By Charlie Christian and T- Bone Walker. For Guitar. Guitar. Softcover with CD. 116 pages. Published by Centerstream Publications

(The Great Trees: 4. The Steps of the City). By Gwyneth W. Walker (1947-). For soprano voice solo, clarinet, piano. Concerts, Secular. Moderately Easy. Published by E.C. Schirmer Publishing

Score Only Concert Band (Score) - Grade 4

SKU: HL.4006540

Composed by John Williams. Arranged by Jay Bocook. Hal Leonard Concert Band Series. Disney, Movies. Softcover. 32 pages. Published by Hal Leonard (HL.4006540).

UPC: 840126912401. 9.0x12.0x0.07 inches.

The beloved Star Wars saga concludes with the blockbuster hit The Rise of Skywalker. John Williams' masterful score again provides the emotional connection to the story with reprises of familiar character themes as well as poignant new material.

Score Only Concert Band (Score) - Grade 2

SKU: HL.4006546

Composed by John Williams. Arranged by Paul Murtha. Discovery Plus Concert Band. Disney, Movies. Softcover. 24 pages. Published by Hal Leonard (HL.4006546).

UPC: 840126912463. 9.0x12.0x0.05 inches.

Episode IX of the Star Wars saga (The Rise of Skywalker) has proven a fan favorite and effectively wraps up the popular film series. The music again plays a key role featuring beloved character themes from earlier films along with dramatic new material. Here's a great sounding and concise medley for younger players.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2 and more.

SKU: PR.446413400

High Wire Act for Orchestra. Composed by Michael Boyman. Study Score. With Standard notation. Duration 8 minutes. Merion Music #446-41340. Published by Merion Music (PR.446413400).

UPC: 680160667406. 9 x 12 inches.

Tightrope Walker is my first piece for full orchestra. Given the large forces available to me, I wanted to write something exciting, colorful and visceral. I remembered back to when I was a kid going to see the Cirque du Soleil. That trip made a big impression on me, especially the high wire performers. These were artists performing super-human feats high in the air, where even the slightest mistake guaranteed a fatal ending. This idea of danger, of risking one's life to entertain an audience has stayed with me, and Tightrope Walker is my attempt at recreating that special childhood experience. The opening of the piece hints at what's to come - a steady, walking pulse interrupted by missteps in the woodwinds. These missteps increase until the entire orchestra comes crashing down - not a good sign for our Tightrope Walker. The tempo slows and the atmosphere becomes tense. The primary themes of the piece are presented in fragments, most notably the Tightrope Walker's theme in the horns. The orchestra gradually recovers from the previous fall, becoming more lively and coherent until the original, faster tempo is restored. We are now at the circus, excited and expectant, and the fragmentary themes heard previously are now presented in their full forms. The anticipation builds until we hear a solo drum roll - the main act is about to begin. The second half of the piece depicts the Tightrope Walker performing for his audience. But from the outset, as in the beginning of the piece, we hear there are problems. The pressure mounts, the audience clamoring for more, until Tightrope Walker comes to a decisive and potentially fatal end.
Tightrope Walker is my first piece for full orchestra.  Given the large forces available to me, I wanted to write something exciting, colorful and visceral.  I remembered back to when I was a kid going to see the Cirque du Soleil.  That trip made a big impression on me, especially the high wire performers.  These were artists performing super-human feats high in the air, where even the slightest mistake guaranteed a fatal ending.  This idea of danger, of risking one’s life to entertain an audience has stayed with me, and Tightrope Walker is my attempt at recreating that special childhood experience.The opening of the piece hints at what's to come - a steady, walking pulse interrupted by missteps in the woodwinds.  These missteps increase until the entire orchestra comes crashing down - not a good sign for our Tightrope Walker.  The tempo slows and the atmosphere becomes tense.  The primary themes of the piece are presented in fragments, most notably the Tightrope Walker's theme in the horns.  The orchestra gradually recovers from the previous fall, becoming more lively and coherent until the original, faster tempo is restored.We are now at the circus, excited and expectant, and the fragmentary themes heard previously are now presented in their full forms.  The anticipation builds until we hear a solo drum roll - the main act is about to begin.  The second half of the piece depicts the Tightrope Walker performing for his audience.  But from the outset, as in the beginning of the piece, we hear there are problems.  The pressure mounts, the audience clamoring for more, until Tightrope Walker comes to a decisive and potentially fatal end.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2 and more.

SKU: PR.44641340L

High Wire Act for Orchestra. Composed by Michael Boyman. Large Score. With Standard notation. Duration 8 minutes. Merion Music #446-41340L. Published by Merion Music (PR.44641340L).

UPC: 680160667413. 11 x 17 inches.

