Fanfare for a Celebration by Robert Longfield. Score and Parts. Easy Music For Strings. Grade 2. Published by Hal Leonard

Handbells (2 octaves) - Level 3

SKU: LO.20-1241L

Composed by Michael Coe. Handbell score. Lorenz Publishing Company #20/1241L. Published by Lorenz Publishing Company (LO.20-1241L).

UPC: 000308064957.

A bold and brilliant opening for any service, concert or festival for your smaller ensemble...the rhythms will be a wonderful accomplishment for beginning ringers!

Concert Band (Score & Parts) - Grade 2-2 1/2

SKU: HL.4003065

Composed by Robert Longfield. MusicWorks Grade 2. Contest, Festival. Score and parts. Published by Hal Leonard (HL.4003065).

UPC: 884088574857. 9x12 inches.

Perfect as a concert opener, this energetic piece uses a pulsating rhythmic pattern to build intensity, along with strong melodic fragments passed around the entire band. A brief contrasting middle theme in minor sets up the dramatically faster and exciting final strain. Duration: 2:35.

Arranged by Robert W. Smith. Concert Band. Concert Band. Belwin Beginning Band. Form: Fanfare. Christmas; Winter. Grade 1. Conductor Score and Parts. 144 pages. Duration 2:06:00. Published by Belwin Publishing

(A Marching Band Folio for the School Year and Beyond!) Arranged by Larry Clark. Performance part book for low brass II (tenor clef) and low woodwinds II (tenor clef). With standard notation. 16 pages. Published by Alfred Publishing.

Band Wind Band - Grade 1

SKU: KJ.WB491F

Composed by Bruce Pearson. Concert and Contest. Tradition of Excellence, Excellence In Performance. Score. Neil A. Kjos Music Company #WB491F. Published by Neil A. Kjos Music Company (KJ.WB491F).

ISBN 9788402704856. UPC: 8402704859.

This fanfare celebrates the students themselves, and their acheivement of completing their first year of musical studies. After a breif introduction by the entire percussion ensemble, the winds enter with a stately theme with martial accompaniment. A contrasting section features the woodwinds playing a tender melody before the percussion brings back the intial theme and ending the piece triumphantly.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

By James Mansfield. For organ. Christmas, Eastertide, Hymnal, Sacred. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company. (70/1115L)

Three Fanfares for a Celebration by Robert W. Smith. Concert Band. Concert Band. Belwin Symphonic Band. Multicultural. Grade 4. Conductor Score and Parts. 132 pages. Published by Belwin Publishing

By Carl Strommen. By Carl Strommen. For Concert Band. Concert Band. Belwin Concert Band. Conductor Score & Parts. Published by Alfred Publishing.
Level: 3 (Medium Easy) (grade 3).

Composed by Bruce Pearson. Concert and Contest. Tradition of Excellence, Excellence In Performance. Score and parts. Neil A. Kjos Music Company #WB491. Published by Neil A. Kjos Music Company (KJ.WB491).

Fanfare Band - Grade 4

SKU: BT.DHP-0920453-120

Composed by Dirk Brossé. Inspiration Series. Opening Pieces. Score Only. Composed 1992. De Haske Publications #DHP 0920453-120. Published by De Haske Publications (BT.DHP-0920453-120).

Fanfare Band - Grade 4

SKU: BT.DHP-0920453-020

Composed by Dirk Brossé. Inspiration Series. Set (Score & Parts). Composed 1992. De Haske Publications #DHP 0920453-020. Published by De Haske Publications (BT.DHP-0920453-020).

By Brian Scott. By Brian Scott. For Marching Band. Marching Band. Warner Bros. Marching Band. Level: 2.5 (Medium Easy) (grade 2.5). Conductor Score and Parts. Published by Alfred Publishing.

By David Lovrien. For brass choir, percussion. Chamber music. Evokes the visceral spirit of an ancient pagan ceremony. Concert fanfare. Full score and set of parts. Duration 2:20. Published by Lovebird Music. (114) Level: advanced.

Handbells (2 octaves)

SKU: LO.SHB63

Composed by Douglas E. Wagner. Sacred. Handbell score. Sacred Music Press #SHB63. Published by Sacred Music Press (LO.SHB63).

UPC: 000308000986.

Excep tional writing for two octaves using all 25 bells to create kaleidoscopic shifts in tonality. This joyous work could well become the piece de resistance in the repertory for small bell sets.

By Bruce R. Smith. For flute, clarinet and organ . Chamber Music. Grade 5. Duration 2'03

Composed by C. Michiels. For concert band. Recording available on CD #130618. Grade 3. Score and set of parts. Duration 01:40. Published by Tierolff Muziekcentrale

By G. Ziek. For concert band. Medium-advanced. Score and parts. Published by Wingert-Jones Publications

Orchestra Concert Band

SKU: PR.44641256L

For Orchestra. Composed by Ellen Taaffe Zwilich. This edition: Orchestra version. Contemporary. Large Score. With Standard notation. Composed 2010. 28 pages. Duration 12 minutes. Theodore Presser Company #446-41256L. Published by Theodore Presser Company (PR.44641256L).

UPC: 680160596010. 11 x 17 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

Orchestra Concert Band

SKU: PR.446412560

For Orchestra. Composed by Ellen Taaffe Zwilich. This edition: Orchestra version. Sws. Contemporary. Full score. With Standard notation. Composed 2010. 28 pages. Duration 12 minutes. Theodore Presser Company #446-41256. Published by Theodore Presser Company (PR.446412560).

ISBN 9781598063738. UPC: 680160596003. 9x12 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

A Marching Band Folio for the School Year and Beyond!. Arranged by Larry Clark. Collections; Marching Band Collection; Performance Music Ensemble. Performance part book. With standard notation. 16 pages. Alfred Music #00-MBF9717. Published by Alfred Music

A Marching Band Folio for the School Year and Beyond!. Arranged by Larry Clark. Collections; Marching Band Collection; Performance Music Ensemble. Performance part book. With standard notation. 16 pages. Alfred Music #00-MBF9706. Published by Alfred Music

A Marching Band Folio for the School Year and Beyond!. Arranged by Larry Clark. Collections; Marching Band Collection; Performance Music Ensemble. Performance part book. With standard notation. 16 pages. Alfred Music #00-MBF9707. Published by Alfred Music