| Holy, Holy, Holy Fred Bock Music Company
Choral (Score & Parts) SKU: HL.8754606 Composed by John Bacchus Dykes and...(+)
Choral (Score & Parts)
SKU: HL.8754606
Composed by John Bacchus
Dykes and Reginald Heber.
Arranged by Heather
Sorenson. Fred Bock
Publications. Anthem,
Children's Choir, General
Worship, Hymn, Sacred.
Fred Bock Music Company
#BG2567B. Published by
Fred Bock Music Company
(HL.8754606). UPC:
884088646936. 5.5x5
inches. The
“Hymnz4Kidz”
series burst forth last
year with considerable
fanfare, led by one of
the brightest new names
in sacred music, Heather
Sorenson. Now comes the
latest release: Holy,
Holy, Holy. Traditional
hymns dressed in fresh
and snazzy outfits that
captivate young singers
and teach them our legacy
of hymnody is grabbing
everyone's attention. The
series offers a host of
correlating products:
Accompaniment Tracks,
Orchestral Score and
Parts, and a downloadable
Digital Toolkit
(including a short skit,
director's resources,
activity sheet, and much
more). Teaching old hymns
has never been so much
fun! $24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Veni, veni, Emmanuel [Conducteur] - Intermédiaire Carus Verlag
Coro SMsATBarB - Grade 4 SKU: CA.744800 Arranged for Pop-Up. Compo...(+)
Coro SMsATBarB - Grade 4
SKU: CA.744800
Arranged for
Pop-Up. Composed by
Manuel Grunden. Carus
digital: Extra digital
products. Full Score.
Duration 5 minutes. Carus
Verlag #744800. Published
by Carus Verlag
(CA.744800). ISBN
9790007300043.
Latin. Over its
long history, the Advent
song Veni, veni, Emmanuel
has been adapted time and
again to create many
different versions with
their own unique melodies
and textual variants. The
melody from the German
Protestant hymnal to the
text O komm, o komm, du
Morgenstern probably
dates from the 15th
century. Manuel
Grunden’s
arrangement of this
version now places the
hymn in a new light.
While respecting the
sacred majesty of the
original, Grunden has
created a simple six-part
arrangement in which the
melody wanders through
the different voices,
encircled by long,
dynamically shaped
sustained notes. As the
piece progresses, the
joyful anticipation of
the Savior’s
anticipated arrival is
expressed in impressive
and dramatic climaxes. At
the same time, jazz/pop
harmonies bring fresh
color to the simple
melody. Offering a modern
take on this very
traditional song, Manuel
Grunden’s piece
can be easily integrated
into any Advent concert
program. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cadman Requiem For Satb/organ Schott
Mixed choir (SATBarB) and organ (SATB) - difficult SKU: HL.49017676 Fo...(+)
Mixed choir (SATBarB) and
organ (SATB) - difficult
SKU: HL.49017676
For mixed choir
(SATBarB) and organ.
Composed by Gavin Bryars.
This edition: Saddle
stitching. Sheet music.
Choral. Choral score. 40
pages. Duration 26'.
Schott Music #ED12935.
Published by Schott Music
(HL.49017676). ISBN
9790220125539.
8.25x11.75x0.142 inches.
Latin. This gravely
beautiful choral work,
dedicated to a victim of
the Lockerbie air crash
of 1988, consists of five
sections and provides
only two of the
traditional requiem texts
- 'Kyrie' and 'Agnus Dei'
- with the addition of
'In Paradisum' from the
Order of Burial. In
between these traditional
movements come two other
sections, one using
Bede's paraphrase of
Caedmon's Creation Hymn
in Latin and the other an
original Caedmon poem in
the dialiect of
7th-century
Northumbria. $16.99 - Voir plus => Acheter | | |
| Introïtus Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0840020-015 L...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-0840020-015
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Sacred. Set
(Score & Parts). Composed
1984. De Haske
Publications #DHP
0840020-015. Published by
De Haske Publications
(BT.DHP-0840020-015).
