Clarinet & orchestra SKU: HH.HH452-SSC Composed by Stephen Pratt. Clarine...(+)
Clarinet & orchestra
SKU: HH.HH452-SSC
Composed by Stephen
Pratt. Clarinet &
Orchestra. Study score.
Edition HH Music
Publishers #HH452-SSC.
Published by Edition HH
Music Publishers
(HH.HH452-SSC).
ISBN
9790708146599.
Thre
e Imaginary Folksongs was
requested by the Concerts
Society of Liverpool
Metropolitan Cathedral
for their concert season
celebrating the 50th
anniversary of the
opening of the Cathedral.
The composer was asked
specifically for a work
which would highlight the
much-admired talents of
the principal clarinet,
Jacqueline Thomas. The
title is unambiguous.
Taking three different
approaches, each of which
has a modal starting
point, the three
‘folksongs’
from imaginary places,
were developed in styles
which reflect the work of
earlier folksong-inspired
composers. The first
performance took place at
Liverpool Metropolitan
Cathedral at a concert
that not only celebrated
the Cathedral’s
50th birthday, but also
Stephen’s
70th.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1659 Composed by William O...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1659
Composed by
William Owens. Concert
Band. FJH Young Band.
Multicultural;
programmatic. Score and
Part(s). Duration 3:00.
The FJH Music Company Inc
#98-B1659. Published by
The FJH Music Company Inc
(FJ.B1659).
UPC:
241444368152.
English.
The
stalwart leadership of
Chief Yonaguska and the
integrity of a proud
people come alive in this
brilliant programmatic
work! The bold,
harmonically-rich opening
statement begins the
drama. A driving allegro
section features
spectacular woodwind
features with bold,
heroic brass statements.
Add a large battery of
percussion and you have
all the ingredients for a
fantastic piece!
Yonaguska Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1659S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1659S
Score
Only. Composed by
William Owens. Concert
Band. FJH Young Band.
Multicultural;
programmatic. Score.
Duration 3:00. The FJH
Music Company Inc
#98-B1659S. Published by
The FJH Music Company Inc
(FJ.B1659S).
English.
The
stalwart leadership of
Chief Yonaguska and the
integrity of a proud
people come alive in this
brilliant programmatic
work! The bold,
harmonically-rich opening
statement begins the
drama. A driving allegro
section features
spectacular woodwind
features with bold,
heroic brass statements.
Add a large battery of
percussion and you have
all the ingredients for a
fantastic piece!
Concert Band Concert Band - Grade 1 SKU: FJ.B1231S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1231S
Score
Only. Composed by
Traditional. Arranged by
Elliot Del Borgo. Concert
Band. FJH Beginning Band.
Christmas; Holiday Pops.
Score. Duration 2:00. The
FJH Music Company Inc
#98-B1231S. Published by
The FJH Music Company Inc
(FJ.B1231S).
English.
This
symphonic treatment of
Good King Wenceslas is
ideal for your next
winter concert. A
powerful unison fanfare
opening is quickly
answered in full harmony,
leading to a simple
statement of the theme.
All instruments get to
play the melody, which is
varied slightly
throughout the piece to
maintain interest. An
easy choice for Del Borgo
fans across the
country.
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Choral TBB chorus SKU: CF.CM9445 Composed by Jacob Narverud. Fold. Perfor...(+)
Choral TBB chorus
SKU:
CF.CM9445
Composed by
Jacob Narverud. Fold.
Performance Score. With
Standard notation. 8
pages. Duration 2
minutes, 25 seconds. Carl
Fischer Music #CM9445.
Published by Carl Fischer
Music (CF.CM9445).
ISBN 9781491142530.
UPC: 680160900039. 6.875
x 10.5 inches.
Jake
Narverud's setting of
this prayer of peace is
powerful! From the
opening unison chant to
the final amen, it is
infused with interesting
and varied harmonies,
meter, and rhythm. Men's
choirs are sure to feel
empowered when learning
and performing this
piece, commissioned for
director Christy Elsner's
Allegro con Brio Choir.
Also available for SSA
voices (CM9389).
