Composed by Hans Joergen Jensen and Ivan Galamian. Arranged by Hans Joergen Jensen. Methods. Galaxy Music Corporation #1.3329. Published by Galaxy Music Corporation

Methods and Music for Children; Guitar

SKU: UT.DM-24

Composed by Marina Valli. Saddle stitching. Classical. Ut Orpheus #DM 24. Published by Ut Orpheus (UT.DM-24).

ISBN 9790215304383. 9 x 12 inches.

«Come è possibile conciliare il divertimento con l?apprendimento? Le esigenze degli allievi con quelle degli insegnanti?»
In altre parole: «Come si può definire un percorso didattico che sia nello stesso tempo divertente, perché i bambini possano divertirsi a suonare fin dall?inizio; facile, cioè strutturato in modo tale da poter essere usato veramente da tutti, indipendentemente dalle doti musicali naturali o dal tempo disponibile per lo studio; efficace, per superare i classici ostacoli dei principianti (difficoltà di lettura e di comprensione melodico-ritmica dello spartito; difficoltà di collegare ciò che si legge e si conosce all?esecuzione) e per sviluppare quelle prime basi del linguaggio musicale (intonazione, senso ritmico, comprensione armonica, fraseggio), che permetteranno in seguito di affrontare i repertori desiderati?»
Queste sono le classiche domande, che molti insegnanti si pongono. La risposta, che nasce dalla mia ventennale esperienza di insegnante di chitarra in scuole di musica comunali e private, è: «Partendo dalla realtà dell?allievo e lasciandosi guidare dalle sue esigenze musicali in continua evoluzione». Coerentemente con questo postulato, ho iniziato un?attenta osservazione dei miei allievi allo scopo di capire ciò di cui avevano bisogno per cominciare a suonare la chitarra e cercando di intuire, decodificare e concretizzare in musica i loro segnali. Il metodo di ricerca e i risultati ottenuti sono descritti dettagliatamente nelle Note per l?insegnante.

Voice

SKU: UT.ACC-11

Composed by Johann Simon Mayr. Edited by Mario Colbacchini and Paola Talamini. Saddle stitching. Classical. Score and Parts. Ut Orpheus #ACC 11. Published by Ut Orpheus (UT.ACC-11).

ISBN 9790215302532. 9 x 12 inches.

El sofà; A Bettina; Donne, lâ??amore; La necessità; Nineta; Ho già penato; Compagni, amor lasciate; La stracavata; La mia Bettina; Sì, xe verissimo; El consegio; La domanda; El lauro; Sentì, mie care donne; Mi co te vedo sento

Guitar

SKU: UT.CH-156

Composed by Giorgio Signorile. Saddle stitching. Classical. 24 pages. Ut Orpheus #CH 156. Published by Ut Orpheus (UT.CH-156).

ISBN 9790215320352. 9 x 12 inches.

Le colline di Karen (Karen's Hills)/ Quel mare che non c'era (That Sea that wasn't there)/ La mia piccola gioia (My little Joy)/ Variazioni su un respiro (Variations on a Breath)

SATB Choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA02921

Madrigal. Composed by Orlande De Lassus. Edited by Hans Grischkat. Stapled. Chor-Archiv. Madele, heer mik singen. Renaissance (Renaissance). Choral score. 11 pages. Baerenreiter Verlag #BA02921_00. Published by Baerenreiter Verlag (BA.BA02921).

ISBN 9790006427604. 27.1 x 19.1 cm inches. Text Language: Italian, German.

Volume X: Favorite Songs. By Various. Arranged by Joan Sutherland, Richard Bonynge. (Voice and Piano). Boosey and Hawkes Voice. Book only. Size 8.5x11 inches. 194 pages. Published by Boosey & Hawkes.

SATB choir

SKU: GH.N04302

Matona Jungfru kara. Composed by Orlande De Lassus. Octavo. With Language: Latin, Swedish. 4 pages. Published by Gehrmans Musikforlag (GH.N04302).

ISBN 9790070030304. 185 x 262 mm inches.

Text pa latin och svenska.

Recorder; Early Music

SKU: UT.HS-114

Composed by Philippe Verdelot. Edited by Andrea Bornstein. Saddle stitching. Classical. Score and Parts. Ut Orpheus #HS 114. Published by Ut Orpheus (UT.HS-114).

ISBN 9790215308367. 8.26 x 11.69 inches.

Solo voices, choir, orchestra (3Soprano Voice Solo, Mezzo Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, Str, Continuo)

SKU: BA.BA04070

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 41. Complete edition, Score. HWV 42. Duration 3 hours. Baerenreiter Verlag #BA04070_00. Published by Baerenreiter Verlag (BA.BA04070).

ISBN 9790006495870. 33 x 26 cm inches. Text Language: Italian. Text: Paolo Antonio Rolli.