The Latin word
Introitus means
‘entry’.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haan’s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
‘Introitus’
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug.
Ursprünglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder Puer
natus est nobis und
Lobt Gott, Ihr
Christen alle gleich
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgeführt
werden.
Le mot
latin Introitus
signifie introduction. A
l‘origine, il
s’agissait
d’un psaume
chanté, marquant
l’entrée dans
l’église
d‘un évêque,
d’un prêtre ou
du célébrant. Plus
tard, l‘introitus,
chanté ou parlé,
s’est adapté en
fonction du contenu
liturgique (Temps de
Noël ou de
l’Avent, Messe de
P ques...). Jacob de Haan
s’est inspiré
de Puer natus est
nobis et de Lobt
Gott, Ihr Christen alle
gleich pour son
Introitus de Temps de
Noël. Une merveilleuse
introduction la fête
de Noël, qui pourra
être interprétée
par toutes les formations
instrumentales, avec
choeur mixte (texte en
néerlandais) et orgue
ad lib.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con l’ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Introïtus Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0840020-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-0840020-216
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 1984. De Haske
Publications #DHP
0840020-216. Published by
De Haske Publications
(BT.DHP-0840020-216).
The Latin word
Introitus means
â??entryâ??.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haanâ??s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
â??Introitusâ??
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug. Urspru?nglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder und
Lobt Gott, Ihr
Christen alle gleich
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgefu?hrt
werden.
Le mot
latin Introitus
signifie introduction. A
lâ??origine, il
sâ??agissait dâ??un
psaume chanté,
marquant lâ??entrée
dans lâ??église
dâ??un évêque,
dâ??un prêtre ou du
célébrant. Plus
tard, lâ??introitus,
chanté ou parlé,
sâ??est adapté en
fonction du contenu
liturgique (Temps de
Noël ou de lâ??Avent,
Messe de P ques...).
Jacob de Haan sâ??est
inspiré de Puer
natus est nobis et de
Lobt Gott, Ihr
Christen alle gleich
pour son Introitus
de Temps de Noël. Une
merveilleuse introduction
la fête de Noël,
qui pourra être
interprétée par
toutes les formations
instrumentales, avec
choeur mixte (texte en
néerlandais et orgue
ad lib.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con lâ??ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Introïtus Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-0840020-030 Lobt Gott, Ihr Christen a...(+)
Brass Band - Grade 2
SKU:
BT.DHP-0840020-030
Lobt Gott, Ihr
Christen alle gleich.
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Sacred. Set
(Score and Parts).
Composed 1984. De Haske
Publications #DHP
0840020-030. Published by
De Haske Publications
(BT.DHP-0840020-030).
The Latin word
Introitus means
â??entryâ??.
Originally, this was a
psalm sung to accompany
the entrance of a bishop,
priest or celebrant into
the church. Later it was
incorporated into the
mass with alternating
sung and spoken text,
reflecting the mood of
the liturgy. Jacob de
Haanâ??s
Introitus, in
which he has arranged the
hymns Puer natus est
nobis and Lobt
Gott, Ihr Christen alle
gleich, is a
wonderful introduction to
the Christmas season and
can be performed with any
instrumental combination
with mixed choir and
organ ad
libitum.
Het
Latijnse woord
â??Introitusâ??
betekent binnentreden.
Oorspronkelijk was de
Introitus een gezongen
psalm, die het
binnentreden van een
bisschop of priester in
de kerk begeleidde. Later
werd de Introitus een
onderdeel van de mis,
metafwisselend gezongen
of gesproken tekst,
passend bij de liturgie.
Jacob de haan verwerkte
in zijn Introitus
de liederen Puer natus
est nobis en Lobt
Gott, Ihr Christen alle
gleich. Introitus is
uw ideale voorbereidingop
het kerstfeest en kan in
elke
instrumentencombinatie
met gemengd koor en orgel
ad libitum worden
uitgevoerd.
