Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir
SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP.
HM60 SYS D-Band.
Samson Wireless. Wireless
System. Hal Leonard
#SW9A9SHM60-D. Published
by Hal Leonard
(HL.301319).
UPC:
809164222248. 9.5x9.0x3.5
inches.
For the
working horn player who
is looking for the
freedom to go wireless,
the AirLine AWXm Wind
Instrument system offers
the latest in wireless
technology by pairing the
innovative ATX clip-on
transmitter with the
portable AR99m micro
receiver. Small enough to
fit into any gig bag,
this system provides high
definition sounds for
wind instruemtns without
the need of a beltpack or
cable. Features: ATX-End
Your Reach The ATX
wireless transmitter
enables easy,
inconspicuous mounting
while providing a secure
connection to the bell of
the instrument. The
innovative clip design
allows the performer to
easily switch between
instruemnts without the
hassle of a wire or
beltpack. Small enough to
fit in the palm of your
hand, the lightweight ATX
transmitter features a
rechargeable batery that
provides up to 8 hours of
continuous use, perfect
for any extended
performance. Clear as a
Bell Designed
specifically for live
peroformance, the HM60
condenser microphone
delivers the dynamic,
natural sound of the
instrument with a wide 20
Hz to 18 kHz frequency
response. Able to handle
high sound pressure
levels (SPL) of up to 125
dB, the HM60 is well
suited for close miking
brass and woodwind
instruments. The
supercardioid polar
pattern provides
excellent isolation of
the instrument while
reducing pickup of
unwanted ambient sounds.
The unique 3-point halo
isolation mount minimizes
mechanical vibrations and
keyclick noises. Micro
and Multifunctional With
True RF Diversity, the
AR99m micro receiver
ensures for maximum
wireless clarity with an
operating range up to
300'. With three output
connections (1/4-inch,
1/8-inch, and XLR), the
AR99m offers more
compatibility while being
a fraction of the size of
other receivers. With a
simple touch of a button,
the AR99m analyzes the
100 available channels
and selects the clearest
channel for your area.
Turn the AR99m into a
dual channel system by
connecting a Samson XPD
Series USB Digital
Wireless System (sold
separately).
Applications: •
Club-date musicians
• Wedding DJs and
performers • House
of worship •
Education/corporate
AV.
SKU: HL.299371 By Metallica. Book. Heavy Metal, Rock Reference. Softcover...(+)
SKU: HL.299371
By
Metallica. Book. Heavy
Metal, Rock Reference.
Softcover. 152 pages.
Published by Cherry Lane
Music (HL.299371).
ISBN 9781540060259.
UPC: 888680956189.
6.0x9.0x0.332
inches.
Metallica's
success can be directly
attributed to their
passionate, no-compromise
attitude, which comes
through loud and clear in
the words they sing. Now
fans can have the
complete lyrics to all of
their favorite songs with
this updated 3rd edition
featuring 106 songs.
Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twis...(+)
Transcriptions from
Buckley's
Banjo Guide of 1868.
Composed
by Tim Twiss. Squareback
saddle stitch, Solos and
Duets, Banjo: 5-String.
Book
and online audio. 120
pages.
Mel Bay Publications, Inc
#30718M. Published by Mel
Bay
Publications, Inc
SKU: HL.3712020 Beyer-Dynamic. Monitors and Headphones. Hal Leonard #4747...(+)
SKU: HL.3712020
Beyer-Dynamic. Monitors
and Headphones. Hal
Leonard #474746.
Published by Hal Leonard
(HL.3712020).
UPC:
196288220558. 4.5x8.5x9.0
inches.
The DT 770
PRO is a closed, dynamic
headphone for
professional use as a
monitoring headphone in
studios. Its design has
been tailored for use in
a studio. The
single-sided cable makes
it easier to handle the
headphones when they have
to be constantly put on
and taken off. The robust
spring steel construction
gives the headphones a
secure fit and the
mechanical reliability
needed for daily use.
Soft, adjustable ear cups
and a single-sided cable
contribute to a high
level of long-term
comfort. The connecting
cable is fitted with a
gold-plated mini stereo
jack plug (3.5 mm) with a
1/4″ adapter (6.35mm)
and can therefore be
connected to all common
headphone outputs. With
its impulse behavior, the
DT 770 PRO comes close to
electrostatic headphones
and delivers a natural
and balanced sound. Even
the deepest bass is
reproduced with clarity
and punch. High
frequencies are converted
into an analytical, clear
and differentiated sound
that does not produce
screaming or shrieking
even with powerful treble
sounds.
SKU: HL.3712017 Beyer-Dynamic. Monitors and Headphones. Hal Leonard #4590...(+)
SKU: HL.3712017
Beyer-Dynamic. Monitors
and Headphones. Hal
Leonard #459046.
Published by Hal Leonard
(HL.3712017).
UPC:
196288279259.
4.5x8.75x9.0
inches.
The DT 770
PRO is a closed, dynamic
headphone for
professional use as a
monitoring headphone in
studios. Its design has
been tailored for use in
a studio. The
single-sided cable makes
it easier to handle the
headphones when they have
to be constantly put on
and taken off. The robust
spring steel construction
gives the headphones a
secure fit and the
mechanical reliability
needed for daily use.
