(Intermediate to Late Intermediate Repertoire). Composed by Edward MacDowell (18...(+)
(Intermediate to Late
Intermediate Repertoire).
Composed by Edward
MacDowell (1861-1908).
Edited by Nancy Bachus.
For Piano. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. The Classics
for the Advancing Pianist
series provides
motivating, enjoyable
literature of substantial
quality for developing
keyboard artists.
Masterwork; Recital;
Romantic. Intermediate;
Late Intermediate. 32
pages. Published by
Alfred Music
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Vi...(+)
(Very First Pieces with
Piano Accompaniment).
Arranged by Paul de
Keyser. For Violin. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Beginner;
Elementary. Published by
Faber Music
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600
pages of world-famous
Sher Music
transcriptions! Don't go
to the gig without it!.
Various. Fake Book.
Published by Sher Music
Company.
By George Frideric Handel. Arranged by Nancy Faber, Randall Faber. For Piano. Ac...(+)
By George Frideric
Handel. Arranged by Nancy
Faber, Randall Faber. For
Piano. Achievement Sacred
Sheets. Features strong
rhythms, triad
inversions, and some
octave playing. Sacred.
Level: Early
Intermediate/3B. Solo
Sheet. Published by The
FJH Music Company, Inc.
Fakebook (spiral bound) for Eb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Eb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Fakebook (spiral bound) for Bb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Bb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Composed by Shirl Jae
Atwell. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Highland/Etling
#00-38476S. Published by
Highland/Etling
(AP.38476S).
UPC:
038081431604.
English.
Jeunesse
is a French word used to
describe the time of
one's youth, which is
reflected in this music
that is carefree, yet
bittersweet. This lovely
piece has a lilting
quality that demands
attention be paid to the
legato markings, the
equality between the
voices, and the rhythmic
pulse that moves the
piece forward. Make sure
not to lose the poignancy
by playing the piece too
fast or too slow. Let the
music have control.
For
Children's Choir and
Piano (with Optional
Percussion). Composed
by Alec Roth. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Contemporary; Secular.
Part(s). 16 pages.
Edition Peters
#98-EP73535B. Published
by Edition Peters
(PE.EP73535B).
ISBN
9790577022833. Words by
Vikram Seth.
Earth
and Sky was commissioned
by the BBC for the Proms
2000 season. In keeping
with the millennial
theme, a work presenting
a vision of the future
was requested. Trying to
be helpful, the BBC
provided me with the
predictions of various
pundits, but their ideas
seemed dizzyingly
contradictory. Then the
simple thought struck me
that however varied and
complex the answers, the
big questions will always
remain the same. We may
now have a map of the
human genome, but how to
use the map? How shall I
know where I should go?
How may I see the I
that's me? As a
musician I am hopeful
that, no matter how the
world develops, future
generations will still
come together to dance
and sing and play. The
mysterious power of music
to bind us socially and
inspire us individually
seems to be built into
our genes. So, a song of
questions; a song about
music---these were the
ideas which I took to
Vikram Seth, who had
generously agreed to
write the words for me.
The resulting poem
provided lots of
inspiration. It is
entirely monosyllabic,
enabling considerable
variety of rhythmic
treatment. I love its
permutations and its
imagery of paradox and
inversion and I have
amused myself by playing
similar games with the
musical material. But
there is seriousness as
well as fun---the text's
juxtaposition of the
certainty of death with
the search for purpose in
life achieves great
poignancy when sung by
young voices. (Alec
Roth)
This product
is Printed on Demand and
may take several weeks to
fulfill.
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet
SKU:
PR.114405050
Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050).
UPC:
680160008377. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Composed by Shirl Jae
Atwell. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 62 pages.
Highland/Etling
#00-38476. Published by
Highland/Etling
(AP.38476).
UPC:
038081431598.
English.
Jeunesse
is a French word used to
describe the time of
one's youth, which is
reflected in this music
that is carefree, yet
bittersweet. This lovely
piece has a lilting
quality that demands
attention be paid to the
legato markings, the
equality between the
voices, and the rhythmic
pulse that moves the
piece forward. Make sure
not to lose the poignancy
by playing the piece too
fast or too slow. Let the
music have control.
For
Children's Choir and
Piano (with Optional
Percussion). Composed
by Alec Roth. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Contemporary; Secular.
Part(s). 32 pages.
Edition Peters
#98-EP73535C. Published
by Edition Peters
(PE.EP73535C).
ISBN
9790577022840. Words by
Vikram Seth.