Das
lateinische Wort
Introitus bedeutet
Einzug. Urspru?nglich war
der Introitus ein
gesungener Psalm, der den
Einzug eines Bischofs,
Priesters oder
Zelebranten in die Kirche
begleitete. Später
wurde der Introitus Teil
der Messe mit wechselndem
gesungenen oder
gesprochenen Text, der
auf den Inhalt der
Liturgie einstimmen
sollte. Jacob de Haans
Introitus, in dem
er die Lieder Puer
natus est nobis und
verarbeitete, ist eine
wunderbare Einstimmung
auf das Fest und kann in
jeder
Instrumentenkombination
mit gemischtem Chor und
Orgel ad libitum
aufgefu?hrt
werden.
Le mot
latin Introitus
signifie introduction. A
lâ??origine, il
sâ??agissait dâ??un
psaume chanté,
marquant lâ??entrée
dans lâ??église
dâ??un évêque,
dâ??un prêtre ou du
célébrant. Plus
tard, lâ??introitus,
chanté ou parlé,
sâ??est adapté en
fonction du contenu
liturgique (Temps de
Noël ou de lâ??Avent,
Messe de P ques...).
Jacob de Haan sâ??est
inspiré de Puer
natus est nobis et de
Lobt Gott, Ihr
Christen alle gleich
pour son Introitus de
Temps de Noël. Une
merveilleuse introduction
la fête de Noël,
qui pourra être
interprétée par
toutes les formations
instrumentales, avec
choeur mixte (texte en
néerlandais) et orgue
ad lib.
La
parola latina introitus
significa introduzione.
Originariamente si
trattava di un salmo
cantato che coincideva
con lâ??ingresso in
chiesa di un vescovo o di
un prete. In seguito,
cantato o parlato, si
è adattato al
contenuto liturgico
(Avvento o Natale, Messa
di Pasqua, ecc.). Per il
suo Introitus di
Natale, Jacob de Haan si
è ispirato a Puer
natus est nobis>I e
Lobt Gott, Ihr
Christen alle gleich.
Una meravigliosa
introduzione alla Festa
del Natale che può
essere interpretata da
ogni organico
strumentale, con coro
misto (testo in olandese)
e organo opzionali. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Marienlieder für Frauenchor - Facile EMB (Editio Musica Budapest)
Upper Voices a Cappella - Grade 3 SKU: BT.EMBZ14461 Composed by Miklos Ko...(+)
Upper Voices a Cappella -
Grade 3 SKU:
BT.EMBZ14461 Composed
by Miklos Kocsar. Hymns &
Chorals. Book Only.
Composed 2006. 36 pages.
Editio Musica Budapest
#EMBZ14461. Published by
Editio Musica Budapest
(BT.EMBZ14461).
Latin. Hungary
has a thousand-year-old
tradition of reverence
for the Virgin Mary. In
the course of the
centuries the Church has
found more and more
occasions for the
celebration of Mary. The
greatest is the
celebration of Mary?s
assumption into heaven,
which coincides with the
anniversary of the death
of Saint Stephen, on
August 15. The texts of
these choral works
originate from various
supplicatory prayers from
the office, vocal texts
and hymns. The six choral
works don?t form a cycle,
since the texts are
associated with different
liturgies. The choruses:
Regina caeli ? antiphon
for Easter, Sub tuum
praesidium ? antiphon,
Maria Mater gratiae ?
short hymn, Ave Regina
caelorum ?antiphon for
Lent, Ave maris stella ?
Hymn to Mary, Virgo
parens Christi benedicta
? responsorium, can be
sung singly or in any
combination. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Holy, Holy, Holy Chorale Unison [Octavo] Fred Bock Music Company
Composed by John Bacchus Dykes and Reginald Heber. Arranged by Heather Sorenson....(+)
Composed by John Bacchus
Dykes and Reginald Heber.
Arranged by Heather
Sorenson. For Choral
(UNIS). Fred Bock
Publications. Octavo. 8
pages. Fred Bock Music
Company #BG2567.
