(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
DVD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. 136 pages.
Published by Alfred Music
Publishing
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Book; CD;
Method/Instruction;
Percussion - Drum Set
Method or Collection.
Beginner. 48 pages.
Published by Alfred Music
Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). Composed by R...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). Composed
by Rich Lackowski. For
Drumset.
Artist/Personality; Book;
CD; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
Composed
by Stacy Garrop. Large
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156L. Published by
Theodore Presser Company
(PR.41541156L).
UPC:
680160642953. 11 x 17
inches.
The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden.
(The Best Songs from Timeless Motion Pictures). Arranged by Mark Hayes. For Pian...(+)
(The Best Songs from
Timeless Motion
Pictures). Arranged by
Mark Hayes. For Piano.
Book; Piano Collection;
Piano Supplemental.
Popular Performer Series.
Movie. Advanced. 48
pages. Published by
Alfred Music Publishing
Piano, Voix et Guitare [Partition] Alfred Publishing
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
Personality Book;
Piano/Vocal/Chords. Rock.
144 pages. Published by
Alfred Music Publishing
Orchestra Orchestra SKU: PR.416416210 III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.416416210
III. from Mythology
Symphony. Composed by
Stacy Garrop. Study
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621. Published by
Theodore Presser Company
(PR.416416210).
UPC:
680160642908. 9 x 12
inches.
The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Orchestra Orchestra SKU: PR.41641621L III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.41641621L
III. from Mythology
Symphony. Composed by
Stacy Garrop. Large
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621L. Published by
Theodore Presser Company
(PR.41641621L).
UPC:
680160642915. 11 x 17
inches.
The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Band Concert Band SKU: PR.11540239L I. from Mythology Suite. Compo...(+)
Band Concert Band
SKU:
PR.11540239L
I.
from Mythology Suite.
Composed by Stacy Garrop.
Large Score. Duration
5:30. Theodore Presser
Company #115-40239L.
Published by Theodore
Presser Company
(PR.11540239L).
UPC:
680160680221.
The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
The Lovely Sirens Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.11540239S I. from Mythology Suite. Compo...(+)
Band Concert Band
SKU:
PR.11540239S
I.
from Mythology Suite.
Composed by Stacy Garrop.
Full score. Duration
5:30. Theodore Presser
Company #115-40239S.
Published by Theodore
Presser Company
(PR.11540239S).
UPC:
680160680214.
The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.