Orchestra STBar vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, harp - Grade 4

SKU: CA.4009509

Die Sieben Worte. Composed by Cesar Auguste Franck. Edited by Wolfgang Hochstein. 1x 40.095/21 flute 1, 1x 40.095/22 flute 2, 1x 40.095/23 oboe 1, 1x 40.095/24 oboe 2, 1x 40.095/25 bassoon 1, 1x 40.095/26 bassoon 2, 1x 40.095/31 horn 1, 1x 40.095/32 horn 2, 1x 40.095/33 trumpet 1, 1x 40.095/34 trumpet 2, 1x 40.095/35 trombone 1, 1x 40. French Sacred Music. Die Sieben Worte (Kart) (Lat/Engl). Sacred vocal music, Oratorios, Holy Week, Stations of the cross (Seven Words). Set of Orchestra Parts. FWV. 86 pages. Duration 45 minutes. Carus Verlag #CV 40.095/09. Published by Carus Verlag (CA.4009509).

ISBN 9790007061463. Language: Latin/English.

Unli ke the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and parts available separately - see item CA.4009500.

Orchestra Violine 2 - Level 4

SKU: CA.4009512

Die Sieben Worte. Composed by Cesar Auguste Franck. Edited by Wolfgang Hochstein. French Sacred Music. Die Sieben Worte (Kart) (Lat/Engl). Sacred vocal music, Oratorios, Holy Week, Stations of the cross (Seven Words). Individual part. FWV. 8 pages. Duration 45 minutes. Carus Verlag #CV 40.095/12. Published by Carus Verlag (CA.4009512).

ISBN 9790007061487. Language: Latin/English.

Unli ke the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and part available separately - see item CA.4009500.

SATB. Arranged by Carl Riedel. (SATB). Choral Large Works. Size 6.7x10.5 inches. 32 pages. Published by G. Schirmer, Inc.

Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.5199219

Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Set of Orchestra Parts. Composed 1796. Hob. XX:2. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199219).

ISBN 9790007293147. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.

By Mykola Leontovich. Arranged by E. L. Lancaster. For solo piano. Piano Solo. Christmas. SMP Level 3 (Early Intermediate). Single. Easy piano notation and fingerings (does not include words to the songs). 3 pages. Published by Alfred Music Publishing

Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.5199203

Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Vocal score. Composed 1796. Hob. XX:2. 104 pages. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199203).

ISBN 9790007186661. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.

Composed by John Baptiste Calkin, words by Henry Wadsworth Longfellow. Choir Sacred. Men's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

For piano. Piano. Method. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.

Music from Rondo alla Turca . Composed by Wolfgang Amadeus Mozart; arr.; with additional words; by Ruth Morris Gray. Arranged by with additional words; by Ruth Morris Gray. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Form: Rondo. Christmas; Masterwork Arrangement; Secular; Winter. Choral Octavo. 20 pages. Alfred Music #00-45409. Published by Alfred Music (AP.45409).

SATB choir, hymnal-style or melody with keyboard accompaniment

SKU: LP.MB-602A

51 Contemporary Songs. Composed by Ken Bible. This edition: Paperback, Words Only Edition. Songbook. Contemporary and Sacred. Words only. Published by Lillenas Publishing Company (LP.MB-602A).

ISBN 9780834192393.

SATB choir with keyboard accompaniment

SKU: LP.MB-748A

Composed by Dennis Allen. This edition: Paperback, Words Only Edition. Songbook. Contemporary and Sacred. Words only. 34 pages. Published by Lillenas Publishing Company (LP.MB-748A).

ISBN 9780834195813.

All the Best Songs for Youth features 102 of the best songs for youth. This collection contains new songs choruses praise songs and favorites from artists and writers including Audio Adrenaline Newsboys Al Denson Steven Curtis Chapman Clay Crosse Twila Paris Michael W. Smith and more. A great all-around resource for group singing youth choirs or solos. Arranged by Dennis Allen. Titles include Big House; Facts Are Facts; Shine; Be Bold Be Strong; Awesome God; God Is in Control; His Love Is Strong; I Am Somebody; I Believe in Jesus; Pharaoh Pharaoh; Lord I Lift Your Name on High; I Pledge Allegiance to the Lamb; Jesus Is a River of Love; God Will Make a Way; No Fear; Sing Shout Clap; Victory Chant; Willing Heart; You Are the One; My Turn Now; Change My Heart O God; Be the One; Hosanna; You're the King; I'm Not Ashamed; and more.

Concert Band Concert Band - Grade 2

SKU: FJ.B1783

Composed by Randall Standridge. Concert Band; MakeMusic Cloud. FJH Young Band. Form: Chorale. Score and Part(s). Duration 3:30. The FJH Music Company Inc #98-B1783. Published by The FJH Music Company Inc (FJ.B1783).

UPC: 241444404850. English.

Sometimes, music is not about anything. It exists solely for the beautiful sounds it creates and the emotions derived from that aesthetic experience. Where Words End... falls firmly into this category of music. This expressive piece makes creative use of the ranges and colors available for young bands to create a truly remarkable new work for students and directors alike. Where words end, music begins...

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

(Contemporary and Traditional Favorites). Composed by Ken Bible. For 4-part choir, hymnal style, or melody with easy keyboard accompaniment. This edition: Paperback, Words Only Edition. Songbook. Multicultural and Sacred. Words only. 56 pages. Published by Lillenas Publishing Company

Composed by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3745H. Published by Heritage Music Press

Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.5199205

Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Choral Score. Composed 1796. Hob. XX:2. 40 pages. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199205).

ISBN 9790007186654. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.

Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb

SKU: CA.5199200

Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Carus digital: Extra digital products. Full Score. Composed 1796. Hob. XX:2. 212 pages. Duration 65 minutes. Published by Carus Verlag (CA.5199200).

ISBN 9790007186647. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.