Published by Fred Bock
Music Company
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Into The Light, Deliver Me Chorale SSATB Gentry Publications
Choral (SSATB) SKU: HL.1197753 Gentry Publications. Octavo. 12 pages. Dur...(+)
Choral (SSATB) SKU:
HL.1197753 Gentry
Publications. Octavo. 12
pages. Duration 285
seconds. Gentry
Publications #JG2662.
Published by Gentry
Publications
(HL.1197753). UPC:
196288134831.
6.75x10.5x0.029
inches. “Deat
h, thou art welcome to my
arms attended by a
thousand charms...â€
a text that dates back as
far as 1818 speaks to the
human desire for a
peaceful end to life.
This new setting by
Richard Burchard provides
your tenor-bass choir
with an exciting and
contemporary approach to
this rich traditional
hymn melody. In typical
Burchard fashion, he has
beautifully crafted
phrases that combine the
hymn text, touches of
Latin, and a folk-style
solo designed to draw
attention to the rhythm,
melody, and message of
the hymn. Looking for
that perfect piece with a
special soulful appeal?
Look no further;
accompanied by cello and
percussion, here's the
ideal candidate, sure to
become a choir and
audience favorite. $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mary the Dawn (Choral Score) Chorale SATB SATB divisi MorningStar Music Publishers
Composed by Charles S. Thatcher. Advent, Easter, Triduum/Three Days. Octavo. ...(+)
Composed by Charles S.
Thatcher. Advent, Easter,
Triduum/Three Days.
Octavo.
MorningStar Music
Publishers
#50-0074. Published by
MorningStar Music
Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Marian Songs For Female Choir - Facile EMB (Editio Musica Budapest)
Upper Voices (EQUAL VOICES) - Grade 3 SKU: HL.50511768 For female choi...(+)
Upper Voices (EQUAL
VOICES) - Grade 3 SKU:
HL.50511768 For
female choir.
Composed by Miklos
Kocsar. EMB. Choral Works
(Contemporary Hungarian).
Vocal/choral score.
Editio Musica Budapest
#Z14461. Published by
Editio Musica Budapest
(HL.50511768). ISBN
9790080144619. A/4
inches. Latin. Miklos
Kocsar. Hungary has
a thousand-year-old
tradition of reverence
for the Virgin Mary. In
the course of the
centuries the Church has
found more and more
occasions for the
celebration of Mary. The
greatest is the
celebration of Mary?s
assumption into heaven,
which coincides with the
anniversary of the death
of Saint Stephen, on
August 15. The texts of
these choral works
originate from various
supplicatory prayers from
the office, vocal texts
and hymns. The six choral
works don?t form a cycle,
since the texts are
associated with different
liturgies. The choruses:
Regina caeli ? antiphon
for Easter, Sub tuum
praesidium ? antiphon,
Maria Mater gratiae ?
short hymn, Ave Regina
caelorum ? antiphon for
Lent, Ave maris stella ?
Hymn to Mary, Virgo
parens Christi benedicta
? responsorium, can be
sung singly or in any
combination. $11.95 - Voir plus => Acheter | | |
| Gaudete! Chorale 3 parties SAB - Débutant GIA Publications
SAB choir, assembly, piano reduction, flute 1, flute 2, trumpet 1 in B-flat, tru...(+)
SAB choir, assembly,
piano reduction, flute 1,
flute 2, trumpet 1 in
B-flat, trumpet 1 in C,
trumpet 2 in B-flat,
trumpet 2 in C,
percussion - Beginning
SKU: GI.G-9499
Arranged by Chris De
Silva. Christmastide,
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Epiphany. Christmas.
Sacred. Octavo. 8 pages.
GIA Publications #9499.
Published by GIA
Publications (GI.G-9499).
UPC: 785147949909.
English, Latin. Text
Source: Ref. Piae
Cantiones, 1582, vv.
