(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
Solo piano - Grade 4-5 SKU: B7.B153 Composed by Marc Douyon. Edited by Ho...(+)
Solo piano - Grade 4-5
SKU: B7.B153
Composed by Marc Douyon.
Edited by Howard J. Buss.
PRELUDE AND TOCCATA FOR
PIANOis based on the
Haitian folk tune
Linglinsou. The main
theme quotes this folk
melody, which is then
developed with various
compositional techniques.
Original secondary themes
and motives by the
composer are an integral
part. 21st Century.
Score. Duration 7'.
Brixton Publications
#B153. Published by
Brixton Publications
(B7.B153).
8.5x11
inches.
PRELUDE AND
TOCCATA FOR PIANO by Marc
Douyon is based on the
Haitian folk tune
Linglinsou. The main
theme quotes this folk
melody, which is then
developed with various
compositional techniques.
Original secondary themes
and motives by the
composer are an integral
part of the colorful
musical tapestry as well.
The composition opens
with a lyrical melody
that suggests an
atmosphere of complaint,
anguish, and despair. But
soon, the lyrical main
theme, which makes use of
hemiola figures, takes
the shape of a gracious
tribal dance in compound
meter. Shortly
thereafter, however, the
character of the piece
changes into an agitated
toccata characterized by
driving staccato notes,
accents, and a close hand
position at the piano.
The final moments of the
piece are heroic-like in
nature, but also convey a
sense of calm after the
storm.
2 Pianos SKU: HL.14018850 Composed by Kenneth Leighton. Music Sales Ameri...(+)
2 Pianos
SKU:
HL.14018850
Composed
by Kenneth Leighton.
Music Sales America.
Classical. Book
[Softcover]. 100 pages.
Music Sales #NOV100353.
Published by Music Sales
(HL.14018850).
ISBN
9780711986008.
9.0x12.0x0.295
inches.
The
Prelude, Hymn And Toccata
1987 is dedicated to, and
was commissioned by the
Nettle-Markham Piano Duo.
It was the second work to
have been written for
them by the composer, the
first being the Sonata
For Piano Duet Op.92.
This twenty minute work
begins with Leighton's
typical preludial
double-dotted rhythms and
contrapuntal textures; it
develops into dark,
passionate music and
erupts into single and
double cadenzas. The
gentle Hymn is ushered in
quietly and unfolds in
long, rhapsodic sections,
building up to more
climactic cadenzas before
dissolving gradually to
an ethereal conclusion.
The Toccata finale shows
Leighton's masterly piano
writing and contrasts
biting, rhythmic motifs
with sweeping, yearning
elegiac phrases.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Ban...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Donald Hunsberger.
Concert Band. Concert
Band; Masterworks. Donald
Hunsberger Wind Library.
Form: Transcription.
Baroque; Masterwork
Arrangement. Grade 4.
Score. 84 pages.
Published by Alfred Music
Publishing
By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Ban...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Donald Hunsberger.
Concert Band. Concert
Band; Masterworks. Donald
Hunsberger Wind Library.
Form: Transcription.
Baroque; Masterwork
Arrangement. Grade 4.
Conductor Score and
Parts. 444 pages.
Published by Alfred Music
Publishing
Organ SKU: HL.48180908 Premier Volume. Composed by Gaston Litaize....(+)
Organ
SKU:
HL.48180908
Premier Volume.
Composed by Gaston
Litaize. Leduc.
Classical. Softcover. 36
pages. Alphonse Leduc
#AL19712. Published by
Alphonse Leduc
(HL.48180908).
UPC:
888680984274.
9.0x12.0x0.15
inches.
This first
volume of Twelve Pieces
by Gaston Litaize is a
set of six pieces for
organ. With a difficulty
that would fit the skills
of upper intermediate
players, these pieces
require the use of
pedals. This first tome
includes: 1. Prelude,
dedicated to Lauret
Bolli, his friend 2.
Double Fugue 3. Lied,
dedicated to Guy Lambert
4. Intermezzo Pastoral,
dedicated to Miss Line
Zilgien 5. Final,
dedicated to his
professor Marcel Dupre 6.
Lamento, dedicated to his
friend Maurice Dalphin.
And the second tome
consists of: 7. Scherzo
8. Toccata sur le veni
creator 9. Priere 10.
Jeux de rythmes 11.
Interlude 12. Variations
sur un Noel angevin. This
piece is quite famous
among Gaston Litaize's
compositions. Gaston
Litaize (1909-1991) was a
French organist and
composer, blind since his
youth. Considered as one
of the organ masters of
his times, he toured and
worked on many
recordings. He was also a
good professor, and
composed many pieces for
solo organ and for organ
with other
instruments.
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension...(+)
Composed by Carson Cooman
(1982-). Sacred, Advent,
All Saints' Day,
Ascension, Christmas,
Eastertide, Epiphany,
General, Holy Communion,
Holy Week, Lent,
Missions, New Year,
Pentecost, Patriotic,
Reformation,
Thanksgiving. Lorenz
Publishing Company
#70/2013L. Published by
Lorenz Publishing Company
(LO.70-2013L).
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, gloss...(+)
Edited by Denes Agay. For
piano. Format: piano solo
book. With fingerings,
glossary of musical
terms, performance notes,
introductory text and
biographical sketches of
composers. Baroque. 232
pages. 9x12 inches.
Published by Yorktown
Music Press.
(Six Organ Settings for Holy Week and Easter). Composed by Clay Christiansen. Fo...(+)
(Six Organ Settings for
Holy Week and Easter).
Composed by Clay
Christiansen. For organ
solo. Holy Week/Three
Days, Easter, Lent,
Easter Vigil. Medium.
Collection. Published by
MorningStar Music
Publishers
SKU: CA.5023500 Composed by Josef Gabriel Rheinberger. Edited by Han Thei...(+)
SKU: CA.5023500
Composed by Josef Gabriel
Rheinberger. Edited by
Han Theill. This edition:
Linen cover. Josef
Gabriel Rheinberger -
Complete Works. German
title: Klavierwerke Zu 2
Handen Ii (Ln). Josef
Gabriel Rheinberger.
Complete Works. Full
score (complete edition /
selected edition). 400
pages. Carus Verlag #CV
50.235/00. Published by
Carus Verlag
(CA.5023500).
Organ solo SKU: CA.1805000 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1805000
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Organ music based on
hymns, free organ music.
German title: Praeludien
Und Fugen Fur Orgel.
Organ music based on
hymns, Free organ music.
Collection. 114 pages.
Carus Verlag #CV
18.050/00. Published by
Carus Verlag
(CA.1805000).