Méthode de violon. Composed by Wim Meuris. Speel viool! Method. Book with Online Audio. Composed 2022. 60 pages. De Haske Publications #DHP 1104949-404. Published by De Haske Publications

Violin - Grade 3

SKU: RM.BOUT04726

Composed by Roger Boutry. Violon. Instrumental music. Duration 10 minutes. Editions Robert Martin #BOUT04726. Published by Editions Robert Martin (RM.BOUT04726).

ISBN 9790231047264.

Violin

SKU: RM.RUBIN6478

Composed by Dominique Lemaitre. Violon. Instrumental music. Duration 12 minutes. Editions Robert Martin #RUBIN6478. Published by Editions Robert Martin (RM.RUBIN6478).

ISBN 9790560146478.

(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Violon et basse continue. For Violin. Facsimiles. Collection Dominantes. Grade 0. 228 pages

Violin

SKU: HL.48180532

For Violon and Piano. Composed by Laszlo Lajtha. Leduc. Classical. Softcover. 18 pages. Alphonse Leduc #AL18053. Published by Alphonse Leduc (HL.48180532).

UPC: 888680796037. 9x12 inches.

For violin and piano.

Violin (Violin)

SKU: HL.50571446

Pour Violon. Composed by Henri Wieniawski. Editions Durand. Score Only. Composed 2001. Editions Durand #DC9962. Published by Editions Durand (HL.50571446).

Violin

SKU: RM.CP41

Composed by Di Legno De La Fuente Benjamin. Violon. Instrumental music. Editions Robert Martin #CP41. Published by Editions Robert Martin (RM.CP41).

ISBN 9790232600413.

Violin

SKU: HL.48186667

Composed by Jacques Ed. Barat. Leduc. Classical. CD. 35 pages. Hamelle & Cie #HA009581. Published by Hamelle & Cie (HL.48186667).

UPC: 888680885472. 8.25x11.75x0.252 inches.

Valérie Bime-Apparailly - Mes premières doubles cordes en chansons pour violon.

By Jean-Marc Allerme / Vincent Charrier. For violin and piano. Pop / Jazz. Score and CD

String Quartet

SKU: HL.50496878

Pour 2 violons, alto, violoncelle. Composed by Jean Cras. MGB. Set of Parts. Composed 2002. Editions Salabert #SLB4874. Published by Editions Salabert (HL.50496878).

By Ivan Evstafievitch Handochkine. Edited by Pavel Serbin. 2 violons. For Violin. Facsimiles. Collection Dominantes. Grade 0. 40 pages

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

2 cellos,2 violins,viola,Basso (Violoncellos (2), Violins (2), Viola, Basso)

SKU: BA.BA10946

Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. RV 531. Baerenreiter Verlag #BA10946_00. Published by Baerenreiter Verlag (BA.BA10946).

ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.

The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.

The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chamber Music for Violoncellos - Vol. 9 (4 Violoncellos Score and Parts). By Various. Edited by Arpad Pejtsik. For Cello Ensemble. EMB. Softcover. 32 pages. Editio Musica Budapest #Z14661. Published by Editio Musica Budapest

4 Cellos

SKU: BT.EMBZ14661P

For 4 violoncellos. EMB Chamber Music for Violoncellos. Educational Tool. Set of Parts. Composed 2009. 32 pages. Editio Musica Budapest #EMBZ14661P. Published by Editio Musica Budapest (BT.EMBZ14661P).

Chamber Music for Violoncellos, Vol. 10 (Four Violoncellos Score and Parts). By Various. Edited by Pejtsik Árpád. Score and Parts. EMB. Softcover. 42 pages. Editio Musica Budapest #Z14694. Published by Editio Musica Budapest

Cello; Clarinet; Flute; Oboe d'amore; Saxophone; Viola; Violin

SKU: HL.50562627

Score. Composed by Charles Koechlin. Editions Durand. Classical. Study Score. Composed 2001. Hal Leonard #ME0851100. Published by Hal Leonard (HL.50562627).

UPC: 073999466034. 7.0x9.0x0.116 inches.

Scored for oboe d'amore or soprano saxophone, flute, clarinet, 2 violins, 2 violas, 2 violoncellos, and piano.

Quartet for Violoncellos by Werner Egk (1901-1983). Arranged by Lutz Dreyer. For Cello Ensemble (String Parts). Cello-Bibliothek (Cello Library). Score and Parts. 24 pages. Schott Music #CB180. Published by Schott Music

(Four Violoncellos). By Various. Edited by ́rpÌÁd Pejtsik. Score and Parts. EMB. Book only. 50 pages. Editio Musica Budapest #Z14728. Published by Editio Musica Budapest

By Antonio Vivaldi (1678-1741). Arranged by David Geringas. Score and Parts. String. Book only. 52 pages. Sikorski #SIK1743. Published by Sikorski