Joseph S. Cook,
1859-1933. Text by Joseph
S. Cook. The
traditional 16th-century
Christmas hymn
“Gaudete†has
been arranged by Chris de
Silva for SAB voices,
winds and percussion. At
the center of this piece
is the hymn itself
surrounded by choral
fanfares inviting
listeners to rejoice at
the birth of Christ, the
Son of Mary. Percussion
part is for snare
drum. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| When The Saints Visit Havana with a Touch of Wolfgang Trombone et Piano - Intermédiaire Cherry Classics
Trombone & piano - Intermediate SKU: CY.CC2242 Composed by Traditional. A...(+)
Trombone & piano -
Intermediate SKU:
CY.CC2242 Composed by
Traditional. Arranged by
Keith Terrett. Latin
swing style. Solo and
piano accompaniment.
Published by Cherry
Classics (CY.CC2242).
A cute tongue
in cheek poke at Mozart
using the famous Hymn,
When The Saints Go
Marching In. In a Latin
Swing style. About 3
minutes in length for
intermediate
performers. $13.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Memorare Chorale SATB [Conducteur] Carus Verlag
SATB choir (div) SKU: CA.965900 Composed by Giacomo Mezzalira. Edited by ...(+)
SATB choir (div) SKU:
CA.965900 Composed by
Giacomo Mezzalira. Edited
by Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score. 8
pages. Duration 8
minutes. Carus Verlag #CV
09.659/00. Published by
Carus Verlag (CA.965900).
ISBN 9790007165901.
Text language:
Latin. Mezzalira
places his worked
entirely in the tradition
of Catholic church music:
Gregorian elements are
associated likewise with
Palestrina's counterpoint
and Bruckner's sonorous
expansin. Thoroughly in
the tradition of the
motet, the Memorare is
structured in four
sections, each in
accordance with their
respective texts. This
large structured
composition begins in C
minor from the depths of
the men's voices,
building to a song of
lamentation which
increases to an
harmonically enriched E
flat major passage on the
words virgo maria. In the
second section,
harmonically in A flat
major, Mezzalira places
the upper and lower
voices in a double choir
opposed to each other in
block-like manner in
order to develop
resonating cantilenas in
the third part, which is
in F major. After a very
simple, tender four-part
setting of a hymn the
composition ends with an
Amen with large modally
enriched chords in D
major. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and
Orchestra SKU:
BT.PWM5447 For
Soprano, Alto, Baritone,
Mixed Choir and
Orchestra. Composed
by Karol Szymanowski.
Classical. Book Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM5447.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM5447).
''Stabat
Mater'' by Karol
Szymanowski for solo
voices, chorus and
orchestra, Op. 53, is one
of the most famous and,
at the same time, most
personal works of the
composer, making its
appeal to the audience
through the depth of its
expression and sheer
artistry. The first
sketches of the work were
made in the spring of
1925, while work on the
full score occupied the
composer from 20 January
to 2 March 1926. Józef
Jankowskis Polish
translation of the
medieval sequence formed
the basis of the
composition. This text,
which was simple in a
folk-like way, devoid of
pathos but full of
religious zeal,
harmonized perfectly from
the poetic point of view
with the composers
creative design. In an
interview for the monthly
Muzyka Szymanowski
stated: ''in its Polish
vestments that eternal,
naive hymn was filled for
me with its own immediate
expressive content; it
became something painted
in colours which were
recognisable and
comprehensible as
distinct from the black
and white of the archaic
original'' (''A Footnote
to Stabat Mater'', Muzyka
1926, Nos. 11/12). In the
score, the Latin text is
given beside the Polish
text, making it possible
for the work to be
performed more easily by
foreign performers. In
this work, the universal
tradition of the
Christian church was
fused with the Polish
religious tradition. The
composer creates the
religious folk-like
climate primarily through
the character of the
melodies which are akin
to to the plainchant
melodies to the text of
Stabat Mater (the
sequence, and especially
the hymn) and their
paraphrases in Polish
religious songs (e.g. Sta
a Matka Bole ciwa [The
Dolorous Mother was
standing]) as well as
motifs from Polish Lenten
songs and Gorzkie ale
(Bitter Laments).
