Cello

SKU: HL.48188823

For Cello and Orchestra (Piano Reduction). Composed by Henri Dutilleux. Leduc. Classical. Softcover. 80 pages. Heugel & Cie #HE33633. Published by Heugel & Cie (HL.48188823).

UPC: 888680883478. 9.25x12.25x0.075 inches.

“Comp osed between 1967 and 1970, Tout un monde lointain for Cello and Orchestra, by Henri Dutilleux, is one of the most important additions to the cello repertoire in the 20th century. Lasting nearly half an hour, each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme, initially introduced in the first part Énigme / Enigma, is often replayed through the piece. The third part, Houles / Surges is the most difficult to interpret with a Scherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).”.

Composed by Various. Arranged by Peter Opaskar. For mixed ensemble. Published by Cimarron Music Press

Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged by James Chepponis. Easter, Christ the King, Building Dedication, Church Anniversary, Ordination/Installation, 21st Century, Praise/Thanksgiving. Choral score. MorningStar Music Publishers #50-4710. Published by MorningStar Music Publishers

SSAATTBB chorus a cappella - 5

SKU: CA.7070100

Composed by Arnold Schonberg. Edited by Iris Pfeiffer. Carus digital: Extra digital products. Choral Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070100. Published by Carus Verlag (CA.7070100).

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!

SSAATTBB chorus a cappella - Grade 5

SKU: CA.7070110

Composed by Arnold Schönberg. Edited by Iris Pfeiffer. Full Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070110. Published by Carus Verlag (CA.7070110).

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“F riede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

(For Soprano, Alto, Flute and String quartet or Organ). By Jehan-Ariste Alain (1911-1940). Mass. For soprano, alto, flute, 2 violins, viola, cello (organ). Flute part

(For Soprano, Alto, Flute and String quartet or Organ). By Jehan-Ariste Alain (1911-1940). Mass. For soprano, alto, flute, 2 violins, viola, cello (organ). Choral score. 10 pages. Published by Doblinger Music Publishers

S(S)ATB choir; orchestra

SKU: HP.CF167O

Composed by Tedd Smith. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Hope's All-Time Best Sellers Series. Contemporary, General Worship, Sacred. Set of Instrumental Parts. Hope Publishing Company #CF167O. Published by Hope Publishing Company (HP.CF167O).

UPC: 763628248192. Acts 2:42-47, Deuteronomy 8:16, Exodus 16:31, Isaiah 30:15, John 6:31,49, Matthew 18:20, Mark 6:30-34,53-:56, Psalms 133:1, Psalms 23:1-6.

Popular worship song
This John F. Wilson classic is appropriate for services where love is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is based on the traditional English melody, O WALY WALY. The SAB voicing, String Quartet setting and Performance/Accompaniment CD are new for this year (2012). The String Quartet setting can be for strings only or used as an accompaniment for the choral settings or the vocal solo, but not for the TTBB version which is in the Key of C. String Parts come in the two keys, A & G, and include parts for Violin 1 & 2, Viola and Cello.

By Jordi Cervello. For 2 violins. Bowed Instruments. Duration 10:00. Published by Editorial de Musica Boileau

Piano, string quartet and clarinet in Bb (bassclarinet in Bb) (P/ST) - difficult

SKU: HL.49033265

Composed by Joerg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 132 pages. Duration 13'. Schott Music #ED 9744. Published by Schott Music (HL.49033265).

ISBN 9790001136778.

With the title of this composition, Fever Fantasy, Jorg Widmann refers to its musical air: 'I often feel Robert Schumann's melodic shape to be like the amplitude of a temperature curve: nervous, flickering, feverish, an infinite number of small and large wave crests and troughs within the principal line.'The composer approaches this sound phenomenon with a setting for acoustic instruments. Nevertheless, he succeeds in conjuring up very unusual sound spectrums. Over long sections, the notation of this score mirrors the musical progressions, containing no concrete pitches but detailed performance instructions instead. Slowly, individual tones emergefrom ascending pizzicato lines, colourless sound surfaces, sounds of harmonics roughened by tremolos, and virtuoso clarinet scales, tones that do not reveal their origin until the work ends: C - F - E - D sharp, the beginning of Schumann's first violin sonata.

By Randol Alan Bass. For SATB choir, piano or organ or brass quartet/percussion or brass ensemble/percussion or full orchestra. Christmas, General, Choral. Choral score. Published by E.C. Schirmer Publishing . choral score. Christmas, General, Choral.

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).