Homeward Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS258 Composed by William Harbinson....(+)
Band concert band - Grade
2
SKU: CF.YPS258
Composed by William
Harbinson. Set of Score
and Parts. Carl Fischer
Music #YPS258. Published
by Carl Fischer Music
(CF.YPS258).
ISBN
9781491163580. UPC:
680160922376.
Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close.
Stryker Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band - Grade 1.5 SKU: CF.FPS137F Composed by Tyler Arcari. SWS. First Plu...(+)
Band - Grade 1.5
SKU:
CF.FPS137F
Composed
by Tyler Arcari. SWS.
First Plus Performance
Series. Full score. With
Standard notation. 16
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #FPS137F.
Published by Carl Fischer
Music (CF.FPS137F).
ISBN 9781491147917.
UPC: 680160905416. 9 x 12
inches.
The term,
stryker refers to an
individual who assisted a
blacksmith with his
craft, wielding a hammer
and shaping iron to their
will. As the title
suggests, Stryker is a
dark and harsh piece full
of percussive sounds
depicting a Stryker as
they assist a blacksmith.
The break drum gives us a
hammered-iron effect
while the china cymbal
mimics the steam of
tempering steel. Students
will enjoy this
fast-paced and intense
piece, great for opening
a concert or providing an
exciting finish.
Homeward Orchestre d'harmonie [Conducteur] Carl Fischer
Band concert band SKU: CF.YPS258F Composed by William Harbinson. Full sco...(+)
Band concert band
SKU:
CF.YPS258F
Composed
by William Harbinson.
Full score. 12 pages.
Carl Fischer Music
#YPS258F. Published by
Carl Fischer Music
(CF.YPS258F).
ISBN
9781491163986. UPC:
680160922772.
Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close.
SATB choir, piano SKU: LO.10-5808L Composed by Michael Ware. Choral. Sacr...(+)
SATB choir, piano
SKU:
LO.10-5808L
Composed
by Michael Ware. Choral.
Sacred Anthem. Octavo.
Lorenz Publishing Company
#10/5808L. Published by
Lorenz Publishing Company
(LO.10-5808L).
ISBN
9780787779924.
This
exciting anthem from
Michael Ware serves as a
perfect opener for any
worship service or sacred
concert. As the subtitle
suggests, a sturdy melody
is passed back and forth
across sections of the
choir and culminates in
an enthusiastic
exhortation to â??Praise
Him!â? Sophisticated
harmonies give the music
a festival-like quality,
and an engaging
orchestration for brass
and percussion is also
available.
Avalon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Avalon Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0920388-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0920388-020
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 1992.
De Haske Publications
#DHP 0920388-020.
Published by De Haske
Publications
(BT.DHP-0920388-020).
Avalon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Poem Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114416460 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114416460
For
Flute and Piano.
Composed by Thaddeus
Kozuch. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1937. 4+1 pages.
Duration 3 minutes.
Theodore Presser Company
#114-41646. Published by
Theodore Presser Company
(PR.114416460).
ISBN
9781598067811. UPC:
680160620616. 9x12
inches.
POEM for
Flute and
PianoKozuch’s POEM
is a plaintive elegy,
perfect for memorial
concerts, in religious
services, or as a lyric
interlude in recital.
Although composed with
piano accompaniment, the
music is also very
effective in performance
with organ. Thaddeus
Kozuch (1913-1991) was a
Chicago-based pianist,
composer, and professor
at DePaul University and
Northwestern University.
His beautiful POEM was
composed originally for
violin and piano in 1937
for his wife-to-be,
Jacqueline Frye. He
revised POEM for flute
and piano in 1988 but the
work was discovered only
recently in a piano bench
by the composer’s
daughter, flutist Ann
Fairbanks.Although the
final pencil manuscript
is musically complete, it
lacks dynamics, and this
publication presents the
music as the composer
left it.The following
performance suggestions
are provided by Ann
Fairbanks:Many nuances of
the work may be left to
the discretion of the
performer. There are
quite a few notes that
may be slurred, such as
sets of eighth notes or
triplet-eighths; if notes
are articulated as
written, the tonguing
should be legato.Dynamics
for both flute and piano
could be as follows:
begin the work p, then
crescendo to f in bars
6-7. Decrescendo in 10-11
to a p in bar 12. The
most intense section
(bars 16-32) should be
played with energy and
full sonority, including
a crescendo in 26 to fin
27. The conclusion,
beginning at bar 42,
should be played p, with
the last measures
performed quietly.