Szymanowski did not
introduce them as
quotations, but
intersperses the melodic
lines, which are more
fully developed and
frequently highly
chromatic, with diatonic
phrases, based on modal
scales. They appear in
all the movements of the
work determining its
cohesion. In dividing the
twenty-stanza text into
separate segments,
Szymanowski created a
six- movement cantata. He
took care to distinguish
between the emotional
shades of the various
movements, varying his
selection of solo voices
(soprano, contralto,
baritone), the voices of
the chorus (female or
mixed) and the orchestral
forces. In the first and
third movements the
lyrical idiom prevails;
the first movement,
portraying the Mother of
God at the foot of the
cross, has a narrative
character, whereas the
third is a kind of prayer
from a man who
sympathizes with, and who
wishes to be associated
with Mater Dolorosas
pain. In these movements
only the female voices
are used (soprano,
contralto and female
chorus), while the
orchestra is employed in
a chamber style,
sometimes drawing on solo
accompanying parts (e.g.
the beginning of the
third movement). The
fourth movement, which
continues the mood of
prayerful contemplation,
is designed for soprano
and contralto solo as
well as unaccompanied
chorus. On the other
hand, the second and
fifth movements,
involving the
participation of solo
baritone and the full
chorus and orchestra, are
similar with regard to
forces and their dramatic
character, which is
austere in expression,
harsh in tone, and
markedly dissonant. Here
grand climaxes appear
with powerful orchestral
tutti. The sixth movement
crowns the whole. The
lyrical, soft melody of
the solo soprano at the
beginning is gradually
strengthened by the
addition of the female
chorus and the solo
contralto, and in the
final section, the solo
baritone as well as the
tutti of chorus and
orchestra. The
conclusion, subdued and
full of concentration,
suggests the introvert
character of the
experience as opposed to
its dramatic pathos.
Stabat Mater by
Szymanowski is part of a
long tradition of
compositions based on the
text of the medieval
sequence - ranging from
polyphonic works by
Josquin des Prés and
Palestrina to the
romantic Stabat by
Giuseppe Verdi and Anton
n Dvo ák. And it was
perhaps because of his
consciousness of this
tradition that
Szymanowski used
stylizing devices in the
spirit of early music.
The archaization
manifests itself not only
in the character of the
melodies and their modal
framework, but also in
the harmonies (with their
predominance of triads,
open fourths and fifths
chords and doubled
thirds), the simple
rhythms as well as the
texture of the choruses
(esp. the fourth
movement). The composer
does not, however,
imitate the style of any
specific historical
epoch, but combines
resources taken from
early music with modern
tonal and harmonic
techniques. Archaization
in Stabat Mater serves,
moreover, a symbolic
function; in evoking the
many-centuries old
tradition of church
music, it emphasizes the
universal nature of the
idea contained in the
text of the sequence,
while the re-reading of
the text by the composer
gives the work its
individual features.
[Zofia Helman, translated
by Ewa Cholewka]. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102913
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Viola 2.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Viola 2. H
9. 12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/13. Published by
Carus Verlag
(CA.2102913). ISBN
9790007198213. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102911
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Violin.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin. H 9.
12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/11. Published by
Carus Verlag
(CA.2102911). ISBN
9790007198190. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102914
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music.
Violoncello. Sacred vocal
music, Masses, Latin,
Christmas. Single Part,
Cello. H 9. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
21.029/14. Published by
Carus Verlag
(CA.2102914). ISBN
9790007198220. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sunscapes Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4571-75 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4571-75
Composed by Wilson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 4
minutes, 49 seconds. Opus
III Wind Orchestra
Publications
#012-4571-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4571-75).
