By Matthew Locke (1622-1677). For brass quintet (2 Trumpets, 1 Horn/Euphonium, 2 Trombones). Renaissance. Full score and parts

Viols, Harpsichord or Theorbos

SKU: ST.H306

Composed by Matthew Locke. Edited by Michael Tilmouth. String music. Score and Parts. Score and parts. Stainer & Bell Ltd. #H306. Published by Stainer & Bell Ltd. (ST.H306).

ISBN 9790220210532.

Scor e and Parts. From Musica Britannica Volume 31 (MB31).

By Matthew Locke / Christopher Gibbons. Library Volumes. Score. Published by Stainer & Bell Ltd.

Wind Quintet

SKU: ST.AC13

Composed by Geoffrey Bush. Wind & brass music. Arranged for Wind Quintet. Score and Parts. Score and Parts. Stainer & Bell Ltd. #AC13. Published by Stainer & Bell Ltd. (ST.AC13).

ISBN 9790220202667.

Arra nged for Wind Quintet. Score and Parts.

Recorder Method. By Hugh Orr. Misc. Size 9x12 inches. 76 pages. Published by Associated.

Orchestra Voice Soli, SATB Choir/SATB, Soprano in ripieno (Cantus-firmus-Choir for Soprano), 2 Orchestras: I: 2 Blockenflute, 2 Flutes, 2 Oboes /2 Oboe d'amroe, 2 Oboe da caccia, 2 Violins, Viola, Cello/Contrabss, Viola da gamba, organ; Orchestra II: 2 Flutes, 2 Ob

SKU: CA.3124402

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL, Great choral works in small scorings. XL in large print. Innovative practice aids, Passions, Lent and Passiontide, Holy Week. Vocal score. BWV 244. 232 pages. Duration 175 minutes. Carus Verlag #CV 31.244/02. Published by Carus Verlag (CA.3124402).

ISBN 9790007187873. Language: German/English.

Pra ctical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.

Orchestra Voice Soli, SATB Choir/SATB, Soprano in ripieno (Cantus-firmus-Choir for Soprano), 2 Orchestras: I: 2 Blockenflute, 2 Flutes, 2 Oboes /2 Oboe d'amroe, 2 Oboe da caccia, 2 Violins, Viola, Cello/Contrabss, Viola da gamba, organ; Orchestra II: 2 Flutes, 2 Ob

SKU: CA.3124420

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Matthauspassion. Innovative practice aids, Passions, Lent and Passiontide, Holy Week. Single Part, Viola da gamba. BWV 244. 8 pages. Duration 175 minutes. Carus Verlag #CV 31.244/20. Published by Carus Verlag (CA.3124420).

ISBN 9790007211363. Language: German/English.

Pra ctical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.