From the
opening bell tones in the
piano, this anthem
awakens the worshipping
church to praise.
Incorporating the
early-American hymn tune
PISGAH, this original
piece celebrates the
sacred call of music in
proclaiming the joy of
the Lord. The folklike
character in the
substance of the music is
displayed in the melodic
contours and rustic
harmonic vocabulary. This
is the day for singing
and for sending alleluias
soaring!
SKU: LO.99-2477L A Palm/Passion Sunday Suite. Composed by Mark Hay...(+)
SKU: LO.99-2477L
A Palm/Passion Sunday
Suite. Composed by
Mark Hayes. Choral.
Worship Works Series.
Sacred Anthem, Holy Week,
Palm/Palm-Passion Sunday.
Sab part-dominant
rehearsal CD
(reproducible). Lorenz
Publishing Company
#99/2477L. Published by
Lorenz Publishing Company
(LO.99-2477L).
UPC:
000308121452.
This
music drama is
approximately nine
minutes in length and is
perfect for incorporation
into regular worship on
Palm/Passion Sunday. John
Parker’s inspired
narrative opens the work
with shouts of
“Hosanna!†as
Jesus enters Jerusalem.
Mark Hayes’s score
enters with growing
intensity, and the choir
sings a triumphant anthem
of praise. The mood
changes during the first
interlude, as the high
priests plot against
Jesus, and the music
beautifully underscores
the scripture-based
narrative. The second
chorus conveys the scene
at the Last Supper with
haunting melodies and a
lyrically flowing
accompaniment. The mood
of the following
interlude is one of
steadfast faith, quoting
the hymn “All Hail
the Power of
Jesus’
Name.†Its
narrative is inspired by
Philippians
2:5–11. The final
chorus is a majestic yet
reflective affirmation of
faith in praise to Jesus,
Who was faithful to His
final breath.
SKU: LO.99-2475L A Palm/Passion Sunday Suite. Composed by Mark Hay...(+)
SKU: LO.99-2475L
A Palm/Passion Sunday
Suite. Composed by
Mark Hayes. Choral.
Worship Works Series.
Sacred Anthem, Holy Week,
Palm/Palm-Passion Sunday.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/2475L.
Published by Lorenz
Publishing Company
(LO.99-2475L).
UPC:
000308121438.
This
music drama is
approximately nine
minutes in length and is
perfect for incorporation
into regular worship on
Palm/Passion Sunday. John
Parker’s inspired
narrative opens the work
with shouts of
“Hosanna!†as
Jesus enters Jerusalem.
Mark Hayes’s score
enters with growing
intensity, and the choir
sings a triumphant anthem
of praise. The mood
changes during the first
interlude, as the high
priests plot against
Jesus, and the music
beautifully underscores
the scripture-based
narrative. The second
chorus conveys the scene
at the Last Supper with
haunting melodies and a
lyrically flowing
accompaniment. The mood
of the following
interlude is one of
steadfast faith, quoting
the hymn “All Hail
the Power of
Jesus’
Name.†Its
narrative is inspired by
Philippians
2:5–11. The final
chorus is a majestic yet
reflective affirmation of
faith in praise to Jesus,
Who was faithful to His
final breath. This CD
includes both the SATB
and SAB performance
versions.
Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470).
UPC:
680160099405. 11 x 17
inches.
This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Nne Na Tatu Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Concert Band (Score) - Grade 5 SKU: HL.48024057 Composed by Daniel French...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.48024057
Composed
by Daniel French.
Windependence Artist
Level. Concert.
Softcover. Boosey &
Hawkes #M051663668.
Published by Boosey &
Hawkes (HL.48024057).
UPC: 888680678708.
9.0x12.0x0.092
inches.