This exciting
work depicts the lively
and sunny nature of the
state of Florida. Opening
with a brilliant and
majestic section
highlighting the state's
bright and vibrant
culture, a flowing melody
follows, representing the
calming winds and
consistent breeze of the
state. Dance is a large
part of Florida's
culture, especially in
its southern region, and
the 7/8 rhythm captures
an Afro-Latin style dance
movement. The
chorale/hymn section is
based on the Florida
Song, which is a
traditional school song
of many schools,
including Florida A&M in
Tallahassee. The work
then recapitulates and
moves toward a driving
and joyful conclusion. An
excellent
contest/festival
work! $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kyrie and Gloria Chorale SATB SATB, Piano - Débutant GIA Publications
SATB choir, piano reduction - Beginning SKU: GI.G-7463 Composed by Michie...(+)
SATB choir, piano
reduction - Beginning
SKU: GI.G-7463
Composed by Michiel
Karatem. Edited by Pearl
Shangkuan. Arranged by
Joel Navarro. Calvin
Institute. Sacred.
Octavo. 4 pages. GIA
Publications #7463.
Published by GIA
Publications (GI.G-7463).
UPC: 785147746300.
Greek, Latin. Text
source:
Traditional. Michie
l Karatem, a school
teacher and hymn writer,
was born in 1934 in the
Aru Islands, an
archipelago in the
Indonesian province of
Maluku. These brief
pieces can be used in a
variety of ways during
liturgy. For the
“Kyrie†the
basses could hum their
initial pitch during
spoken prayers before
everyone joins to sing
the piece as written. The
“Gloriaâ€
could be sung as a
refrain between sections
of the spoken
“Glory to
God.â€. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Invictus: A Passion (Vocal/Choral Score) Soli, choeur mixte et accompagnement MorningStar Music Publishers
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Wee...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Holy Week,
Lent,
Triduum/Three Days,
Tenebrae,
21st Century.
Vocal/choral
score. Published by
MorningStar Music
Publishers
$13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Veni, Creator Spiritus Op. 103g Medium Voice And Organ Orgue Schott
Medium voice and organ - difficult SKU: HL.49044612 For medium voice a...(+)
Medium voice and organ -
difficult SKU:
HL.49044612 For
medium voice and
organ. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 2000. Op. 103g.
22 pages. Duration 9'.
Schott Music #ED21338.
Published by Schott Music
(HL.49044612). ISBN
9790001187282.
9.0x12.0x0.099 inches.
Latin. The rushing
of the Holy Spirit to
which the hymn 'Veni
creator' refers is
symbolized by fast
semiquaver runs of the
organ which return again
and again during the
whole piece. Alternately,
the text is interpreted
musically in seven verses
according to the
respective content.
Traditional melodies
appear in a contemporary
harmonic makeup. From
this context emerges a
field of tension between
old and new which
eventually dissolves in
the 'Amen' of the vocal
soloist. The work on the
rather demanding piece is
rewarding for every
performer and the
performance at the church
is very impressive. $15.99 - Voir plus => Acheter | | |
| Adeste fideles Chorale SATB - Facile Oxford University Press
Solo, duet, trio & SATB choir with organ/orchestra (2 flutes, 2 oboes, 2 clarine...(+)
Solo, duet, trio & SATB
choir with
organ/orchestra (2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
trumpets, timpani,
strings, organ) - easy
SKU:
OU.9780193954113
Composed by Vincent
Novello. Christmas Songs
& Carols - Mixed Voices.
Church Music Society
Publications. Vocal
score. 12 pages. Duration
5'. Oxford University
Press #9780193954113.
Published by Oxford
University Press
(OU.9780193954113).
ISBN 9780193954113. 10
x 7 inches. for
solo, duet, trio, and
SATB with organ
Vincent Novello's
arrangement of four
verses of the well-known
'Hymn for Christmas'
builds from soprano solo,
through duet for tenor
and bass and trio for
alto, tenor and bass
(with melody in the
middle part), to a full
SATB final verse. The
traditional English text
is given together with
the original Latin. Colin
Mawby has supplied a
fascinating preface
tracing the history of
the piece. $3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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