Tightrope Walker is my first piece for full orchestra. Given the large forces available to me, I wanted to write something exciting, colorful and visceral. I remembered back to when I was a kid going to see the Cirque du Soleil. That trip made a big impression on me, especially the high wire performers. These were artists performing super-human feats high in the air, where even the slightest mistake guaranteed a fatal ending. This idea of danger, of risking one's life to entertain an audience has stayed with me, and Tightrope Walker is my attempt at recreating that special childhood experience. The opening of the piece hints at what's to come - a steady, walking pulse interrupted by missteps in the woodwinds. These missteps increase until the entire orchestra comes crashing down - not a good sign for our Tightrope Walker. The tempo slows and the atmosphere becomes tense. The primary themes of the piece are presented in fragments, most notably the Tightrope Walker's theme in the horns. The orchestra gradually recovers from the previous fall, becoming more lively and coherent until the original, faster tempo is restored. We are now at the circus, excited and expectant, and the fragmentary themes heard previously are now presented in their full forms. The anticipation builds until we hear a solo drum roll - the main act is about to begin. The second half of the piece depicts the Tightrope Walker performing for his audience. But from the outset, as in the beginning of the piece, we hear there are problems. The pressure mounts, the audience clamoring for more, until Tightrope Walker comes to a decisive and potentially fatal end.
Tightrope Walker is my first piece for full orchestra.  Given the large forces available to me, I wanted to write something exciting, colorful and visceral.  I remembered back to when I was a kid going to see the Cirque du Soleil.  That trip made a big impression on me, especially the high wire performers.  These were artists performing super-human feats high in the air, where even the slightest mistake guaranteed a fatal ending.  This idea of danger, of risking one’s life to entertain an audience has stayed with me, and Tightrope Walker is my attempt at recreating that special childhood experience.The opening of the piece hints at what's to come - a steady, walking pulse interrupted by missteps in the woodwinds.  These missteps increase until the entire orchestra comes crashing down - not a good sign for our Tightrope Walker.  The tempo slows and the atmosphere becomes tense.  The primary themes of the piece are presented in fragments, most notably the Tightrope Walker's theme in the horns.  The orchestra gradually recovers from the previous fall, becoming more lively and coherent until the original, faster tempo is restored.We are now at the circus, excited and expectant, and the fragmentary themes heard previously are now presented in their full forms.  The anticipation builds until we hear a solo drum roll - the main act is about to begin.  The second half of the piece depicts the Tightrope Walker performing for his audience.  But from the outset, as in the beginning of the piece, we hear there are problems.  The pressure mounts, the audience clamoring for more, until Tightrope Walker comes to a decisive and potentially fatal end.

Composed by Mickey Thomas Terry, George Walker, David Hurd (1950-), Mark A. Miller, and Undine Smith Moore. African American Heritage. MorningStar Music Publishers #10-649. Published by MorningStar Music Publishers

Vocal and Piano

SKU: HL.14026630

Composed by Raymond Walker. Music Sales America. Opera or Operetta. Part. Music Sales #NOV950516. Published by Music Sales (HL.14026630).

Raymond Walker (music) and William Beaumont (dialogue). An opera for schools in three acts based on Rossini's La Cenerentola.

Opera - intermediate

SKU: HL.14026629

Composed by Raymond Walker and William Beaumont. Music Sales America. Opera or Operetta. Part. Music Sales #NOV950164. Published by Music Sales (HL.14026629).

An Opera for schools, which has been devised from Mozart's Magic Flute by Raymond Walker and William Beamont.

Teach Yourself Fingerpicking Guitar with CD arranged by Jared Walker. For guitar. This edition: Paperback. Instructional. Method. Book and CD. Text Language: English. 96 pages. Published by Santorella Publications

Composed by Jared Walker. This edition: Paperback. Instructional. Method. Book. With Text Language: Spanish. 96 pages. Published by Santorella Publications (SP.69491).

Performed by T-Bone Walker. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar notation legend and introductory text. Blues. Series: Hal Leonard Guitar Recorded Versions. 95 pages. 9x12 inches. Published by Hal Leonard.

Composed by Gwyneth W. Walker (1947-). Vocal Solo. Secular, Marriage/Weddings, 21st Century. 8 pages. Published by E.C. Schirmer Publishing (EC.4516).

Composed by Gwyneth W. Walker (1947-). 21st Century. Octavo. E.C. Schirmer Publishing #5045. Published by E.C. Schirmer Publishing (EC.5045).

(Guitar Play-Along DVD Volume 42). By T-Bone Walker. For Guitar. Guitar Play-Along DVD. DVD. Guitar tablature. Published by Hal Leonard

Composed by Gwyneth W. Walker (1947-). 21st Century, Secular, Healing, Hope/Assurance, Music. Octavo. Published by E.C. Schirmer Publishing (EC.8509).

(20 Short Recital and Study Pieces for the Intermediate Player). Composed by John Walker. Edited by David Reynolds. For trumpet, piano. Score and Audio CD. 28 pages. Published by Carl Fischer

Make It Glorious by Tommy Walker. For Piano/Vocal/Guitar. Integrity. 152 pages. Published by Hosanna! Music

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

The Ultimate Guitar Lesson with Audio Access Included!. By T-Bone Walker. Play Like. Blues Instruction. Softcover Audio Online. With guitar tablature. Published by Hal Leonard

Arranged by Gwyneth W. Walker. For SATB Choir [divisi] and piano (Mixed Voices). Secular. Choral. Moderately Easy. 12 pages

Beginner Guitar Tutor. Composed by James Longworth; Nick Walker. Guitar Method or Supplement; Method/Instruction; Play-Along. Faber Edition. Book; CD. Faber Music #12-057153922X. Published by Faber Music (AP.12-057153922X).

Classical Collection. Arranged by composed by Elizabeth Stuen-Walker. Masterworks; String Ensemble (Suzuki); Suzuki. Masterwork Arrangement. Book. 64 pages. Alfred Music #00-0410S. Published by Alfred Music

Unison Voice Organ Accompaniment

SKU: HL.14007212

Composed by Robert Walker. Music Sales America. Sacred. Choral Score. Music Sales #NOV290040. Published by Music Sales (HL.14007212).