Nne na Tatu
(Swahili for Four on
Three) is inspired by the
music of sub-Saharan
Africa and other world
music traditions. Like
many of those traditions,
Nne na Tatu is driven by
relentless percussion and
rhythmic-focused
development. A bold,
festive theme, introduced
in the brass, recurs
throughout and grounds
the piece amidst a series
of unpredictable detours
- a Scottish-inspired
dance in the winds, a
marimba melody
reminiscent of the music
of the Andes - before
returning in a final
triumphant fanfare. Dur:
5:15 (Recorded live by
the Indiana University of
Pennsylvania Symphony
Band, Jason Worzbyt,
conductor).
Utopia Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0940582-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0940582-020
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music. Set
(Score & Parts). Composed
1994. De Haske
Publications #DHP
0940582-020. Published by
De Haske Publications
(BT.DHP-0940582-020).
Utopia is the
name of a book written by
the English author Thomas
More and was published in
1516. The title is a word
thought up by More
himself, after the Greek
language, meaning
Nowhereland and leading
to the invention of the
words utopian scheme and
utopian. Utopia pictured
an ideal state on an
island far from the
inhabited world. This
idea was the basis of the
composition. It makes one
think of Oregon in
variety of themes and
style. Utopia also exists
of a combination of
styles that breathe the
atmosphere of film music.
However, Utopia sounds
less American. The slow
and stirring middle part
for example is closer to
the European romanticism:
the chord signals in the
brasssection remind of
Wagner's music.
Utopia is de naam
waaronder een in 1516
door de Engelse schrijver
Thomas More gepubliceerd
boek bekend is geworden.
Utopia is een door More
zelf naar het Grieks
gemaakt woord dat
Nergensland betekent en
de woorden utopie en
utopismeheeft doen
ontstaan. Utopia
schildert een ideale
staat op een ver van de
bewoonde wereld gelegen
eiland. Dit idee vormde
de inpiratiebron voor
deze compositie. Qua
variatie in thematiek en
stijl doet het werk
denken aan Oregon.Ook
Utopia bestaat uit een
combinatie van stijlen
die de atmosfeer ademen
van filmmuziek. Toch
klinkt Utopia minder
Amerikaans. Het langzame,
meeslepende middendeel
bijvoorbeeld komt dichter
in de buurt van de
Europese romantiek.de
drieklanksignalen in het
koper herinneren aan de
muziek van Wagner.
Children's choir 3-stimmig, speakers, piano or accordion and other instruments a...(+)
Children's choir
3-stimmig, speakers,
piano or accordion and
other instruments ad
libitum (2 melody
instruments, guitar,
bassguitar, percussion)
(REDUC) - intermediate
SKU: HL.49006456
Szenische Kantate mit
Versen von James
Kruss. Composed by
Heinz Geese. Arranged by
Heinz Cammin. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Piano
reduction. 32 pages.
Duration 30'. Schott
Music #ED 6585. Published
by Schott Music
(HL.49006456).
ISBN
9790001070065.
German.
Lotte
spielt mit ihren Puppen
und allem, was die
Wohnung an Mobeln und
Requisiten hergibt, eine
Seereise nach Rio und
zuruck.Eine witzige
Anleitung zum
Selberspielen und zum
Entdecken, was man mit
Gegenstanden des
alltaglichen Lebens mit
etwas Phantasie alles
anstellen kann.Fur
Kindergarten,
Grundschulen und den
theaterpadagogischen
Bereich besonders
geeignet.
Handbell - Grade 2 SKU: BP.HB620 Composed by Karen Lake Buckwalter. Arran...(+)
Handbell - Grade 2
SKU: BP.HB620
Composed by Karen Lake
Buckwalter. Arranged by
Karen Lake Buckwalter.
Handbell choir music.
Octavo. Beckenhorst Press
#HB620. Published by
Beckenhorst Press
(BP.HB620).
Written for 3
-5 octave handbell choir
or 3-5 octaves of
handchimes. Level 2+.
This beautiful original
tune, written in honor of
the composer's brother,
is a perfect choice for a
moment of quiet
introspection. The
haunting melody,
underscored by lush
harmonies, gives a
feeling of calm and depth
with a subtle hint of
motion. A more chromatic,
harmonically-diverse
section provides a nice
aural diversion midway
through before the piece
returns to the feeling of
the opening. A fantastic
choice for the group
looking to work on it is
musicality.