Tastissimo Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.MN-12001 Ideen, Spiele, Anregungen fur jeden Klavierunte...(+)
Piano
SKU:
BR.MN-12001
Ideen,
Spiele, Anregungen fur
jeden Klavierunterricht
(Einzeln und in
Gruppen). Composed by
Dieter Hool and Seraina
Janett. Solo instruments;
Softbound. Musikverlag
Nepomuk. Music pedagogy.
Score. 76 pages.
Breitkopf and Haertel #MN
12001. Published by
Breitkopf and Haertel
(BR.MN-12001).
ISBN
9790004791363. 8.5 x 11.5
inches.
Vom
<> bis zum
(selbst zu
komponierenden!)
individuellen
Geburtstagsblues, von der
minimal music zur
Maschinen-Musik, von der
(praparierten)
Schlossmusik zu
Bildimprovisationen - und
noch vieles anderes ...
<> - ein
Feuerwerk an originellen
und leicht zu
realisierenden Anregungen
fur jeden
Klavierunterricht!Hier
werden samtliche Sinne
ins musikalische
Geschehen miteinbezogen
und die Kreativitat der
Spielenden rundum
gefordert. Auch legten
die beiden Autoren
grossen Wert auf
unmittelbares Erleben und
Verstehen.Die Kapitel:
Spiele - Ostinato -
Minimal - Zufallsmusik -
Prapariert - Graphische
Notation -
Bildimprovisation -
Allerlei.Die beiden
Autoren erhielten fur
<> den
Padagogikpreis der Werner
und
BertiAlter-Stiftung.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613).
ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Cello Solo +.
Composed 1725. BWV 6. 12
pages. Duration 26
minutes. Carus Verlag #CV
31.006/14. Published by
Carus Verlag
(CA.3100614).
ISBN
9790007041762. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609).
ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611).
ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 2. Composed
1725. BWV 6. 4 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/12. Published by
Carus Verlag
(CA.3100612).
ISBN
9790007041748. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100).
Pisa Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165673-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165673-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165673-010. Published by
De Haske Publications
(BT.DHP-1165673-010).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehört zweifellos zu
den berühmtesten und
legendärsten Türmen
der Welt. Das Hauptmotiv
des Stückes
symbolisiert die drei
Glocken des Turms. Das
Thema mit dem
großartigen Effekt
eines abwärtsgehenden
Motivs, welches
denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stück in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
Quella di Pisa
è, con ogni probabilit
, la più famosa torre
al mondo. Il leitmotif
del brano di de Haan
simbolizza le tre campane
della torre, mentre tutta
l’opera mantiene
un andamento fluttuante
capace di rendere
pienamente il senso di
pendenza della torre. Il
finale illustra una
grande parata alla quale
partecipano tutte le
bande dei dintorni della
citt , festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44012881 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44012881
For
Concert Band
(Score/Parts).
Composed by Jacob De
Haan. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2016.
De Haske Publications
#1165673010. Published by
De Haske Publications
(HL.44012881).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Facile De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44012882 For Concert Band (Full...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.44012882
For
Concert Band (Full
Score). Composed by
Jacob De Haan. De Haske
Concert Band. Softcover.
Composed 2016. De Haske
Publications #1165673140.
Published by De Haske
Publications
(HL.44012882).
UPC:
888680671563.
English-German-French-Dut
ch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Piano SKU: BT.9781408193075 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano
SKU:
BT.9781408193075
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 48 pages. Collins
Music Publishing
#9781408193075. Published
by Collins Music
Publishing
(BT.9781408193075).
ISBN 9781408193075.
English.
Get Set! Piano Tutor
Book 2 is the
second volume in an
exciting new series by
Heather Hammond and Karen
Marshall, written
specially for the
twenty-first century
child.
This tried
and tested course
guidesbeginners from
their very first lesson
through to Prep test
level. Note learning is
taught alongside aural
theory, technique and
composing skills,
providing a holistic
approach to music.
Packed with favourites
such asWhat Shall We
Do With A Drunken
Sailor?, In The Hall Of
The Mountain King,
Amazing Grace and
The Entertainer,
Get Set! Piano
Tutor Book 2 is
the perfect tutor for
getting to Grade
1.
Thisbook is
fully compatible with Get
Set! Piano Pieces Book 2
(9781408192788),
providing plenty of
material for
reinforcement, or just
pure musical
enjoyment.
Voice and piano SKU: LM.28940 Composed by Isabelle Aboulker. Classical. S...(+)
Voice and piano
SKU:
LM.28940
Composed by
Isabelle Aboulker.
Classical. Score.