Soft, adjustable ear cups
and a single-sided cable
contribute to a high
level of long-term
comfort. The connecting
cable is fitted with a
gold-plated mini stereo
jack plug (3.5 mm) with a
1/4â³ adapter
(6.35mm) and can
therefore be connected to
all common headphone
outputs. With its impulse
behavior, the DT 770 PRO
comes close to
electrostatic headphones
and delivers a natural
and balanced sound. Even
the deepest bass is
reproduced with clarity
and punch. High
frequencies are converted
into an analytical, clear
and differentiated sound
that does not produce
screaming or shrieking
even with powerful treble
sounds.
Merlins Insel oder Die verkehrte Welt. By Christoph Willibald von Gluck. Edited ...(+)
Merlins Insel oder Die
verkehrte Welt. By
Christoph Willibald von
Gluck. Edited by Gunter
Hausswald. For 3 Soprano
solo, 5 Tenor solo, 3
Bass solo, Speaker, 2
Flute, 2 Oboe, 2 English
horn, 2 Bassoon, 2 Horn,
Strings, Basso continuo.
This edition: Urtext
Edition. Opera comique in
one act after Louis
Anseaume. Piano
Reduction/Vocal Score.
120 pages. Published by
Baerenreiter Verlag
(German import).
Arranged by Carrie Lane Gruselle. American Folk Tune. For String Orchestra. Stri...(+)
Arranged by Carrie Lane
Gruselle. American Folk
Tune. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Folk
Song. Level: 2.5 (grade
2.5). Conductor Score and
Parts. Published by
Alfred Publishing.
Harp SKU: LM.27774 Composed by Benoit Wery. Classical. Score. Editions He...(+)
Harp
SKU: LM.27774
Composed by Benoit Wery.
Classical. Score.
Editions Henry Lemoine
#27774. Published by
Editions Henry Lemoine
(LM.27774).
ISBN
9790230977746.
Sous
le tilleul - Faon vient
de naitre - Jeux de
papillons - La chanson de
Papi Hibou - La Danse du
cygne - A la lisiere - La
Ballade du petit labrador
- Hymne a l'imperatrice
Marmotte - A la rencontre
de l'ecureuil - Soleil
couchant.
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Ch...(+)
Composed by Dale Wood.
Arranged by Douglas E.
Wagner. Choral, cantatas.
Christmas. SATB with
performance CD. Sacred
Music
Press #65/2089S.
Published
by Sacred Music Press
Southern Italian Tambourine. Composed by Alessandra Belloni. Perfect bind...(+)
Southern Italian
Tambourine. Composed
by Alessandra Belloni.
Perfect binding. Book and
online video. Published
by Mel Bay Publications,
Inc (MB.21463M).
Edited by Robin Williamson. For violin. Includes violin solo songbook and exampl...(+)
Edited by Robin
Williamson. For violin.
Includes violin solo
songbook and examples CD.
With standard notation,
chord names, performance
notes and introductory
text. British and folk.
96 pages. 9x12 inches.
Published by Oak
Publications
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Choral (SATB) SKU: HL.1312587 Arranged by Evelyn Simpson-Curenton. Gentry...(+)
Choral (SATB)
SKU:
HL.1312587
Arranged
by Evelyn
Simpson-Curenton. Gentry
Publications. Christmas
Sacred, Christmas/Advent
Sacred. Octavo. Gentry
Publications #JG2652.
Published by Gentry
Publications
(HL.1312587).
UPC:
196288177593.
6.75x10.75x0.019
inches.
Evelyn
Simpson-Curenton's
accessible setting of
ââ¬ÅSilent
Nightââ¬Â
showcases the reflective
and serene nature of this
traditional Christmas
carol, while adding some
harmonic
ââ¬Åflavorâ
¬Â characteristic
of her compositional
style. Building from a
simple opening, she
masterfully combines
usison writing and
intuitive harmonies with
sustained accompaniment
to design a delightfully
rich setting. Available
for orchestra and organ
or keyboard, this is a
holiday setting you will
want to program year
after year.
Music Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Mile...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-046-010
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2002.
Anglo Music Press #AMP
046-010. Published by
Anglo Music Press
(BT.AMP-046-010).
9x12
inches.
Born in
Jarrow, northeast
England, in 1949, John
Miles was something of a
child prodigy, learning
the piano from the age of
five. In the early '60s
he persuaded his father
to buy him a guitar and
by the end of the decade
he had joined
asemi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early '70s. In
1975 Miles decided to
move to London and
secured a dealwith Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly,
but their greatest hit,
which stormed the British
charts in March 1976, was
Music.
In
1976 bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste Liebe-
so beginnt der Text
dieses Pop-Klassikers aus
den Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise undlaut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren
Bann.
Performed by Megadeth. For guitar and voice. Format: guitar tablature songbook. ...(+)
Performed by Megadeth.
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names and
guitar notation legend.
Metal. Series: Hal
Leonard Guitar Recorded
Versions. 134 pages. 9x12
inches. Published by Hal
Leonard.