Earth
and Sky was commissioned
by the BBC for the Proms
2000 season. In keeping
with the millennial
theme, a work presenting
a vision of the future
was requested. Trying to
be helpful, the BBC
provided me with the
predictions of various
pundits, but their ideas
seemed dizzyingly
contradictory. Then the
simple thought struck me
that however varied and
complex the answers, the
big questions will always
remain the same. We may
now have a map of the
human genome, but how to
use the map? How shall I
know where I should go?
How may I see the I
that's me? As a
musician I am hopeful
that, no matter how the
world develops, future
generations will still
come together to dance
and sing and play. The
mysterious power of music
to bind us socially and
inspire us individually
seems to be built into
our genes. So, a song of
questions; a song about
music---these were the
ideas which I took to
Vikram Seth, who had
generously agreed to
write the words for me.
The resulting poem
provided lots of
inspiration. It is
entirely monosyllabic,
enabling considerable
variety of rhythmic
treatment. I love its
permutations and its
imagery of paradox and
inversion and I have
amused myself by playing
similar games with the
musical material. But
there is seriousness as
well as fun---the text's
juxtaposition of the
certainty of death with
the search for purpose in
life achieves great
poignancy when sung by
young voices. (Alec
Roth)
This product
is Printed on Demand and
may take several weeks to
fulfill.
For
Children's Choir and
Piano (with Optional
Percussion). Composed
by Alec Roth. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Contemporary; Secular.
Score. 28 pages. Edition
Peters #98-EP73535.
Published by Edition
Peters (PE.EP73535).
ISBN 9790577022581.
Words by Vikram
Seth.
Earth and Sky
was commissioned by the
BBC for the Proms 2000
season. In keeping with
the millennial theme, a
work presenting a vision
of the future was
requested. Trying to be
helpful, the BBC provided
me with the predictions
of various pundits, but
their ideas seemed
dizzyingly contradictory.
Then the simple thought
struck me that however
varied and complex the
answers, the big
questions will always
remain the same. We may
now have a map of the
human genome, but how to
use the map? How shall I
know where I should go?
How may I see the I
that's me? As a
musician I am hopeful
that, no matter how the
world develops, future
generations will still
come together to dance
and sing and play. The
mysterious power of music
to bind us socially and
inspire us individually
seems to be built into
our genes. So, a song of
questions; a song about
music---these were the
ideas which I took to
Vikram Seth, who had
generously agreed to
write the words for me.
The resulting poem
provided lots of
inspiration. It is
entirely monosyllabic,
enabling considerable
variety of rhythmic
treatment. I love its
permutations and its
imagery of paradox and
inversion and I have
amused myself by playing
similar games with the
musical material. But
there is seriousness as
well as fun---the text's
juxtaposition of the
certainty of death with
the search for purpose in
life achieves great
poignancy when sung by
young voices. (Alec
Roth)
This product
is Printed on Demand and
may take several weeks to
fulfill.
For
Children's Choir and
Piano (with Optional
Percussion). Composed
by Alec Roth. Choral
Octavo. Secular. Choral
Octavo. 20 pages. Edition
Peters #98-EP73535A.
Published by Edition
Peters (PE.EP73535A).
ISBN 9790577022598.
Words by Vikram
Seth.
Earth and Sky
was commissioned by the
BBC for the Proms 2000
season. In keeping with
the millennial theme, a
work presenting a vision
of the future was
requested. Trying to be
helpful, the BBC provided
me with the predictions
of various pundits, but
their ideas seemed
dizzyingly contradictory.
Then the simple thought
struck me that however
varied and complex the
answers, the big
questions will always
remain the same. We may
now have a map of the
human genome, but how to
use the map? How shall I
know where I should go?
How may I see the I
that's
me?
As a
musician I am hopeful
that, no matter how the
world develops, future
generations will still
come together to dance
and sing and play. The
mysterious power of music
to bind us socially and
inspire us individually
seems to be built into
our genes. So, a song of
questions; a song about
music — these were
the ideas which I took to
Vikram Seth, who had
generously agreed to
write the words for me.
The resulting poem
provided lots of
inspiration. It is
entirely monosyllabic,
enabling considerable
variety of rhythmic
treatment. I love its
permutations and its
imagery of paradox and
inversion and I have
amused myself by playing
similar games with the
musical material. But
there is seriousness as
well as fun — the
text's juxtaposition of
the certainty of death
with the search for
purpose in life achieves
great poignancy when sung
by young
voices.