Editions Henry Lemoine
#28940. Published by
Editions Henry Lemoine
(LM.28940).
ISBN
9790230989404.
Une
mouche - Le Chat et les
oiseaux - Le Chat et le
rat - Le Corbeau - Le
Cerf - Les petits oiseaux
- L'araignee - Le Taureau
- Grosse fatigue - Les
feuilles frissonnent - La
Tempete - Le Crapaud -
Les poissons - Le Ver -
Les dindes - La Chevre -
Le Lezard - La Chenille -
Le Lapin - Le Soleil et
la lune - Le Corbeau
boudeur - La Poule.
Scales - Improvisation
- Articulation.
Composed by Klaus
Ignatzek. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Edition Schott. Edition
with CD. 192 pages.
Schott Music #ED 8258.
Published by Schott Music
(HL.49032563).
ISBN
9783795750879.
9.0x12.0x0.57 inches.
German.
Die
Jazzmethode wendet sich
an Anfanger, aber auch an
fortgeschrittenere
Pianisten, die die
verschiedenen Elemente
der Jazzimprovisation in
kleinen Schritten
erlernen oder vertiefen
mochten. Das Buch gibt
einen systematischen
Uberblick uber die
vielfaltigen
Moglichkeiten der
Jazzimprovisation.Es
werden die allgemeinen
Grundlagen vorgestellt,
die fur
Jazz-Improvisation
erforderlich sind. Die
Schuler lernen das
Tonmaterial immer an nur
einer Tonleiter kennen
und uben daran das
spontane Erfinden und
Entwickeln von Melodien.
Schliesslich wird das
Improvisieren uber modale
Akkordstrukturen und
Kadenz-bezogenes
Improvisieren
vorgestellt.Die CD bietet
die Moglichkeit, die
Ubungen und Aufgaben,
Kadenzen und Akkordfolgen
von bekannten Standards
praktisch umzusetzen und
gezielt zu uben.
By Helmut Bornefeld. Hymn settings; Complete editions; Occasions: Prayer, Psalms...(+)
By Helmut Bornefeld. Hymn
settings; Complete
editions; Occasions:
Prayer, Psalms; Use
during church year:
Pentecost. Collection. 40
pages. Published by Carus
Verlag (German import).
Eine Kleine Nachtmusik Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
Eine Kleine Nachtmusik Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
By Wolfgang Amadeus Mozart. Arranged by Merle J. Isaac. Music by Wolfgang Amadeu...(+)
By Wolfgang Amadeus
Mozart. Arranged by Merle
J. Isaac. Music by
Wolfgang Amadeus Mozart /
arr. Merle Isaac. For
Full Orchestra. Full
Orchestra. Concert
Orchestra. Level: 3
(grade 3). Conductor
Score. 32 pages.
Published by Alfred
Publishing.
Solo
concerto; Music
post-1945; New music
(post-2000). Solo part.
Composed 2012. 32 pages.
Duration 17'. Breitkopf
and Haertel #OB 5693-03.
Published by Breitkopf
and Haertel
(BR.OB-5693-03).
ISBN
9790004347232. 10 x 12.5
inches.
A Musical
Portrait In 2012 Nicola
Campogrande received a
rather singular
commission when a total
stranger asked him to
compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R, were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing.Un portrait
musical En 2012, Nicola
Campogrande s'est vu
proposer une commission
fort singuliere ; un
parfait etranger lui
demandait de composer le
portrait musical de sa
compagne. L'homme savait
exactement ce qu'il
voulait : un concert pour
piano et orchestre. Apres
quelques hesitations,
Campogrande s'est rendu
compte qu'il pouvait se
servir de la musique
comme d'un pinceau. Bien
entendu, il ne serait
jamais possible de
reconnaitre la forme du
visage de la femme ou la
couleur de ses cheveux,
mais la partition
pourrait evoquer la facon
dont elle se deplacait
dans l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre),
interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sua fidanzata. L'uomo
sapeva esattemente cio
che voleva: un concerto
per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sua fidanzata, gli ha
parlato di lei e, alla
fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo, un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale.
Information on R on the
composer's
websiteRecording of the
premiere of R in Milano
(YouTube).
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano
SKU:
BR.EB-8990
After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf.
He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra).
Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches.
A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com).
Immer kleiner (Always smaller) (A humorous clarinet-fantasy Clarinet and Piano)....(+)
Immer kleiner (Always
smaller) (A humorous
clarinet-fantasy Clarinet
and Piano). By Adolf
Schreiner. Edited by
Rudolf Mauz. Woodwind.
Softcover. 13 pages.
Schott Music #KLB67.
Published by Schott Music