ah / [a]e = ey / [e]i =
eeh / [i]o = oh / [o]u =
ooh / [u]j is pronounced
as an English yy is
pronounced as a German
üä is pronounced as
in the English word
“that†with a
mix of “ehâ€
soundThere is a recording
of the Finnish
pronunciation by the
arranger which can be
found at
www.carlfischer.com/cm972
0About the
arranger Dan Miner is
an Assistant Choir
Director at Atascocita
High School in the
metropolitan area of
Houston, TX and has
taught choral music at
both the junior high and
high school levels in
both Arizona and Texas.
He holds degrees in music
education and piano
performance from Michigan
State University.In
addition to composing,
outside of the classroom
Dan is an active
accompanist for
community, school,
sacred, and TMEA Region
choirs. He also serves as
Organist/Music Associate
at Clear Lake United
Methodist Church.
SKU: GI.G-10177 Composed by Jim Childers. Music Education. 168 pages. GIA...(+)
SKU: GI.G-10177
Composed by Jim Childers.
Music Education. 168
pages. GIA Publications
#10177. Published by GIA
Publications
(GI.G-10177).
ISBN
9781622775224.
List
ening Excerpts to Develop
Band Musicianship is a
resource that can sit
near your workstation for
ease and speed. I feel
listening has been a
great benefit to my
students. I have spent a
lot of time attempting to
be more efficient, and I
want to share the fruits
of my labor with others.
Incorporate listening
excerpts into your
teaching, and you and
your students will
benefit greatly.
—Jim Childers
Providing great listening
models for band students
can be an incredibly
efficient and effective
way to convey musical
concepts—provided
directors have a library
of well-organized
recordings that catalog
everything from
expressive styles
(“Heroicâ€) to
technical issues
(“Double-Tonguingâ
€). With this
essential book, Jim
Childers does the hard
work of classifying the
top wind band recordings
to provide efficient
excerpts for just the
right concept. Imagine
teaching students to do a
lifting release. If they
heard members of
“The
President’s
Own†in one of
their amazing recordings,
students can be
enlightened and inspired.
With added coaching from
the director, students
will have a shortened
trip to improved
performance. In this
resource, Childers
collects hundreds of
quality listening
excerpts into tables and
categorizes them both by
instrumentation and by
characteristics such as
expressive elements,
articulations, tempo, and
more. This book helps
directors be efficient in
using small, but
effective, listening to
develop students’
musicianship—and
is particularly helpful
in a distance learning
environment. When
considering how much time
directors spend in
rehearsals trying to
describe and redefine the
musical effects they
desire, words and their
connotative meanings
often fall short and fail
to produce what a
director hopes to hear.
But providing students
the opportunity to listen
to great bands playing
those desired elements
from within great pieces
of music can, and will,
improve musicianship and
inspire students! Jim
Childers is Director of
Bands at Marion (IL) Jr.
High School, where he
directs all band
activities in grades six
through eight. He has
directed bands since
1991, at Marion Jr. High
School since 2002 as well
as Highland High School
and Mt. Vernon Township
High School. He earned
his bachelor’s and
master’s degrees
in music education at
Southern Illinois
University–Carbond
ale, studying trombone
with Dr. Robert Weiss. He
has guest conducted many
camps, including ISYM at
the University of
Illinois, and has been
invited to present at
several conferences,
including The Midwest
Clinic.