Handel� ��s “Deidamia” was premièred on 10 January 1741 only a few weeks after “Imeneo”.
The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work “Deidamia”. On 10 February 1741 the third and final opera performances of this work took place under Handel’s direction. Oddly enough “Deidamia” would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. “Deidamia” is the last great opera in a series of masterpieces: “Orlando”, “Poro”, “Ezio”, “Ariodante”, “Alcina”, “Serse” and “Imeneo”. The vocal score is based on the Urtext of the Halle Handel Editon.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chamber Music Bass Saxophone, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.114419240

Composed by Chen Yi. Sws. Set of Score and Parts. 28+12+12+8+8+8 pages. Duration 12 minutes. Theodore Presser Company #114-41924. Published by Theodore Presser Company (PR.114419240).

UPC: 680160684762. 9 x 12 inches.

This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It's written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.
This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It’s written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.

Orchestra (Fl-picc,2Fl,2Ob,2Clar,2b assoon,4Hn,2Trp,3Tromb,Tb ,Timp,Tri,Be,2V,Va,Vc,Db) - Level 3

SKU: BA.BA11533

Composed by Bedrich Smetana. Edited by Hugh MacDonald. This edition: urtext edition. Paperback. Barenreiter Urtext. From: Má vlast / My Country. Score. Baerenreiter Verlag #BA11533_00. Published by Baerenreiter Verlag (BA.BA11533).

ISBN 9790260108059. 31 x 24.3 cm inches. Preface: Mojzisova, Olga / Macdonald, Hugh.

The first four symphonic poems from Smetanaâ??s six-part cycle Má vlast (My Country) were written in 1874â??75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemiaâ??s Woods and Fields. All six parts were issued for the first time by the publisher Urbánek, beginning with the piano duet arrangements (1879-80).

The score of From Bohemiaâ??s Woods and Fields was published by Urbánek in 1881. Owing to its many misprints, Hugh Macdonald has based his new edition on the autograph score while consulting the first edition as well as the autograph and print of the composerâ??s own version for piano duet.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Flute, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Piccolo, Snare Drum, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Tuba, alto Saxophone 1, alto Saxophone 2 and more. - Grade 4

SKU: CF.CB130F

March (Full Score). Composed by Henry Fillmore. Edited by Robert E. Foster. SWS. Henry Fillmore Band Series (An Authentic Fillmore Edition). Full score. With Standard notation. Carl Fischer Music #CB130F. Published by Carl Fischer Music (CF.CB130F).

ISBN 9780825861444. UPC: 798408061449. 9 X 12 inches.

This classic march (authentic edition by Robert E. Foster) maintains the integrity of the original transcription by Henry Fillmore. It was written for the people of Fillmore's second home Miami.

SATB choir

SKU: GH.SK-843

Composed by Peter van Tour. With Language: Latin. 16 pages. Gehrmans Musikforlag #SK 843. Published by Gehrmans Musikforlag (GH.SK-843).

185 x 262 mm inches.

6 inch. x 9 inch. Performed by Billy Joel. Guitar Chord Songbook. Size 6x9 inches. 200 pages. Published by Hal Leonard.

SATB Choir (Mixed choir (SATB))

SKU: BA.BA03132

Composed by Balthasar Resinarius. Edited by Inge-Maria Schröder. This edition: complete edition, urtext edition. Half-cloth binding. Georg Rhau. Musikdrucke aus den Jahren 1538-1545, 2. Sacred. Complete edition, Singing Score, anthology. 196 pages. Baerenreiter Verlag #BA03132_00. Published by Baerenreiter Verlag (BA.BA03132).

ISBN 9790006429882. 27.5 x 19.7 cm inches.

De Sanctis, et illorum in Christum fide et cruce. 38 meist vierstimmige Motetten. Urtext der Rhau-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Choir

SKU: UT.EC-8

Cat. Speciale ‘La Montagna’. Saddle stitching. EdizioniCorali.it. Classical. Ut Orpheus #EC 8. Published by Ut Orpheus (UT.EC-8).

ISBN 9790215323872. 9 x 12 inches.

Andrea Miglio: Orobie
Enrico Miaroma: La mia vetta
Sandro Filippi: The meeting at Peterloo
Bernardi no Zanetti: La quercia del Mocumbergo

Books and Journals; Harp

SKU: UT.LB-3

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 3. Published by Ut Orpheus (UT.LB-3).

ISBN 9788881094462. 6.5 x 9.5 inches.

«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia.
Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.
Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.
Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.
Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).
Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!
Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»

Guitar

SKU: UT.CH-330

Arranged by Paolo Cherici. Saddle stitching. Paolo Cherici Collection. Classical. Ut Orpheus #CH 330. Published by Ut Orpheus (UT.CH-330).

ISBN 9790215325722. 9 x 12 inches.

Padoana descordata/ Padoana ala francese/ Ti... (Tientalora) baleto/ Spagna seconda/ Non ti spiaqua lascoltar/ O mia ciecha e dura sorte/ Che farala per sua coda/ Qui tolis pechata mundi/ La vilanela/ De to biens plaene/ Gentil princep/ Et in terra pax/ Canto bello/ Sancta Trinitas/ Stavasi amor dormendo sotto a un fagio/ Recerchar I/ Recerchar IV/ Recerchar V/ Recerchar VI/ Recerchar VIII/ Recerchar X/ Recerchar XI/ Recerchar XII/ Recerchar XIII

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.